Tamara Roberts (73 results)

Hardback. Condition: Very Good. Tamara Roberts (illustrator).

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Tamara Roberts (illustrator).

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Tamara Roberts (illustrator).

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Tamara Roberts (illustrator).

hardcover. Condition: Very Good. 1st Edition. Used - Very Good. Tamara Roberts (illustrator).

Hardback. Condition: Very Good. Tamara Roberts (illustrator).

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Arrington, Tamara Helene (illustrator).

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New. Radhakrishnan, Santhya Shenbagam (illustrator).

Hardcover. Condition: Brand New. 24 pages. 12.25x9.75x0.79 inches. In Stock. Joubert, Tamara (illustrator).

Paperback. Condition: Brand New. summer 2017 edition. 46 pages. 10.00x8.00x0.11 inches. In Stock.

Condition: New.

Hardcover. Condition: Brand New. 24 pages. 12.25x9.75x0.79 inches. In Stock. Joubert, Tamara (illustrator).

Hardcover. Condition: Brand New. 24 pages. 12.25x9.75x0.79 inches. In Stock. Joubert, Tamara (illustrator).

Soft cover. Condition: As New. No Jacket. 1st Edition. 6 x 9". 149 pages. SIGNED. AS NEW. to access our many books on fantasy search Abebooks.com using our unique key word FANTASY or visit our shop at 901 Throckmorton in beautiful downtown Fort Worth. Language: eng. Inscribed by Author(s).

No Binding. Condition: Very Good. 1st Edition. A lot of eight VG or better original release 8 x 10 stills. Photographic Image.

No Binding. Condition: Very Good. 1st Edition. A lot of eight VG or better original release 8 x 10 stills. Photographic Image.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New. Brand New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback or Softback. Condition: New. Resounding Afro Asia: Interracial Music and the Politics of Collaboration. Book.

Condition: As New. Unread book in perfect condition.

Condition: New. Explores the life, work, and persona of saxophonist Fred Ho, an unabashedly revolutionary artist whose illuminating and daring work redefines the relationship between art and politics. Editor(s): Buckley, Roger Norman; Roberts, Tamara. Series: Asian American Experience. Num Pages: 288 pages, 15 black and white photographs, discography. BIC Classification: AB; AGB; AVH. Category: (P) Professional & Vocational. Dimension: 226 x 148 x 22. Weight in Grams: 430. . 2013. 1st Edition. Paperback. . . . . …

Paperback. Condition: Brand New. 280 pages. 8.90x5.90x0.90 inches. In Stock.

Paperback. Condition: New. Though cultural hybridity is celebrated as a hallmark of U.S. American music and identity, hybrid music is all too often marked and marketed under a single racial label.Tamara Roberts' book Resounding Afro Asia examines music projects that foreground racial mixture in players, audiences, and sound in the face of the hypocrisy of the culture industry. Resounding Afro Asia traces a genealogy of black/Asian engagements through four contemporary case studies from Chicago, New York, and California: Funkadesi (Indian/funk/reggae), Yoko Noge (Japanese folk/blues), Fred Ho and the Afro Asian Music Ensemble (jazz/various Asian and African traditions), and Red Baraat (Indian brass band and New Orleans second line). Roberts investigates Afro Asian musical settings as part of a genealogy of cross-racial culture and politics. These musical settings are sites of sono-racial collaboration: musical engagements in which participants pointedly use race to form and perform interracial politics. When musicians collaborate, they generate and perform racially marked sounds that do not conform to their racial identities, thus splintering the expectations of cultural determinism. The dynamic social, aesthetic, and sonic practices construct a forum for the negotiation of racial and cultural difference and the formation of inter-minority solidarities. Through improvisation and composition, artists can articulate new identities and subjectivities in conversation with each other.Resounding Afro Asia offers a glimpse into how artists live multiracial lives in which they inhabit yet exceed multicultural frameworks built on racial essentialism and segregation. It joins a growing body of literature that seeks to write Asian American artists back into U.S. popular music history and will surely appeal to students of music, ethnomusicology, race theory, and politics, as well as those curious about the relationship between race and popular music.…