Szarkowski John Text (29 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Cloth, 111 pages, chiefly illustrations; 27 cm. Based on a catalogue of an exhibition held at the National Gallery of Art, Washington, D.C., October 6, 1985 to January 12, 1986. Firm binding, clean inside copy. Age toning. Dust jacket with light edgewear. With an essay by James Alinder and an Introduction by John Szarkowski, Director of the Photography Department at MoMA. *** "Reproduces seventy-five black-and-white photographs selected by Ansel Adams during the last years of his life as the finest examples of his work, and includes a biographical essay." - Publisher. Size: 4to.…

Paperback. Condition: Very Good. First Paperback Edition. 4to - over 9¾" - 12" Tall. In pictorial wraps, 4to(oblong) 191, [1] pages. Catalogue of the exhibition in celebration of the 100th anniversary of the photographer's birth, at the San Francisco Museum of Modern Art, and 5 other US and European institutions, August 2001 - November 2003. Adams, Ansel (photographer); 114 Tritone & 23 Duotone Text Illustrations (illustrator).…

Softcover. Condition: Very good. First. 4to, stapled pictorial wrappers. [32] pp, 30 b/w illustrations. Forty-two photographs by Lartigue were exhibited at the museum suring the summer of 1963.

Softcover. Condition: Very good. First. 4to, stapled pictorial wrappers. [32] pp, 30 b/w illustrations. Forty-two photographs by Lartigue were exhibited at the museum suring the summer of 1963.

First edition. Oblong 8vo., 48 pp., chiefly illustrated with b&w plates from photographs. Moderate soiling to the wrappers. A very good copy. An historical survey, published upon the occasion of the exhibition held at MoMA, 1963. Includes an introduction and short biographies.

Hardcover. Condition: NF. Dust Jacket Condition: VG+. 1st. Szarkowski, who selected the photopgraps for this beautiful book from the Mariners' Museum collection, is internationally renowned for his photographic work and knowledge and his expertise is convincingly demonstrated in this collection of 100 photographs from the late 1800s to contemporary times. The illustrations range from primitive craft to sailing ships, steamers and motor ships to contemporary times. Ship building,seafarers, machinery, warships, wrecks, pleasure craft and related shore-side subjects are included. Most photos have a light sepia tint, some with a blue tinge --- all in all a prestegious publication with Benson's short essays providing informative reading. 245 pages, including checklist and notes on the photographs. Each photograph occupies a seperate page with the description on the left page. Green hard covers with silver spine titles NF, ditto text block. No inscriptions. Pictorial DJ VG+. A heavy book at 1.5kgs unpacked. Photos (illustrator).…

First edition. Oblong 4to., 199 pp., fully illustrated from photographs. Photo-illustrated stiff wrappers. Fine, as new in the publisher's shrinkwrap. Text by John Szarkowski.

Soft cover. Condition: Fine. Museum of Modern Art softcover 1984; 216 pages; No marks/tears, creases or signs of use, pinhead sized coffee stain on fore-edge else defect free:(Fine). We will bubble wrap the book and ship it in a New BOX- Not a plastic bag like the zombie sellers.

Softcover. Condition: Near Fine. First Edition. Soft, stapled gray black and white illustrated wraps with white and black lettering. Has a touch of age toning on the front cover, otherwise in great shape. Black and white photographic plates of works by Ansel Adams. Texts by John Szarkowski, Robert Turnage and Ansel Adams. Undated. Uncommon in nice condition.…

Softcover. Condition: Near Fine. First Edition. Soft, stapled gray black and white illustrated wraps with white and black lettering. Has a touch of age toning on the front cover, otherwise in great shape. No dust jacket. A 29-page publication filled with Adams' b&w photos taken at National Parks that includes an essay by Adams called The Mean of National Parks and an essay about Adams by Robert Turnage: Ansel Adams, The Role of the Artist in the Environmental Movement. Out of Print.…

Soft cover. Condition: Near Fine. 1st Edition. 1st edition softback copy, large quarto-sized book. Near-fine softback copy. Light foxing to top edge of closed pages.

Condition: Good. [Exhibition Brochure] 4to. One soft, fold-out page. Very Good. From the Collection of the Art Historian Peter Selz (1919-2019).

Condition: Good. 4to. 28 pp]. Soft, stapled gray and black and white illustrated wraps with white and black lettering. Good with marginal dampstaining, sunning and spotting along front wrap. Black and white photographic plates of works by Ansel Adams.Texts by John Szarkowski, Robert Turnage and Ansel Adams. Undated.…

Hardcover. Condition: vg. First edition. Folio (13 1/2 x 14 1/2"). 191, [1]pp. Original tan cloth, with white lettering to spine and front cover. Laid in in an envelope containing a 13 x 11" frameable reproduction print of a photograph in the book and exhibition: Aspens, Dawn, Dolores River Canyon, Colorado, 1937. Printed in tritone on a heavy cover stock, with Ansel Adams' facsimile signature and the blind embossed seal of the Ansel Adams Trust. Laid in a photo-illustrated sheet with Szarkowski text. Book is housed in its matching tan cloth slipcase, with white lettering to front panel. Frontispiece photograph. Title page printed in red and black. In commemoration of the one-hundredth anniversary of his birth, "Ansel Adams at 100" presents an intriguing new look at this distinguished photographer's work. The legendary curator John Szarkowski, director emeritus of the Department of Photography at New York's Museum of Modern Art, has painstakingly selected what he considers Adams' finest work and has attempted to find the single best photographic print of each. Szarkowski writes that "Ansel Adams at 100" is the product of a thorough review of work that Adams, at various times in his career, considered important. It includes many photographs that will be unfamiliar to lovers of Adams' work, and a substantial number that will be new to Adams scholars. The book is an attempt to identify that work on which Adams' claim as an important modern artist must rest. "Ansel Adams at 100" - the highly acclaimed international exhibition and the book, with Szarkowski's incisive critical essay - is the first serious effort since Adams' death in 1984 to reevaluate his achievement as an artist. The 114 exhibition prints, drawn from important public and private collections, have been meticulously reproduced in tritone to create the splendid plates in this edition, faithfully rendering the nuances of the original prints. The text is accompanied with 23 duotone photographic reproductions. "Ansel Adams at 100" is destined to be the definitive book on this great American artist. John Szarkowski is director emeritus of the Department of Photography, The Museum of Modern Art, New York. He is the author of such classic works as "Looking at Photographs," "The Photographer's Eye," "Photography Until Now," and "Atget," as well as several books of his own photographs, including the recently reissued "The Idea of Louis Sullivan." (From the Publishers). Block lightly jolted at top of spine. Slipcase, binding and interior in very good condition. …

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st Edition. First Edition (stated), 1996. Slight bump to on corner of the binding otherwise a very fine copy. International shipping may require added postage charges.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Extremely slight and minor bumps to a couple of corners otherwise a very fine copy. Still in the publisher's unopened original shrinkwrap. Likely a First Edition. International shipping may require added postage charges.

Geh. Gr.8°, 32 S. mit 30 Abb. (meist auf Tafeln). Umschlag etw. gebrauchsspurig, Hinterdecel etw. fleckig, innen tadellos. 3. Auflage. [= The Museum of Modern Art Bulletin, Bd. 30, Nr. 1]. Mit einem Text von John Szarkowski (2 S.).

Hardcover. First. 4to, cloth. 216 pp, 156 illustrations (21 in color) + 35 text figures (7 in color). Published in conjunction with an exhibition. Fine, no dust jacket. Signed and dated by Penn on the half-title page.

First Edition. Hardcover. First Edition, complete in four volumes. All four volumes Fine in Near Fine to Fine dust jackets. Oversize volume, shipping billed at cost. Illus. With Photos (illustrator).

Hardcover. Condition: gut. 1996. Bellocq:: Photographs from Storyville, the Red-Light District of New Orleans In englischer Sprache. pages.

Soft cover. Condition: Fine. 8vo. unpaginated. 46 b/w. illus. wrs. Second Edition.

Hardcover. Condition: Fine. Dust Jacket Included. 4to. pp. 189 , [2]. profusely illus. in b/w. biblio. cloth. dw. (spine sunned, extremities bit worn, 2 long tears to bottom edge of dust jacket).

Hardcover. Condition: Fine. Near Fine. First Edition; First Printing. First edition. Fine in near fine dust jacket. (Small nick at crest of spine on jacket. 1/4"-inch closed tear at base of rear panel. ) (177pp. ) (10 1/2" X 11 3/4") 121 plates and 83 reference illustrations. ; 10 1/2" X 11 3/4"; 177 pages. …

Hardcover. Condition: Fine. Near Fine. First Edition; First Printing. Fine in virtually fine dust jacket. (Slight hint of shelf wear at crest of spine on jacket. ) (192pp. ) 117 plates and 95 reference illustrations.

Condition: Very Good +. New York: Museum of Modern Art, 1976. First Edition. Square quarto (23cm); 112pp. Without dust jacket, as issued. Boards bound in black wax cloth with gilt stamping to front panel and spine; iconic tricycle photograph mounted at front; charcoal endsheets. Color photographs throughout. Boards lightly bumped at spine ends; spine slightly cocked. Binding sound. Textblock and interior pages clean; endsheets faded along edges. Very Good or better. Published to accompany MoMA's first single-artist show of color photographs, William Eggleston's Guide is also the Museum's first publication of color photography.…