Serwer Jacquelyn D Editor (2 results)
Picturing the Promise; The Scurlock Studio and Black Washington
Gardullo, Paul (Editor); Delaney, Michelle (Editor); Serwer, Jacquelyn D. (Editor); and Bunch, Lonnie G. III (Editor)
Language: English
Published by National Museum of African American History and Culture, Washington DC, 2009
- Hardcover
- First Edition
Seller: The Book Shed, Benson, VT, U.S.A.The Book Shed
Contact seller5-star sellerCondition: Used - Near fine
£ 23.14
£ 3.74 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. A bit of shelf wear to the lower front edge of the jacket else about As New. Clean and unmarked. First printing, full number line. No additional standard domestic postage for this heavy book. "Addison N. Scurlock (June 19, 1883 December 16, 1964) w…as an American photographer, founder of The Scurlock Studio, and businessman who became prominent in the early and mid-20th century for photographing Black Washington.The work of Addison N. Scurlock and the Scurlock Studio was affiliated with ideas about pride and progress of the New Negro. The location of the studio in Scurlock's home community and its location in Washington, D.C., facilitated this. The Black elite in Washington and everyday African Americans were aware of the power of both photography and capturing their image in positive ways. Scurlock, not only shot portraits, but also events such as church picnics, meetings, and high school graduations."--Wikipedia. Every effort is made to ship all books and other items within 24 hours. Clean recycled packing material will be used when possible. The Book Shed has a been a member of the Vermont Antiquarian Bookseller's Association since 1997. An online bookseller with a bookshop sensibility.
Picturing the Promise; The Scurlock Studio and Black Washington
Gardullo, Paul (Editor); Delaney, Michelle (Editor); Serwer, Jacquelyn D. (Editor); and Bunch, Lonnie G. III (Editor)
Language: English
Published by National Museum of African American History and Culture, Washington DC, 2009
- Hardcover
- First Edition
Seller: Ground Zero Books, Ltd., Silver Spring, MD, U.S.A.Ground Zero Books, Ltd.
Contact seller5-star sellerCondition: Used - Very good
£ 57.86
£ 3.74 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Very good. Dust Jacket Condition: Very good. Presumed First Edition, First printing. 224 pages. Oversized book, measuring 11-1/4 inches by 9-1/4 inches. Illustrated endpapers. Includes Foreword by Deborah Willis, Remembering Black Washington by Lonnie G. Bunch III; Portraits, with reflections by Jeffrey Joh…n Fearing, Brian Gilmore, Marya A. McQuirter, and Hilary Scurlock. Sources. Index. The book features essays from 25 contributors including Dorothy Height (Chair and President emerita of the National Council of Negro Women); Charlene Drew Jarvis, President of South-Eastern University, Washington, D.C. and formerly a member of the D.C. City Council; E. Ethelbert Miller, poet and Director of the African American Resource Center, Howard University; A. J. Verdelle, novelist and essayist; and Deborah Willis, photographer, historian, professor, and Chair of the Department of Photography and Imaging at the Tisch School of the Arts, New York University. Nearly a century's worth of Scurlock photographs combine to form a searing portrait of black Washington in all its guises-its challenges and its victories, its dignity and its determination. Beginning in the early twentieth century and continuing into the 1990s, Addison Scurlock, followed by his sons, Robert and George, used their cameras to document and celebrate a community unique in the world, and a stronghold in the history and culture of the nation's capital. Through photographs of formal weddings, elegant cotillions, ballet studios, and quiet family life, the Scurlocks revealed a world in which the black middle class refused to be defined or held captive by discrimination. From its home on the vibrant U Street corridor, the Scurlock Studio gave us indelible images of leaders and luminaries, of high society and working class, of Washingtonians at work and at play. In photograph after photograph, the Scurlocks captured an optimism and resiliency seldom seen in mainstream depictions of segregated society. Luminaries such as Duke Ellington, Ralph Bunche, Mary McLeod Bethune, Alain Locke, Martin Luther King, Jr., and Lois Mailou Jones testify to the intellectual and cultural vibrancy that was unique to Washington and an inspiration to the nation. Photographs of a Peoples Drugstore protest and Marian Anderson's Easter morning concert at the Lincoln Memorial remind us that the struggle for equality in black Washington began long before the civil rights movement of the 1960s. Offering a rich lens into our past, The Scurlock Studio and Black Washington is a powerful trigger of personal and historical memory.
