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Studio Museum Harlem (25 results)
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Black Romantic: The Figurative Impulse in Contemporary African-American Art
Language: English
Published by The Studio Museum in Harlem, 2002
ISBN 10: 0942949234 ISBN 13: 9780942949230
Trade Paperback. Condition: USED Good.
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25 Years of African-American Art The Studio Museum in Harlem
Language: English
Published by The Studio Museum in Harlem, New York, 1994
ISBN 10: 0942949110 ISBN 13: 9780942949117
paperback. Condition: as new. 8 x 9 1/4" 56 pages. foreword by Kinshasha Holman Conwill & essay by Valerie J. Mercer.
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25 Years of African-American Art
Language: English
Published by The Studio Museum in Harlem, Harlem, NY, 1994
Paper. Condition: Good. Good paper copy ex. cat. 56 no. pp, 1 pp fwd, 2 pp text, illus. throughout almost all in 4/C, short chron. on each artist, lists 45 works. A related bibliography on African-American art.
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Passages: Contemporary art in transition
Language: English
Published by The Studio Museum in Harlem, 2000
ISBN 10: 0942949188 ISBN 13: 9780942949186
Seller: Zubal-Books, Since 1961, Cleveland, OH, U.S.A.
Seller rating 5 out of 5 stars
Condition: Very Good. 96 pp., Paperback, minor library markings, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
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paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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To Conserve a Legacy: American Art from Historically Black Colleges and Universities
Language: English
Published by Addison Gallery of Amer Art, 1999
ISBN 10: 0262161869 ISBN 13: 9780262161862
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Well-preserved copy, clean, solid binding. In unused condition.
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Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
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Black Refractions: Highlights from The Studio Museum in Harlem
Seller: Strand Book Store, ABAA, New York, NY, U.S.A.
Seller rating 4 out of 5 stars
Hardcover. Condition: Good.
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The ART of HENRY OSSAWA TANNER; collection of Mr. and Mrs. Norman H. Robbins, Museum of African Art/Frederick Douglass Institute, Washington
Published by Hyde Collection, Glens Falls, New York, 1972
Seller: Peter L. Masi - books, MONTAGUE, MA, U.S.A.
Association Member: SNEAB
Seller rating 4 out of 5 stars
Pamphlet. Condition: Collectible. Ca 1972. 32 pages. Illustrated. Chronology, Catalogue, Bibliography. 9 x 6", printed wrapper. VG.
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Norman Lewis: Black Paintings 1946 - 1977
Language: English
Published by Studio Museum, Harlem, NY, 1998
ISBN 10: 0942949005 ISBN 13: 9780942949001
Seller: Mullen Books, ABAA, Marietta, PA, U.S.A.
Seller rating 4 out of 5 stars
Softcover. Glossy illustrated wraps with white lettering. 124 pp. 53 bw and color plates. Examination of major African-American modernist abstract painter. Contributions by Kinshasha Conwill, Ann Gibson, Jorge Veneciano, Lowery Sims, and David Craven. VG. Some wear around the wrapper edges.
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Harlem Renaissance : Art of Black America / Introduction by Mary Schmidt Campbell ; Essays by David Driskell, David Levering Lewis, and Deborah Willis Ryan
Language: English
Published by New York : The Studio Museum In Harlem : Harry N. Abrams, 1987
ISBN 10: 0810910993 ISBN 13: 9780810910997
First Edition
First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new new and still in the publisher's protective shrink-wrap. ; 200 pages; Description: 200 p. : ill. (some col. ) ; 30 cm. Includes index. Bibliography: p. 188-19.Subjects: Harlem Renaissance --Exhibitions. African American art --New York (State) --New York --20th century --Exhibitions. 4 Kg.
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Harlem Ranaissance Art of Black America
Language: English
Published by Harry N. Abrams, Inc., Publishers, New York, 1987
Hardcover. Condition: Good. Good hardcover copy with d/j, Introduction by Mary Schmidt Campbell, essays by David Driskell, David Levering Lewis, and Deborah Willis Ryan, 200 pp, 55 4/C illus, 85 B/W illus. *Ink inscription on first fly leaf.
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Passages: Contemporary Art in Transition
Published by The Studio Museum in Harlem, 2000
ISBN 10: 0942949072 ISBN 13: 9780942949070
Paperback. Condition: Very Good. Unmarked. Beautifully illustrated. Accompanied a November 17, 1999 - January 17, 2000 exhibition. Artists include Terry Adkins, Willie Birch, David Hammons, Kerry James Marshall, Alison Saar, and others. 98p. Measures 8.5x11 inches.
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Kori Newkirk: 1997-2007 9780911291339
Language: English
Published by Los Angeles: Fellows of Contemporary Art., 2007
ISBN 10: 0911291334 ISBN 13: 9780911291339
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Seller rating 5 out of 5 stars
Signed
Condition: Good. 4to. 127 pp. Soft cover. Mostly color plates. Signed dedication from Geoff Tuck on first page. Very Good.From the collection of Peter Norton Family Foundation, Santa Monica, CA. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of MoMA PS1.
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Harlem Renaissance : Art of Black America / Introduction by Mary Schmidt Campbell ; Essays by David Driskell, David Levering Lewis, and Deborah Willis Ryan
Language: English
Published by New York : The Studio Museum In Harlem : Harry N. Abrams, 1987
ISBN 10: 0810910993 ISBN 13: 9780810910997
First Edition
First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new new and still in the publisher's protective shrink-wrap. ; 200 pages; Description: 200 p. : ill. (some col. ) ; 30 cm. Includes index. Bibliography: p. 188-19.Subjects: Harlem Renaissance --Exhibitions. African American art --New York (State) --New York --20th century --Exhibitions. 2 Kg.
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This Longing Vessel: E. Jane, Naudline Pierre, Elliott Reed (Studio Museum in Harlem 2019-2020 Artists in Residence)
Published by Studio Museum in Harlem, 2020
First Edition
Soft Cover. Condition: Very Good+. First Edition; First Printing. SIGNED by Elliott Reed an the rear cover. ; Numerous full page color plates of works by E. Jane, Naudline Pierre, and Elliott Reed. With an essay by Legacy Russel, who curated the exhibition at MoMA PS1, New York, December 10, 2020 - March 14, 2021. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 8vo 8" - 9" tall; 112 pages; Signed by Artist.
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Wifredo Lam and His Contemporaries 1938-1952
Published by The Studio Museum in Harlem 1992, 1992
Seller: Joel Rudikoff Art Books, White Plains, NY, U.S.A.
Seller rating 4 out of 5 stars
First Edition
First 4to, stiff pictorial wrappers. 176 pp, 85 illustrations (40 in color) plus 72 text figures (1 in color), bibliography. Exhibition December 6, 1992 - April 11, 1993. 0942949080 Very good.
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To Conserve a Legacy: American Art from Historically Black Colleges and Universities
Language: English
Published by Addison Gallery of Amer Art, 1999
ISBN 10: 0262161869 ISBN 13: 9780262161862
Hardcover. Condition: New.
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paperback. Condition: New. In shrink wrap. Looks like an interesting title!
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Studio: The Studio Museum in Harlem Magazine, Winter/Spring 2017.
Published by New York, NY: Studio Museum Harlem., 2017
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Seller rating 5 out of 5 stars
Condition: Good. 4to. 96 pp. Soft cover magazine. Very Good. Color plates throughout. From the Collection of the Art Historian Peter Selz (1919-2019).
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Fictions
Language: English
Published by The Studio Museum In Harlem Publication, 2017
ISBN 10: 0942949447 ISBN 13: 9780942949445
Seller: Birmingham Museum of Art, Birmingham, AL, U.S.A.
Seller rating 5 out of 5 stars
Soft cover. Condition: New. Condition: New. Still wrapped in plastic. International shipping will be extra. Thank you!
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The Hale Woodruff Memorial Exhibition: Curators' Choice 20 July to 31 December 1994.
Published by New York: The Studio Museum., 1994
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Seller rating 5 out of 5 stars
Condition: Good. 4to. 24 pp. Black and white plates. Very Good.From the collection of Peter Norton Family Foundation, Santa Monica, CA. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of MoMA PS1.
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Arts and Humanities: A Special Series Presented by The Studio Museum in Harlem . Gwendolyn Brooks . Nathan I. Huggins .Albert Murray
Published by [Harlem], 1977
Seller: McBlain Books, ABAA, Hamden, CT, U.S.A.
Association Member: ABAA ILAB SNEAB
Seller rating 5 out of 5 stars
Condition: Very Good. Broadside. Includes individual head shots of the three individuals. 22 x 28 cm. Promotional piece for a series of three programs, one by each of these individuals in November or early December of 1977.
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"Invisible Americans" Black Artists of the 30's" [plus a Related Press Release from Eleanor Haas]
Published by The Studio Museum in Harlem, New York, 1968
Seller: McBlain Books, ABAA, Hamden, CT, U.S.A.
Association Member: ABAA ILAB SNEAB
Seller rating 5 out of 5 stars
Condition: Very Good. Two-page exhibition list (probably produced on a photocopier). Accompanying the exhibition list (also probably produced on a photocopier) is a two-page Press Release dated November 14, 1968 and issued by Eleanor Haas on behalf of the Studio Museum. titled. Both items are printed on one side and stapled in upper left corners. 28 cm. The exhibition was organized by Henri Ghent, director of the Brooklyn Museum's Community. 42 works by 21 African American artists are listed as included in the exhibition. The Press Release is titled "Blacks Talk Back to the Whitney Museum and states in part: The Whitney Museum left them out. Not a single black artist is inclued in its current survey of American art of the 1930's . "Our title, of course, refers to Ralph Ellison's superb image for the exclusion of blacks from consciousness by the white establishment," said Mr. Ghent . "They refuse to see us. Small wonder our artists have not been taken seriously.".
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