Smith Tai (59 results)
- Softcover
Seller: INDOO, Avenel, U.S.A.INDOO
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One to One Reader
Groom, Amelia (CON); Smith, T'ai (CON); van der Voet, Hanka (CON); Robaard, Joke (CON)
- Softcover
Seller: GreatBookPrices, Columbia, U.S.A.GreatBookPrices
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One to One Reader
Groom, Amelia (CON); Smith, T'ai (CON); van der Voet, Hanka (CON); Robaard, Joke (CON)
- Softcover
Seller: GreatBookPrices, Columbia, U.S.A.GreatBookPrices
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- Softcover
Seller: Rarewaves.com USA, London, United KingdomRarewaves.com USA
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Paperback. Condition: New. The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school's weaving workshop. In Bauhaus Weaving The…ory, T'ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop's innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role these women played in debates about medium in the twentieth century and a nuanced history of the Bauhaus comes to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts.
One to One Reader
Groom, Amelia (CON); Smith, T'ai (CON); van der Voet, Hanka (CON); Robaard, Joke (CON)
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Language: English
Published by University of Minnesota Press, Minnesota 2014
- Softcover
Seller: Grand Eagle Retail, Bensenville, U.S.A.Grand Eagle Retail
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£ 35.97
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Paperback. Condition: new. Paperback. T'ai Smith deftly reframes the Bauhaus weavingworkshop as central to theoretical inquiry at the school, uncovering newsignificance in the work the weavers did as writers. Exploring questions ofestablishing value and legitimacy in the art world along with the limits ofmodernism, this book con…fronts the belief that the crafts are manual andtechnical but never intellectual arts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Hardcover
Seller: Rarewaves.com USA, London, United KingdomRarewaves.com USA
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£ 37.75
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Hardback. Condition: New. The first in-depth study of a monumental wall hanging-rediscovered after many years-by renowned Bauhaus artist Anni Albers.Albers was influential in elevating textiles from craft to fine art. Her exquisite wall hanging Camino Real-seen for the first time outside of Mexico City at David Zwirner, New York…, in 2019, and the subject of this book-is a superb example of this modern master's work.In 1967, noted architects Ricardo Legorreta and Luis Barragán commissioned Albers to create a work for the newly built Hotel Camino Real in Mexico City. Completed in 1968, her striking wall hanging Camino Real is heavily influenced by Latin American art and culture. Showcasing Albers's approach to working with textiles as a "many-sided practice," it is accompanied in this book by works Albers made following her move to the United States in 1933, including innovative wall hangings, weavings, and a range of works on paper. Together, these works reflect Albers's brilliant embrace of different materials and techniques and her ability to work at varied scales. The works in this publication offer additional context and motifs, demonstrating the artist's pioneering investment in textiles as an art form and her parallel interest in mass-produced designs.Published on the occasion of the Anni Albers exhibition presented at David Zwirner, New York, in 2019, this catalogue features new scholarship from the show's curator, Brenda Danilowitz, art historian and chief curator of The Josef and Anni Albers Foundation, and T'ai Smith, an expert on Bauhaus craft and weaving.
- Hardcover
Seller: Rarewaves USA, OSWEGO, U.S.A.Rarewaves USA
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£ 39.34
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Hardback. Condition: New. The first in-depth study of a monumental wall hanging-rediscovered after many years-by renowned Bauhaus artist Anni Albers.Albers was influential in elevating textiles from craft to fine art. Her exquisite wall hanging Camino Real-seen for the first time outside of Mexico City at David Zwirner, New York…, in 2019, and the subject of this book-is a superb example of this modern master's work.In 1967, noted architects Ricardo Legorreta and Luis Barragán commissioned Albers to create a work for the newly built Hotel Camino Real in Mexico City. Completed in 1968, her striking wall hanging Camino Real is heavily influenced by Latin American art and culture. Showcasing Albers's approach to working with textiles as a "many-sided practice," it is accompanied in this book by works Albers made following her move to the United States in 1933, including innovative wall hangings, weavings, and a range of works on paper. Together, these works reflect Albers's brilliant embrace of different materials and techniques and her ability to work at varied scales. The works in this publication offer additional context and motifs, demonstrating the artist's pioneering investment in textiles as an art form and her parallel interest in mass-produced designs.Published on the occasion of the Anni Albers exhibition presented at David Zwirner, New York, in 2019, this catalogue features new scholarship from the show's curator, Brenda Danilowitz, art historian and chief curator of The Josef and Anni Albers Foundation, and T'ai Smith, an expert on Bauhaus craft and weaving.
One to One Reader
Groom, Amelia (CON); Smith, T'ai (CON); van der Voet, Hanka (CON); Robaard, Joke (CON)
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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£ 23.02
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Condition: As New. Unread book in perfect condition.
Bauhaus 1919-1933: Workshops for Modernity
Barry Bergdoll; Leah Dickerman; Benjamin Buchloh; Brigid Doherty; Hal Foster; Charles Haxthausen; Andreas Huyssen; Michael Jennings; Juliet Kinchin; Ellen Lupton; Christine Mehring; Detlef Mertins; Marco De Michelis; Peter Nisbet; Monty Paret; Alex Potts; Frederic Schwarz; T'ai Smith
- Hardcover
Seller: ThriftBooks-Atlanta, AUSTELL, U.S.A.ThriftBooks-Atlanta
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£ 41.77
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Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Bauhaus 1919-1933: Workshops for Modernity
Barry Bergdoll; Leah Dickerman; Benjamin Buchloh; Brigid Doherty; Hal Foster; Charles Haxthausen; Andreas Huyssen; Michael Jennings; Juliet Kinchin; Ellen Lupton; Christine Mehring; Detlef Mertins; Marco De Michelis; Peter Nisbet; Monty Paret; Alex Potts; Frederic Schwarz; T'ai Smith
- Hardcover
Seller: ThriftBooks-Atlanta, AUSTELL, U.S.A.ThriftBooks-Atlanta
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£ 41.77
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Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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£ 30.77
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Paperback. Condition: Brand New. 272 pages. 8.00x6.00x1.50 inches. In Stock.
Language: English
Published by University Of Minnesota Press 2014-11-09 2014
- Softcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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£ 25.34
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Paperback. Condition: New.
- Softcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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£ 29.48
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Condition: New. In.
- Softcover
Seller: WeBuyBooks, Rossendale, United KingdomWeBuyBooks
Contact seller5-star sellerCondition: Used - As new
£ 35.73
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Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.
- Hardcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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£ 29.73
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Hardcover. Condition: New.
- Hardcover
Seller: Midtown Scholar Bookstore, Harrisburg, U.S.A.Midtown Scholar Bookstore
Contact seller5-star sellerCondition: Used - Fair
£ 45.46
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Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
£ 41.82
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Paperback. Condition: Brand New. 272 pages. 8.00x6.00x1.50 inches. In Stock.
Language: English
Published by Princeton University Press September 2017 2017
- Hardcover
Seller: Hennessey + Ingalls, Los Angeles, U.S.A.Hennessey + Ingalls
Contact seller4-star sellerCondition: New
£ 49.84
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Hardcover. Condition: New. The classic book on the art and history of weaving--now expanded and in full colorWritten by one of the twentieth century's leading textile artists, this splendidly illustrated book is a luminous meditation on the art of weaving, its history, its tools and techniques, and its implications for modern de…sign. First published in 1965, On Weaving bridges the transition between handcraft and the machine-made, highlighting the essential importance of material awareness and the creative leaps that can occur when design problems are tackled by hand.With her focus on materials and handlooms, Anni Albers discusses how technology and mass production place limits on creativity and problem solving, and makes the case for a renewed embrace of human ingenuity that is particularly important today. Her lucid and engaging prose is illustrated with a wealth of rare and extraordinary images showing the history of the medium, from hand-drawn diagrams and close-ups of pre-Columbian textiles to material studies with corn, paper, and the typewriter, as well as illuminating examples of her own work.Now available for a new generation of readers, this expanded edition of On Weaving updates the book's original black-and-white illustrations with full-color photos, and features an afterword by Nicholas Fox Weber and essays by Manuel Cirauqui and T'ai Smith that shed critical light on Albers and her career. 'With enviable clarity, Albers reviews the basics of weaving materials and techniques while threading the history of weaving from Peru and Persia to China, Europe, and beyond. Her emphasis on tactility seems especially urgent today, as she offers the next generation a profound corrective to an increasingly digital monoculture.'--Jenny Anger, author of Paul Klee and the Decorative in Modern Art'On Weaving is a book that one reads again and again for the insightful logic about the meaning of art, and the reasons and methods governing the creation of good design. Anni Albers is perhaps more relevant today than she was during her lifetime.'--Virginia Gardner Troy, author of Anni Albers and Ancient American Textiles: From Bauhaus to Black Mountain.
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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£ 38.65
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Hardcover. Condition: Brand New. 119 pages. 10.50x8.00x0.75 inches. In Stock.
Bauhaus 1919-1933
Bergdoll, Barry; Dickerman, Leah; Buchloh, Benjamin; Doherty, Brigid; Foster, Hal; Haxthausen, Charles; Huyssen, Andreas; Jennings, Michael; Kinchin, Juliet; Lupton, Ellen; Mehring, Christine; Mertins, Detlef; De Michelis, Marco; Nisbet, Peter; Paret, Monty; Potts, Alex; Schwarz, Frederic; Smith, T'ai
- Hardcover
Seller: PBShop.store UK, Fairford, United KingdomPBShop.store UK
Contact seller4-star sellerCondition: New
£ 49.84
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Bauhaus 1919-1933: Workshops for Modernity
Bergdoll, Barry; Dickerman, Leah; Buchloh, Benjamin; Doherty, Brigid; Foster, Hal; Haxthausen, Charles; Huyssen, Andreas; Jennings, Michael; Kinchin, Juliet; Lupton, Ellen; Mehring, Christine; Mertins, Detlef; De Michelis, Marco; Nisbet, Peter; Paret, Monty; Potts, Alex; Schwarz, Frederic; Smith, T'ai
- Hardcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
Contact seller5-star sellerCondition: New
£ 50.75
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Condition: New. In.
- Softcover
Seller: Speedyhen, Hertfordshire, United KingdomSpeedyhen
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£ 24.35
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Condition: NEW.
- Softcover
Seller: moluna, Greven, Germanymoluna
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£ 33.37
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Condition: New. InhaltsverzeichnisContentsAcknowledgmentsIntroduction: Textiles, Text, and a Medium-Specific Craft1. Pictures Made of Wool: Weaving Labor in the Workshop2. Toward a Modernist Theory of Weaving: The Use of.
- Hardcover
Seller: Rarewaves USA United, OSWEGO, U.S.A.Rarewaves USA United
Contact seller5-star sellerCondition: New
£ 39.86
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Hardback. Condition: New. The first in-depth study of a monumental wall hanging-rediscovered after many years-by renowned Bauhaus artist Anni Albers.Albers was influential in elevating textiles from craft to fine art. Her exquisite wall hanging Camino Real-seen for the first time outside of Mexico City at David Zwirner, New York…, in 2019, and the subject of this book-is a superb example of this modern master's work.In 1967, noted architects Ricardo Legorreta and Luis Barragán commissioned Albers to create a work for the newly built Hotel Camino Real in Mexico City. Completed in 1968, her striking wall hanging Camino Real is heavily influenced by Latin American art and culture. Showcasing Albers's approach to working with textiles as a "many-sided practice," it is accompanied in this book by works Albers made following her move to the United States in 1933, including innovative wall hangings, weavings, and a range of works on paper. Together, these works reflect Albers's brilliant embrace of different materials and techniques and her ability to work at varied scales. The works in this publication offer additional context and motifs, demonstrating the artist's pioneering investment in textiles as an art form and her parallel interest in mass-produced designs.Published on the occasion of the Anni Albers exhibition presented at David Zwirner, New York, in 2019, this catalogue features new scholarship from the show's curator, Brenda Danilowitz, art historian and chief curator of The Josef and Anni Albers Foundation, and T'ai Smith, an expert on Bauhaus craft and weaving.
Language: English
Published by University of Minnesota Press, Minnesota 2014
- Softcover
Seller: AussieBookSeller, Truganina, AustraliaAussieBookSeller
Contact seller5-star sellerCondition: New
£ 55.94
£ 27.55 shippingShips from Australia to U.S.A.Quantity: 1 available
Paperback. Condition: new. Paperback. T'ai Smith deftly reframes the Bauhaus weavingworkshop as central to theoretical inquiry at the school, uncovering newsignificance in the work the weavers did as writers. Exploring questions ofestablishing value and legitimacy in the art world along with the limits ofmodernism, this book con…fronts the belief that the crafts are manual andtechnical but never intellectual arts. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
- Hardcover
Seller: moluna, Greven, Germanymoluna
Contact seller5-star sellerCondition: New
£ 40.28
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Condition: New. Über den AutorKnown for her pioneering graphic wall hangings, weavings, and designs, Anni Albers (1899&ndash1994) is considered one of the most important abstract artists of the twentieth century, as well as an influential d.
- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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£ 32.25
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Taschenbuch. Condition: Neu. Neuware - The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and LÁszlÓ Moholy-Nagy. Far less recognized are texts by women in the school's weaving workshop. In Bauhaus… Weaving Theory, T'ai Smith uncovers new significance in the work the Bauhaus weavers did as writers.
Mentoring to Support Teacher Candidate Development
Smith, Clayton (EDT); Salinitri, Geri (EDT); Nguyen, Xuan Tai (EDT)
- Softcover
Seller: GreatBookPrices, Columbia, U.S.A.GreatBookPrices
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£ 92.85
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Condition: As New. Unread book in perfect condition.
- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
£ 29.28
£ 65.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Paperback. Condition: New. The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school's weaving workshop. In Bauhaus Weaving The…ory, T'ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop's innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role these women played in debates about medium in the twentieth century and a nuanced history of the Bauhaus comes to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts.
