Sealy Mark (151 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Very Good. This book examines how Western photographic practice has been used as a tool for creating Eurocentric and violent visual regimes, and demands that we recognise and disrupt the ingrained racist ideologies that have tainted photography since its inception in 1839.

Paperback. Condition: Very Good. This book examines how Western photographic practice has been used as a tool for creating Eurocentric and violent visual regimes, and demands that we recognise and disrupt the ingrained racist ideologies that have tainted photography since its inception in 1839.

paperback. Condition: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condition: Good. A rare glimpse of a fascinating aspect of life in Africa: the elite hotels which serve as an interface between the tribal, religious, social and cultural aspects of Africa and the global uniformity of international business culture. These are places where the unseen resources of Africa - diamonds, oil, minerals - are bartered away behind closed doors. But these are also places the local communities view as symbols of achievement, objects of desire: the dream venue for weddings. With photos by Magnum photographer Franklin and text by writer Sealy.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. In this new collection, Sealy arguesthat Western photography and its institutions are at a critical juncture, havingbeen forced to reckon with the medium's colonial history by Black and globalmajority photographers, artists and cultural theorists who interrogate archivesfrom the perspective of the Other. Sealy engages the work of underrepresented Blackphotographers and visual artists who, since the period of decolonisation, havechallenged the Othering nature of the colonial camera, from Ernest Cole documentingApartheid and US anti-blackness to Armet Francis capturing the spirit ofCaribbean style in postwar Britain. As a curator, Sealy pays special attentionto the role of key photography festivals and exhibitions in providing a spacefor the work of African and diasporic artists and photographers who were andare challenging the colonial nature of photography's origins to come to thefore. Sealy also explores the radical potential of photographyonce reclaimed and transformed by Black photographers and artists. From thequeer interpretations of Yoruba culture by Rotimi Fani-Kayode to the hauntingabsence/presence in the self-portraits of Hélène Amouzou, Sealy traces how thecamera turned inwards has transformed photography into a medium for exploringBlack subjectivity, and in turn a practice of resistance. The book includes a16-page portfolio of images at its centre, featuring artists Zora J Murff,Sandra Brewster and others.…

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Paperback or Softback. Condition: New. Decolonising the Camera: Photography in Racial Time. Book.

Condition: New.

Paperback. Condition: New.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardback. Condition: Good. A rare glimpse of a fascinating aspect of life in Africa: the elite hotels which serve as an interface between the tribal, religious, social and cultural aspects of Africa and the global uniformity of international business culture. These are places where the unseen resources of Africa - diamonds, oil, minerals - are bartered away behind closed doors. But these are also places the local communities view as symbols of achievement, objects of desire: the dream venue for weddings. With photos by Magnum photographer Franklin and text by writer Sealy.…

Paperback. Condition: New. This book examines how Western photographic practice has been used as a tool for creating Eurocentric and violent visual regimes, and demands that we recognise and disrupt the ingrained racist ideologies that have tainted photography since its inception in 1839. Decolonising the Camera trains Mark Sealy's sharp critical eye on the racial politics at work within photography, in the context of heated discussions around race and representation, the legacies of colonialism, and the importance of decolonising the university. Sealy analyses a series of images within and against the violent political reality of Western imperialism, and aims to extract new meanings and develop new ways of seeing that bring the Other into focus. The book demonstrates that if we do not recognise the historical and political conjunctures of racial politics at work within photography, and their effects on those that have been culturally erased, made invisible or less than human by such images, then we remain hemmed within established orthodoxies of colonial thought concerning the racialised body, the subaltern and the politics of human recognition. With detailed analyses of photographs - included in an insert - by Alice Seeley Harris, Joy Gregory, Rotimi Fani-Kayode and others, and spanning more than 100 years of photographic history, Decolonising the Camera contains vital visual and written material for readers interested in photography, race, human rights and the effects of colonial violence. …

paperback. Condition: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Condition: As New. Unread book in perfect condition.

hardcover. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Condition: New.

Hardback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.