Smith Michael Harrison (54 results)

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. paperback 100% of proceeds go to charity! May have signs of use, wear and minor cosmetic defects.

Condition: Good. paperback This item shows wear from consistent use but remains in good readable condition. It may have marks on or in it, and may show other signs of previous use or shelf wear. May have minor creases or signs of wear on dust jacket. Packed with care, shipped promptly.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Fair. 6. Supplements included. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

SingleIssueMagazine. Condition: Good to Very Good-. Vol. 6, No. 4. Edited by Has Stefan Santesson. Cover by Hannes Bok. Includes "Exile from Space" by Judith Merril; "Its' All Yours" by Sam Merwin; "Fall Guy" by Eric Frank Russell; "The Hohokam Dig" by Theodore Pratt; "The Velvet Glove" by Harry Harrison; "The Golden Pyramid" by Sam Moskowitz; "Conquest Over Time" by Michael Shaara; "One Out of Ten" by J. Anthony Ferlaine; "There Will Be School Tomorrow" by V. E. Thiessen; "Of Time and Texas" by William F. Nolan; "No Hiding Place" by Richard E. Smith. Small loss to front cover over upper staple; edge and corner niks, chips and wear to front spine edge; spine slightly faded; creasing; light lean; tanning. Book.

Softcover. 161-341 pp. Volume 6, Number 2 (Summer 1998). Softcover. Very good condition; touches of wear on covers.

Paperback. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Softcover. 161-341 pp. Volume 6, Number 2 (Summer 1998). Softcover. Very good condition; touches of wear on covers.

Condition: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.

Hardcover. Condition: Used - Like New. Dust Jacket Condition: Very Good. Numbered. SIGNED and NUMBERED special edition, #60/150. Minor wrinkle to DJ at top of spine but DJ is otherwise very well preserved, in mylar. Book is like new except for traces of penciled/erased price. PS Publishing, 1999. Will pack carefully. Signed By Author.

hardcover. Condition: Fine. Our Like New books are generally New, but we do not have an invoice from publishers therefore have to list as Like New rather than New. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. Some moisture damage to bottom edge of back of dust jacket. Otherwise fine.

Condition: New. pp. xlviii + 527, Map.

Condition: Good. All orders ship by next business day! This is a used book. Grade 2 out 5 points. Books has moderate wear on cover and pages. Books with this grade may have any of the following: Personalized notes/names, stickers/labels, markings on pages, bends/creases on cover/spine, ex-library markings. May not include extra materials such as dust jackets, access codes, CDs, accessories, etc. We are a small company and very thankful for your business!

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. As brand new.

Hardcover/Hardback. Condition: As New. Dust Jacket Condition: Near Fine. First Edition. As new unread condition limited edition hardback signed by author on introduction contributor on limitation page. #40/150 copies. Free of owner's marks with very tight binding. Negligible shelfwear. Dust jacket near fine with original seller sticker on front flap. In protective archival sleeve. signed by authors or artist.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First limited edition. Fine in fine dust jacket. SIGNED by the author AND by M John Harrison (who wrote the introduction) on the limitation page. LIMITED UK edition, #8/150. Dust jacket is as new in a protective mylar sleeve. Book is as new. By the British Fantasy Award-, August Derleth Award-, and Philip K. Dick Award-winning author of (as Michael Paul Marshall Smith) "Only Forward" and (as Michael Marshall) "The Intruders". Where possible, all books come with dust jacket in a clear protective plastic sleeve, sealed in a ziplock bag, wrapped in bubble wrap, shipped in a box. Signed by Author(s).

Imperial octavo, grey glossy heavy boards, black lettering to spine, x + 351pp, illus, VG+ (light bruising to spine extrems, sl chafing to boards, light tanning & foxing to page edges & eps, light soiling to pg4).

Paperback. Condition: Brand New. 527 pages. 9.25x6.50x1.25 inches. In Stock.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.