Stubbs Will (23 results)

Soft Cover. Condition: Very Good+. Alejandro (front cover) (illustrator). First Edition. ----------pulp magazine, digest size. Notable stories this issue are part 2 of Seetee Shock by Williamson, and Opening Doors, part of Shiras' Children of the Atom series. Small split to spine top, corner crease, a VG+ copy. Back cover advertisement is for Audel's Carpenters and Builders Guides (Audel, Publishers).

Hardcover. Condition: Good. No Jacket. 1st Edition. 1993. 1st Edition. Good hardback book. No dust jacket. Both inscribed and signed by the author. Bumped corner and red mark on foredge. 82pp. Sm 4to. (F).

Paperback. Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. Two artists, two completely different approaches, but one abiding passion - to celebrate the natural bounty to be found in the floodplains, swamps, savannas and woodlands of northern Australia. Mulkun Wirrpanda and John Wolseley, her adopted wwa (brother), have created a powerful body of works depicting many of the edible plants of north-east Arnhem Land.I made this painting after eating bundjuu [bush orange] . I was thinking about how we used to eat when I was a child . I was thinking about nowadays . and about the rubbish that our children eat.And so Mulkun Wirrpanda, a senior elder of the Dhudi-Djapu clan, resolved to paint the traditional food plants of her Yolu community to safeguard this knowledge for future generations. The suite of bark paintings she created is the subject of this lavishly illustrated catalogue for the National Museum of Australia's new exhibition, Midawarr/Harvest: The Art of Mulkun Wirrpanda and John Wolseley. Providing a natural counterpoint to these works is a vast and beautifully detailed scroll by renowned landscape painter John Wolseley. The supporting text draws on the wealth of Yolu botanical knowledge, describing the food and medicinal plants featured in the paintings and how they are collected, prepared and used. Two artists, two completely different approaches, but one abiding passion - to celebrate the natural bounty to be found in the floodplains, swamps, savannas and woodlands of northern Australia. Mulkun Wirrpanda and John Wolseley, her adopted wwa Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Used - Like New. A lively, in-depth look at nine women on the vanguard of Aboriginal Australian art. This book explores women artists who are at the forefront of the Aboriginal arts movement in Australia. Comprised of a series of illustrated essays, this book brings to life a wide array of artistic practices, each attempting to grapple with the most fundamental questions of existence. Written by leading art historians, anthropologists, curators, and other experts in the field, these essays provide a penetrating look at one of today s most dynamic artistic movements. ' A lively, in-depth look at nine women on the vanguard of Aboriginal Australian art. wrapped in complimentary Brodart dust jacket protector. Very nice clean, tight copy free of any marks.

Soft cover. Condition: As New. 1st Edition. A DELIGHTFUL MIX OF CONTEMPORARY AUSSIE ART AND ARTISTS, COLOURFUL,BRIGHT AND MOST OF ALL OPTIMISTIC.

Condition: New.

Paperback. Condition: Brand New. 200 pages. 10.80x7.50x10.91 inches. In Stock.

SOFTCOVER. Condition: As New. 1st Edition. Square 4to in stiff card covers, 28pp on thick glossy art paper, 12 fine large Australian textiles fully described and illustrated in colour . [CONDITION: A well preserved AS NEW unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Print on Demand. This book explores the connection between degree-conferring institutions and state supervision, particularly in medicine. It compares current laissez-faire attitudes to more proactive oversight by state bodies. An examination of European models is used to support the argument for stricter regulation within the United States. The author argues that the prestige of American degrees would improve if a uniform standard for awarding them were nationally implemented to reduce the current variability which has allowed diploma mills and degree-selling institutions to flourish. The work exposes the shortcomings of a system which equates state control with state responsibility for awarding degrees, explaining why this is a false equivalency. Among the main themes of the book is the assertion that state supervision is compatible with the protection of academic freedoms and diversity of standards provided it is implemented fairly and without bias or special interests. The author concludes by proposing that regulation would encourage healthy competition between medical schools, reduce the risks to both students and the public and foster greater trust in the integrity of medical degrees. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Soft cover. Condition: Near Fine.

Paperback. Condition: new. Paperback. Two artists, two completely different approaches, but one abiding passion - to celebrate the natural bounty to be found in the floodplains, swamps, savannas and woodlands of northern Australia. Mulkun Wirrpanda and John Wolseley, her adopted wwa (brother), have created a powerful body of works depicting many of the edible plants of north-east Arnhem Land.I made this painting after eating bundjuu [bush orange] . I was thinking about how we used to eat when I was a child . I was thinking about nowadays . and about the rubbish that our children eat.And so Mulkun Wirrpanda, a senior elder of the Dhudi-Djapu clan, resolved to paint the traditional food plants of her Yolu community to safeguard this knowledge for future generations. The suite of bark paintings she created is the subject of this lavishly illustrated catalogue for the National Museum of Australia's new exhibition, Midawarr/Harvest: The Art of Mulkun Wirrpanda and John Wolseley. Providing a natural counterpoint to these works is a vast and beautifully detailed scroll by renowned landscape painter John Wolseley. The supporting text draws on the wealth of Yolu botanical knowledge, describing the food and medicinal plants featured in the paintings and how they are collected, prepared and used. Two artists, two completely different approaches, but one abiding passion - to celebrate the natural bounty to be found in the floodplains, swamps, savannas and woodlands of northern Australia. Mulkun Wirrpanda and John Wolseley, her adopted wwa Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Will Stubbs, National Museum of Australia. Two artists, two completely different approaches, but one abiding passion - to celebrate the natural bounty to be found in the floodplains, swamps, savannas and woodlands of northern Australia. Mulkun Wirrpanda and John Wolseley, her adopted wawa (brother), have created a powerful body of works depicting many of the edible plants of north-east Arnhem Land. I made this painting after eating bu n djunu [bush orange] . I was thinking about how we used to eat when I was a child . I was thinking about nowadays . and about the rubbish that our children eat. And so Mulkun Wirrpanda, a senior elder of the Dhudi-Djapu clan, resolved to paint the traditional food plants of her Yolnu community to safeguard this knowledge for future generations. The suite of bark paintings she created is the subject of this lavishly illustrated catalogue for the National Museum of Australia's new exhibition, Mi d awarr/Harvest: The Art of Mulku n Wirrpanda and John Wolseley . Providing a natural counterpoint to these works is a vast and beautifully detailed scroll by renowned landscape painter John Wolseley. The supporting text draws on the wealth of Yolnu botanical knowledge, describing the food and medicinal plants featured in the paintings and how they are collected, prepared and used. Paperback.

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. 95 pages. Illustrated. The Sydney Olympics in 2000 helped draw the world's attention to the quality of art and music being made by Aboriginal communities in Australia today. This book documents that creativity; traditional and contemporary painting, printmaking, sculpture, video and photography. The publication focuses in part the role that women have played recently in generating some of the most memorable contemporary art inspired by the archetypal idea of the Dream Time. (BT#4).

Paperback. Condition: Brand New. 200 pages. 10.80x7.50x10.91 inches. In Stock.

Paperback. Condition: new. Paperback. Two artists, two completely different approaches, but one abiding passion - to celebrate the natural bounty to be found in the floodplains, swamps, savannas and woodlands of northern Australia. Mulkun Wirrpanda and John Wolseley, her adopted wwa (brother), have created a powerful body of works depicting many of the edible plants of north-east Arnhem Land.I made this painting after eating bundjuu [bush orange] . I was thinking about how we used to eat when I was a child . I was thinking about nowadays . and about the rubbish that our children eat.And so Mulkun Wirrpanda, a senior elder of the Dhudi-Djapu clan, resolved to paint the traditional food plants of her Yolu community to safeguard this knowledge for future generations. The suite of bark paintings she created is the subject of this lavishly illustrated catalogue for the National Museum of Australia's new exhibition, Midawarr/Harvest: The Art of Mulkun Wirrpanda and John Wolseley. Providing a natural counterpoint to these works is a vast and beautifully detailed scroll by renowned landscape painter John Wolseley. The supporting text draws on the wealth of Yolu botanical knowledge, describing the food and medicinal plants featured in the paintings and how they are collected, prepared and used. Two artists, two completely different approaches, but one abiding passion - to celebrate the natural bounty to be found in the floodplains, swamps, savannas and woodlands of northern Australia. Mulkun Wirrpanda and John Wolseley, her adopted wwa Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

First Edition. Softcover, very good with light wear.

Hardcover. Condition: New.

"Sales/posting to the USA suspended". Large quarto card covers with flaps, 208pp, b&w and colour ilustrated. A fine copy.

Soft Cover. Condition: Very Good+. Hubert Rogers, Miller, Paul Orban, H.R. Van Dongen & Chesley Bonestell (front covers) (illustrator). First Edition. ----------12 pulp magazines, digest size, all 12 issues for 1951. The only complete serial this year was the famous Iceworld by Clement (all 3 parts). Other important stories were Berom by John Berryman, .and Then There Were None by Russell, Dune Roller by May (her FIRST story), The Weapon by Fredric Brown. There was also a Dianetics (Scientology) article, Dianometry, by Hubbard. January is fine unread. February has tiny chips to spine extremities and is VG+ to near fine. March has a little spine wear and is VG+ to near fine. April is fine unread. May has faint cover creases, wear to spine bottom, and is VG to VG+. June has cover creases and is VG. July has wear to spine extremities and is VG+ to near fine. August has cover creases and is VG. September has cover creases, small split to spine bottom, pen on back cover, and is VG to VG+. October has a bump to spine bottom, and is near fine. November has cover creases, chips and small splits to spine extremities, and is good. December has cover creases, small split to spine bottom, and is VG.