Schmutzer Jakob Matthias (14 results)

Loose Leaf. Condition: New. Reproduction. Original title: Portrait of artist Christian Wilhelm Ernst Dietrich German: Porträt des Künstlers Christian Wilhelm Ernst Dietrich French: Portrait de l'artiste Christian Wilhelm Ernst Dietrich Spanish: Retrato del artista Christian Wilhelm Ernst Dietrich High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1765). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: H. Johannes Nepomuk as advocate of dying German: H. Johannes Nepomuk als Fürsprecher des Sterbens French: H. Johannes Nepomuk comme défenseur de la mort Spanish: H. Johannes Nepomuk como defensor de la muerte High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1750). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Portrait of Christoph Bartholomäus Anton Migazzi German: Porträt von Christoph Bartholomäus Anton Migazzi French: Portrait de Christoph Bartholomäus Anton Migazzi Spanish: Retrato de Christoph Bartholomäus Anton Migazzi High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1693). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Portrait of George Raphael Johann Donner German: Porträt von George Raphael Johann Donner French: Portrait de George Raphaël Johann Donner Spanish: Retrato de George Raphael Johann Donner High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1743). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Portrait of Gustav Georg König von Königsthal German: Porträt von Gustav Georg König von Königsthal French: Portrait de Gustav Georg König von Königsthal Spanish: Retrato de Gustav Georg König von Königsthal High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1759). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Portrait of Emanuel Desvalles de Poal German: Porträt von Emanuel Desvalles de Poal French: Portrait d'Emanuel Desvalles de Poal Spanish: Retrato de Emanuel Desvalles de Poal High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1743). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Portrait of George Raphael Johann Donner German: Porträt von George Raphael Johann Donner French: Portrait de George Raphaël Johann Donner Spanish: Retrato de George Raphael Johann Donner High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1743). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Portrait of Gustav Georg König von Königsthal German: Porträt von Gustav Georg König von Königsthal French: Portrait de Gustav Georg König von Königsthal Spanish: Retrato de Gustav Georg König von Königsthal High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1759). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Hardcover. 1st Edition. First edition. Morocco bound with paneled gilt and tooling on spine. Edges gilt. Engravings by Jakob Matthias Schmutzer. Corners and spine ends bumped and softened, with some exposure of boards at corners. Front endpage slightly silverfished. Bookplate to front pastedown and another to reverse of flyleaf. Small stain along top edge of last 10 pages. Pages otherwise are clean and bright. Pictures provided, but more available on request. Jakob Matthias Schmutzer (illustrator).…

Condition: Good. First 3 of eventual 4 massive volumes. 262 plates. Very fresh without foxing and very heavy: would be 3 cartons of about 11 kilos each. 46 x 61.5cm. Contemporary qtr. red morocco and red boards, rubbed. Binder's etiquette: Tessier, No. 45, rue de la Harpe, Paris. I: [10], 140, [192] p., [90] pl.;II: [6], 98, [186] p., [87] pl.;III: [6], 60, [178] p., [84] pl.OCLC Number / Unique Identifier:1915199.Vol. I. Discours historique sur la peinture ancienne. Tableaux d'histoire. Par S.C. Croze-Magnan.IVol. I. Discours historique sur la peinture moderne. Tableaux de genre et portraits. Par S.C. Croze-Magnan.Vol. III. Discours historique sur la gravure en taille-douce et sur la gravure en bois. Tableaux de paysages, marines et vues. Par E.Q. Visconti et T.B. Eméric-David.On the title-pages of volume III the name of S.-C. Croze-Magnon is replaced by those of E.Q. Visconti and T.B. Éméric-David. Imprint varies: Volume I is dated 'An XI. = 1803'; vol. II, 'An XIII. = 1805'; vol. III, 1807; .Consisting of nearly 350 plates with accompanying descriptive letterpress and introductory essays, the work describes paintings and sculptures in the Louvre. Published at a time when the former royal collections of France were being added to by the works of art collected by Napoleon from many parts of Europe, the plates (which include several works which were later repatriated such as the Laocoön, a small plaster copy of which is in Soane's collection, are arranged in four broad sections: history paintings including religious works; genre paintings and portraits; landscapes and seascapes; and ancient sculpture. According to the 'Avertissement Contenant Le Plan Général De L'Ouvrage' in vol. I, one volume of the completed work was to be devoted to each genre, but the plates were issued in livraisons containing plates from all four sections concurrently (each section part having a contents leaf) for the sake of variety, each part of each section with a letterpress table of contents, and purchasers were free to choose their own binding order. The preliminary 'Discours Historiques' are sometimes found bound in a separate volume. from Sir John Soane's Museum Collection Reference Number 5590.In-folio, de 90, 87 et 85 planches gravées, demi-veau rouge époque, dos lisse orné de filets dorés (Tessier), frottements, sans le tome IV. Ce magnifique ouvrage appartient tout entier au XVIIIe siècle par ses graveurs et leur tradition artistique. C'est au dévouement et à l'activité du graveur Pierre Laurent qu'on le doit. (Cohen-743) (Brunet-IV-1335) (Vicaire-V-1229) (Graesse-VI-139). …

Softcover. Condition: New. Reprint. Lingua: Italiano. Circa 72 pagine. Italiano : Ristampa su richiesta. Edizione originale : 1760. Opera in italiano. Questa riproduzione moderna di Alcide al bivio: festa teatrale da rappresentarsi in musica per le felicissime nozze delle LL.AA.RR. l'arciduca Giuseppe d'Austria & la principessa Isabella di Borbone, per comando degli augustissimi regnanti: in Vienna l'anno M.DCC.LX di Hasse, Johann Adolf, 1699-1783; Metastasio, Pietro, 1698-1782; Tischler, Anton, 1721-ca. 1780; Guglielmi, Gregorio, 1714-1773; Schmutzer, Jakob Matthias, 1733-1811; Mansfeld, Johann Ernst, 1739-1796 rende accessibile un testo antico o raro per la consultazione, la ricerca bibliografica e le collezioni specializzate. Immagini del libro non contrattuali English: Print-on-demand reprint. Original edition : 1760. Text in Italian. Libretto by Pietro Metastasio with music by Johann Adolf Hasse, composed for the wedding of Archduke Joseph of Austria and Princess Isabella of Bourbon. The work includes details on roles, singers, dancers, choreography by Gasparo Angiolini, scenery by Giuseppe Chaman, and stage machinery by Pietro Rizziono and Gabriele du Clos. The volume features an engraved frontispiece by Anton Tischler and a title page engraved by J. Schmutzer, with initials and decorations signed by J. Mansfeld, Schmutzer, or Tischler. Original binding in purple marbled paper with reinforced spine. Book images are non-contractual. Questo articolo è stampato su ordinazione e spedito dallo stabilimento dei nostri partner di stampa più vicino alla destinazione. Questi stabilimenti si trovano principalmente negli Stati Uniti, nel Regno Unito e in Canada.…

Leather Bound. Condition: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1760. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: : - 72, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 72 72.…

Condition: guter Zustand. Radierung und Kupferstich, 1759, nach Franz Anton Maulbertsch (1724-1796), auf Bütten. 39,4:30,3 cm. - Horizontale Falte geglättet, Löchlein und 2 kleine Einrisse hinterlegt, im Ganzen nicht frisch. Provenienz: Sammlerstempel Kegel, nicht bei Lugt. Literatur: Nagler 28 (dort unrichtig als Johann Nepomuk in der Glorie vom Volke verehrt" beschrieben); Le Blanc 12; Ausst. Katalog: Langenargen 1996, A 16 mit Abbildung; Klára Garas, Franz Anton Maulbertsch 1724-1796. Wien, 1960, S. 214, Nr. 194. Abdruck vor der Schrift im Unterrand.…

Condition: sehr guter Zustand. Rote Kreide, auf Bütten mit Wasserzeichen: D & C Blauw, rechts unten signiert und datiert Schmuzer fec 1787" (verwischt und nur noch schwach sichtbar). 50,5:36,8 cm. Papier insgesamt leicht angeschmutzt, mit kleineren Restaurierungen in den Rändern. Vergleichsliteratur: Ausst. Katalog: Österreichische Zeichnung des 18. Jahrhunderts: Ausgewählte Werke aus böhmischen und mährischen Sammlungen. Bearb. von P. Preiss, Prag 1996, Nr. 57, Abb. S 110. Der Sohn von Andreas Schmutzer (1700-1740) war zunächst Schüler der Wiener Akademie, später J.I. Mildorfers (1719 - nach 1756). Es folgte ein kurzer Aufenthalt in Preßburg, danach die Übersiedlung nach Wien. Hier wurde er Zeichenhilfslehrer am Emanuel-Savoyschen Institut. 1762 unternahm er eine Studienreise nach Paris, wo er an der Akademie und ebenso bei J.Gg. Wille (1715-1808) tätig war. 1766 folgte die Berufung nach Wien als Hofkupferstecher, 1771 die Ernennung zum Oberdirektor der erbländischen Normalzeichenschulen und auch als Direktor der Wiener Akademie, wo er die Kupferstichklasse führte. Darüber hinaus war er Mitglied der Akademien in Berlin, Dresden sowie Kopenhagen und Petersburg. Zeichnungen von Schmutzer befinden sich in Wien in der Akademie der bildenden Künste und in der Albertina, in der Graphischen Sammlung von Stift Lambach, in den Kupferstichkabinetten der Museen in Budapest, Berlin, Dresden, München etc. …