Suzuki Haruo (163 results)

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Paper Back. Condition: Near Fine. Dust Jacket Condition: Near Fine. Pages are clean and bright with no markings. Minor rubbing to the edges and corners. Binding is fine.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good. Bumps on corners* Ex-library book*.

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Soft cover. Condition: Near Fine. 1st Edition. Book is in good condition , no markings , clean with a tight binding .

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: New.

Paperback or Softback. Condition: New. Inventing the Classics: Modernity, National Identity, and Japanese Literature. Book.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Today the term "Japanese literary classics" implies such texts as the Man'yoshu, Kojiki, Tale of Genji, Tale of the Heike, Noh drama, and the works of Saikaku, Chikamatsu, and Basho, which are considered the wellspring and embodiment of Japanese tradition and culture. Most of these texts, however, did not become "classics" until the end of the nineteenth century, in a process closely related to the emergence of Japan as a modern nation-state and to the radical reconfiguration of notions of literature and learning under Western influence. As in Europe and elsewhere, the construction of a national literature and language with a putative ancient lineage was critical to the creation of a distinct nation-state. This book addresses the issue of national identity and the ways in which modern European disciplinary notions of "literature" and genres played a major role in the modern canonization process. These "classics" did not have inherent, unchanging value; instead, their value was produced and reproduced by various institutions and individuals in relation to socio-economic power. How then were these texts elevated and used? What kinds of values were given to them? How was this process related to larger social, political, and religious configurations? This book, which looks in depth at each of the major "classics," explores these questions in a broad historical context, from the medieval period, when multiple canons competed with each other, through the early modern and modern periods. Throughout, the essays focus on the roles of schools, commentators, and socio-religious institutions, and on issues of gender. The result is a new view of the transformation of the Japanese canon and its intimate connection with the issue of national and cultural identity.…

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Binding sound, text unmarked. Condition: Very Good+. No dustwrapper. Boards slightly curved. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. 1st edition. No ownership marks. Size: xvi, 333pp. No ownership marks.…

Condition: new.

Condition: New. In English.

Condition: New. pp. 352.

Condition: New. Shirane and Suzuki examine how the Japanese canon of "classics" (The Tale of Genji, The Tale of the Heike, Noh drama, Saikaku, Chikamatsu, and Basho) was constructed as part of the creation of Japan as a modern nation-state and as a result of Western influence. Editor(s): Shirane, Haruo; Suzuki, Tomi. Num Pages: 352 pages, illustrations. BIC Classification: 1D; 1FPJ; 2GJ; DSA; DSB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 22. Weight in Grams: 478. . 2002. 1st Edition. Paperback. . . . . …

Paperback / softback. Condition: Good. Used copy in good condition - Usually dispatched within 3 working days.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: Brand New. 1st edition. 333 pages. 8.50x6.00x0.75 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 352.

Condition: New. Shirane and Suzuki examine how the Japanese canon of "classics" (The Tale of Genji, The Tale of the Heike, Noh drama, Saikaku, Chikamatsu, and Basho) was constructed as part of the creation of Japan as a modern nation-state and as a result of Western influence. Editor(s): Shirane, Haruo; Suzuki, Tomi. Num Pages: 352 pages, illustrations. BIC Classification: 1D; 1FPJ; 2GJ; DSA; DSB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5817 x 3887 x 22. Weight in Grams: 478. . 2002. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. …

Hardcover. Condition: Fine. First Edition. Near Fine, unmarked book with slightly bumped top corners and very slight sunning to cloth on spine.

Paperback. Condition: New. Today the term "Japanese literary classics" implies such texts as the Man'yoshu, Kojiki, Tale of Genji, Tale of the Heike, Noh drama, and the works of Saikaku, Chikamatsu, and Basho, which are considered the wellspring and embodiment of Japanese tradition and culture. Most of these texts, however, did not become "classics" until the end of the nineteenth century, in a process closely related to the emergence of Japan as a modern nation-state and to the radical reconfiguration of notions of literature and learning under Western influence. As in Europe and elsewhere, the construction of a national literature and language with a putative ancient lineage was critical to the creation of a distinct nation-state. This book addresses the issue of national identity and the ways in which modern European disciplinary notions of "literature" and genres played a major role in the modern canonization process. These "classics" did not have inherent, unchanging value; instead, their value was produced and reproduced by various institutions and individuals in relation to socio-economic power. How then were these texts elevated and used? What kinds of values were given to them? How was this process related to larger social, political, and religious configurations? This book, which looks in depth at each of the major "classics," explores these questions in a broad historical context, from the medieval period, when multiple canons competed with each other, through the early modern and modern periods. Throughout, the essays focus on the roles of schools, commentators, and socio-religious institutions, and on issues of gender. The result is a new view of the transformation of the Japanese canon and its intimate connection with the issue of national and cultural identity.…

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

OWNERSHIP SIGNATURE OF ROY STARRS, super octavo, illus light card wrappers, white & green lettering to spine, 333pp, VG (light to moderate fading & creasing to spine, light creasing & curling to wrapper edges, light soiling to page edges, minor cracking to title page gutter, review copy label to inside front wrapper, sporadic ink markings to margins plus an impressive pencil drawing by prev. owner to rear).…