Sinclair Thomas S (21 results)

Soft cover. Condition: Good. No Jacket. John Kulor (cover) (illustrator). First Thus. A 1st print (stated) of a Dell edition of a collection western short stories from the 1930s through 1950s. Dell D367. "Action-packed stories of the great American West by the men who know it best." Includes My Father and Winning the West by John Prescott, The Steadfast by Wayne D Overholser, You'll Have to Kill Me First by Bennett Foster, Ketch-Colt for Christmas by Walt Coburn, The Drummer by Luke Short (Frederick Dilley Glidden), The Seventh Desert by Frank Bonham, The Contest by Will Cook, The Hour of Parting by Norman A Fox, Wanted by Thomas Thompson, Where the Wild Geese Come From by Bill Gulick, Partners' Luck by Charles N Hecklemann, The Looting of Golconda by Harry Sinclair Drago, One Evening in Abilene by Steve Frazee, Notch-Crazy by S Omar Barker, Caprock by Nelson Nye, A Decent Saddle by Noel M Loomis, and The Long Rider by Gene Markey. Light edge wear with some browning to the covers. Vertical crease to the fore edge of the front cover. PO address label pasted to the verso of the front & back covers. Some browning to the pages. A good copy.

Soft cover. Condition: Near Fine. First Edition. Near fine in original wrappers.

Hardcover. Condition: Good. First ed. Wear to extremities (boards show). Foxing throughout. Tightly bound. Endpapers intact. 4 preliminary leaves, xii, unnumbered 13-240 pages, 8 engraved plates 24 cm. All edges gilt.

Hardcover. Condition: Good. Thomas S. Sinclair (illustrator). 1st Edition. Wiith lithographs by Thomas S. Sinclair. Translated from the German, Mein Spielen ist Lernen, by L. Lermont. Four attractive coloured plates of children playing in gardens labelled Sinclair's Lith. Phil. Thomas S. Sinclair, born in Orkney in 1807, was a lithographic printer, one of the first in Philadelphia to experiment with colour lithography. He studied in Edinburgh before moving to Philadelphia in 1833. Original purple cloth with gilt titles and decoration, top edges gilt. Spine faded. Gift inscription on half-title page (1859).

Soft cover. Condition: Fine. No Jacket. Earle Sinclair McKey, lll (illustrator). 1st Edition. 69 pp., plus a 21 pp. appendix, bibliography, chapter notes, illustrations, photographs, maps. SIGNED BY THE AUTHORS with no inscriptions A fine crisp, unmarked copy with no markings or stickers. A scarce book written by family members of Doc Holliday. Extraordinary information and the first publication to contain the much acclaimed photograph of Doc Holliday at his graduation from dental school in Baltimore on page 31. COLLECTOR QUALITY. Signed by Author(s).

Hardcover. Condition: Very Good. 1999 McDonald Institute large format hardcover edition. Light reading wear else very good condition.

Soft cover. Condition: Fine. No Jacket. Earle Sinclair McKey, lll (illustrator). 1st Edition. 69 pp., plus a 21 pp. appendix, bibliography, chapter notes, illustrations, photographs, maps. SIGNED BY THE AUTHORS with no inscriptions. A fine crisp, unmarked copy with no markings or stickers. A scarce book written by family members of Doc Holliday. Extraordinary information and the first publication to contain the much acclaimed photograph of Doc Holliday at his graduation from dental school in Baltimore on page 31. PRISTINE CONDITION, COLLECTOR QUALITY. Signed by Author(s).

Hardcover. Condition: Near Fine. First Edition Thus. 192 Pp. Brown Cloth, Spine Gilt, Covers Stamped In Blind, Yellow Endpapers. Many Full Color Plates. Undated But Circa 1858 And Apparently The First And Only Presbyterian Board Issue Although Issued Earlier By Other Christian Publishers. No Author Shown But One Source Indicates Kronheim. Light Usage, Gilt Bright, One Tiny Fray. Previous Owner's Name.

Hardcover. Condition: Fair. Philadelphia: Lindsay and Blakiston, 1840. Undated, ca. 1840s. Very worn. light brown cloth lettered in gilt, 224 pages, about 5.25 inches tall. Text block effectively detached from covers (covers and spine covering well attached to one another), covers spotted, old damage from moisture exposure to the covers (no damp odor or visible mildew), some very faint old transparent stains to some pages, free endpapers removed (text begins with title page), text block shaken but hanging together, no names or other markings. Hard Cover. Fair. 24mo - 5" - 5¾" Tall.

No Binding. Condition: Good. 1 colored lithograph ; image 22.5 x 36.5 cm. on sheet 32.5 x 45.5 cm., printed below image: Published for the History of the world by Henry Bill, New York., Exterior view of the Crystal Palace at the New York World's Fair with people and carriages in foreground., lithograph by Sinclair, Thomas S. approximately 1805-1881, Philadelpia lithographer,printer, engraver, author, Thomas Sinclair started his lithographic career in Philadelphia ca. 1838 and in 1840 operated his own establishment. Sinclair relocated to North Street in 1868. There is a tear (app. 5 inches) extending from left margin at mid point into the image. It is a closed tear and can be repaired easily, I have not done the repair since the purchaser may wish to have it done professionally. No damage at folds. The Crystal Palace, an exhibition building erected for the 1853 World's Fair Exhibition of the Industry of All Nations in Reservoir Square (present day Bryant Park). The Crystal Palace took its inspiration from the Crystal Palace in London's Hyde Park, a similar structure constructed for the Great Exhibition of the Works of Industry of all Continents in 1851. The Crystal Palace was destroyed by fire on October 5, 1858. Print.

Paper. Condition: Good. Thomas S. Sinclair (illustrator). First Edition. Original sheet music on 5 pages. Cover art is an original stone lithograph by Philadelphia lithographer Thomas Sinclair. Remarkably SCARCE--WorldCat locates only two copies in libraries. Condition is about good: the 3 leaves of sheet music are disbound, with minimal roughness along the binding edge (primarily from the stab holes) and with the usual soiling and foxing. Size: Folio - over 12" - 15" tall. Sheet Music.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. HB NODJ, 1857, 1st U.S. edition , VG/No Dust Jacket. 298 pG. Red Embossed Cloth w/ gilt decoration on binding Cover & Spine. Covers rubbed.Red morocco-grain cloth with border and title stamped in gilt on upper boards, front and back, and spine. Gilt-edged text block. LITEWear to extremities. Corners bumped. Gilt edged leaves. Light foxing scattered throughout. Illust. w/ 8 color plates. . Hard Cover. 12mo , Only Slight wear Wear binding & Spine Ends. All PGS edges GOLD gilt . . SOME Color plates throughout. 298 PGSAll pages are intact. Text is clear throughout. Some tanning of text block with very limited foxing ,The author, Lucy Ellen Guernsey (1826-1899) is not credited in the text, Inner Hinge slightly Starting , DARK BROWN endpapers.Color Frontispiece of Butterflies. BLANK FLYLEAF FORMER OWNER INSCRIPTIONS. interviews, between Jenny and a number of different insects.Contents A Great Ugly Spider, Nice Little Housekeeper, Little Confectioner, Curious Caterpillar, THE BEETLES, Cricket Musical FamilyETC.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1841 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 6 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 6 Elssler, Fanny, 1810-1884,Silvain, James, -1856,Zeuner, Charles, 1795-1857, arranger,Sinclair, Thomas S., approximately 1805-1881, lithographer.

1st appearance. Single sheet, printed recto only, in four colors. Lithograph (not including text): 21-1/4" x 33-3/8". Sheet: 24-1/4" x 35-3/8" The lithographer, Thomas S. Sinclair, was a Scotsmen who learned his craft in Edinburgh, and on coming to the States, was one of the earliest color lithographers to practice in the country. He is known to have published one other Queen hand-colored lithograph of the Refreshment Saloons, ca 1861 (cf. Peters, America on Stone, p. 368). At the time of cataloguing, we have located three other copies of this image: one each in the Otis Archives at the National Museum of Medicine and Health; the Library Company; and the Pennsylvania Historical Society. The Library of Congress owns the second Queen lithograph. The Volunteer Saloons grew into the Sanitary Commission, the precursor of the American Red Cross. At this point, the civilian members were catering to the needs of the healthy new recruits. Recently de-acidified and backed with Japanese tissue; some minor staining lightened; blind-stamp of the publisher at bottom right. Colors vibrant, overall, VG+. Printed on sturdy paper, and now in a modern matte board frame.

Lithograph printed in four colors, 22 x 27 inches on a sheet measuring 23 7/8 x 29 1/2. Central large image and five smaller, all beneath the Stars and Stripes surmounted by the American Eagle. Recently de-acidified and backed with japanese tissue; some minor staining lightened; blind-stamp of the publisher at bottom right. Please see Marzio, Peter, The Democratic Art page 290, plate 28 (Peters Collection in the National Museum of History & Technology, Smithsonian Institution).The lithographer was Thomas S. Sinclair, a Scotsmen who trained in Edinburgh. He published another Queen hand-colored lithograph in 1861 entitled Union Volunteer Refreshment Saloon of Philadelphia. See Peters, America on Stone, p. 368. He was one of the earliest color lithographers in this country.We have located three other copies: one each in the Otis Archives at the National Museum of Medicine and Health; the Library Company; and the Pennsylvania Historical Society. The Library of Congress owns the second Queen lithograph.The Volunteer Saloons grew into the Santitarty Commission, the precursor of the American Red Cross. At this point, the civilian members were catering to the needs of the healthy new recruits.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1842 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 226 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 226 Language: English.

Leather Bound. Condition: new. Language: English. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2026, utilizing the invaluable guidance of the original edition published many years ago in 1841. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 16, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 16.

Leather Bound. Condition: new. Language: English. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2026, utilizing the invaluable guidance of the original edition published many years ago in 1849. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 40, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 40.

Condition: Fair. Print is repaired on the blank side on the lower 5 -inches of the center fold; age-soiling causing darkened area on three upper folds. Some foxing in the upper third of the print. Image area measures 15.75 x 9 inches; sheet size is approx. 20" x 12.5". Printed on a heavy stock. This hand-colored lithograph depicts the Siege of Sevastopol, a pivotal engagement of the Crimean War (18541855) that influenced European military strategy and geopolitics. Produced in 1856, the print combines battlefield drama with detailed representations of fortifications and troop movements. Lithography was a popular method in mid-19th-century Europe for documenting contemporary events, blending topographical accuracy with artistic interpretation, while hand coloring added vibrancy and depth, enhancing its appeal as both a historical record and collectible artwork. The print was issued by prominent 19th-century European lithographic houses, such as George Philip & Son in London or Firmin-Didot & Cie in Paris, who specialized in military and historical imagery. The Artist was Sinclair, Thomas S. (ca. 1805-1881) Subjects: Crimean War, Siege of Sevastopol, 19th-Century Military Art, Lithography, Historical Illustration, Military History. Sevastopol is one of the classic sieges of all time. The city of Sevastopol was the home of the Tsar's Black Sea Fleet, which threatened the Mediterranean. The Russian field army withdrew before the allies could encircle it. The siege was the culminating struggle for the strategic Russian port in 185455 and was the final episode in the Crimean War. The Siege of Sevastopol lasted from October 1854 until September 1855, during the Crimean War. The allied French, Ottoman, and British armies landed at Eupatoria on 14 September 1854, intending to make a triumphal march to Sevastopol, the capital of the Crimea, with 50,000 men. During the Victorian Era, these battles were repeatedly memorialized.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1842. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 226, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 226 226.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1865. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 344, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 344 344.