Picturing the Promise; The Scurlock Studio and Black Washington
Gardullo, Paul (Editor); Delaney, Michelle (Editor); Serwer, Jacquelyn D. (Editor); and Bunch, Lonnie G. III (Editor)
Language: English
Published by National Museum of African American History and Culture, Washington DC, 2009
- First Edition
- Hardcover
- Used
Seller: Ground Zero Books, Ltd., Silver Spring, MD, U.S.A.Ground Zero Books, Ltd.
AbeBooks seller since August 14, 1998
Condition: Used - Very good
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Add to basketItem description from seller
224 pages. Oversized book, measuring 11-1/4 inches by 9-1/4 inches. Illustrated endpapers. Includes Foreword by Deborah Willis, Remembering Black Washington by Lonnie G. Bunch III; Portraits, with reflections by Jeffrey John Fearing, Brian Gilmore, Marya A. McQuirter, and Hilary Scurlock. Sources. Index. The book features essays from 25 contributors including Dorothy Height (Chair and President emerita of the National Council of Negro Women); Charlene Drew Jarvis, President of South-Eastern University, Washington, D.C. and formerly a member of the D.C. City Council; E. Ethelbert Miller, poet and Director of the African American Resource Center, Howard University; A. J. Verdelle, novelist and essayist; and Deborah Willis, photographer, historian, professor, and Chair of the Department of Photography and Imaging at the Tisch School of the Arts, New York University. Nearly a century's worth of Scurlock photographs combine to form a searing portrait of black Washington in all its guises-its challenges and its victories, its dignity and its determination. Beginning in the early twentieth century and continuing into the 1990s, Addison Scurlock, followed by his sons, Robert and George, used their cameras to document and celebrate a community unique in the world, and a stronghold in the history and culture of the nation's capital. Through photographs of formal weddings, elegant cotillions, ballet studios, and quiet family life, the Scurlocks revealed a world in which the black middle class refused to be defined or held captive by discrimination. From its home on the vibrant U Street corridor, the Scurlock Studio gave us indelible images of leaders and luminaries, of high society and working class, of Washingtonians at work and at play. In photograph after photograph, the Scurlocks captured an optimism and resiliency seldom seen in mainstream depictions of segregated society. Luminaries such as Duke Ellington, Ralph Bunche, Mary McLeod Bethune, Alain Locke, Martin Luther King, Jr., and Lois Mailou Jones testify to the intellectual and cultural vibrancy that was unique to Washington and an inspiration to the nation. Photographs of a Peoples Drugstore protest and Marian Anderson's Easter morning concert at the Lincoln Memorial remind us that the struggle for equality in black Washington began long before the civil rights movement of the 1960s. Offering a rich lens into our past, The Scurlock Studio and Black Washington is a powerful trigger of personal and historical memory.…
Seller Inventory # 79431
- Title
- Picturing the Promise; The Scurlock Studio and Black Washington
- Author
- Gardullo, Paul (Editor); Delaney, Michelle (Editor); Serwer, Jacquelyn D. (Editor); and Bunch, Lonnie G. III (Editor)
- Publisher
- National Museum of African American History and Culture, Washington DC
- Publication year
- 2009
- Condition
- Very good
- Dust jacket
- Very good
- Binding
- Hardcover
- Language
- English
- ISBN 10
- 158834262X
- ISBN 13
- 9781588342621
- Edition
- Presumed First Edition, First printing.
- Seller catalogs
- Black Studies
Through photographs of formal weddings, elegant cotillions, ballet studios, and quiet family life, the Scurlocks revealed a world in which the black middle class refused to be defined or held captive by discrimination. From its home on the vibrant U Street corridor, the Scurlock Studio gave us indelible images of leaders and luminaries, of high society and working class, of Washingtonians at work and at play. In photograph after photograph, the Scurlocks captured an optimism and resiliency seldom seen in mainstream depictions of segregated society.
Luminaries such as Duke Ellington, Ralph Bunche, Mary McLeod Bethune, Alain Locke, Martin Luther King, Jr., and Lois Mailou Jones testify to the intellectual and cultural vibrancy that was unique to Washington and an inspiration to the nation. Photographs of a Peoples Drugstore protest and Marian Anderson's Easter morning concert at the Lincoln Memorial remind us that the struggle for equality in black Washington began long before the civil rights movement of the 1960s. Offering a rich lens into our past, The Scurlock Studio and Black Washington is a powerful trigger of personal and historical memory.
"Synopsis" may belong to another edition of this title.
About the Author
This volume was edited by Paul Gardullo, Museum Curator, NMAAHC; Michelle Delaney, Associate Curator of Photography, National Museum of American History; Jacquelyn D. Serwer, Chief Curator, NMAAHC; and Lonnie G. Bunch III, Founding Director of NMAAHC.
"About the title" may belong to another edition of this title.
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