Stéphane Ely (5 results)

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  • Language: English

    Published by Edition Créa Université, 2011

    1446763781 / 9781446763780

    • Softcover

    Seller: California Books, Miami, FL, U.S.A.California Books

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  • Language: English

    Published by Edition Créa Université, 2011

    1446763781 / 9781446763780

    • Softcover

    Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections

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    £ 9.98

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    Condition: New. In.

  • Language: French

    Published by Crea-Université, 2010

    1445742519 / 9781445742519

    • Softcover

    Seller: LiLi - La Liberté des Livres, CANEJAN, FranceLiLi - La Liberté des Livres

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    Condition: Used - Fine

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    Condition: fine. vendeur professionnel. envoi soigne en 24/48h. le livre peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques.

  • Language: English

    Published by Lulu Press, Inc., 2011

    1446763781 / 9781446763780

    • Softcover
    • Print on Demand

    Seller: moluna, Greven, Germanymoluna

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    Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextCreative thinking is a technique that is used in invention, innovation, problem solving, and generating new product concepts, services, and organizations. We all are familiar with the practice of brainstorming, which brings in.

  • Language: English

    Published by Lulu Press, Inc., 2011

    1446763781 / 9781446763780

    • Softcover
    • Print on Demand

    Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH

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    Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Creative thinking is a technique that is used in invention, innovation, problem solving, and generating new product concepts, services, and organizations. We all are familiar with the practice of brainstorming, which brings into play speed, quantity, and sustained rhythm. It is the emblematic technique of one of the creative stances: the 'dynamic' stance.But there is also a second creative stance: it is less known, involves going at a slow pace, searching out the vagueness of intuitive moments, and turning inward to the imagination. We refer to it as the 'sensitive' stance. But what exactly is the sensitive stance How is it integrated into the production of creative ideas and, more notably, into Creative Problem Solving (CPS) These are the questions we will strive to answer in this book, where we will introduce and explore the mechanisms of the creative sensitive detour and its accompanying creative breaths: departure towards the imagination, the emergence of ideas, and sensitive convergence.