Language: English
Published by John Hopkins University Press, Baltimore, MD, 2018
ISBN 10: 142142701X ISBN 13: 9781421427010
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Language: English
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Language: English
Published by Johns Hopkins University Press, 2018
ISBN 10: 142142701X ISBN 13: 9781421427010
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Language: English
Published by Johns Hopkins University Press, Baltimore, MD, 2018
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Paperback. Condition: new. Paperback. Zukofsky, Oppen, and Niedecker wrote with a diversity of formal strategies but a singularity of purpose: the crafting of an anticapitalist poetics.Inaugurated in 1931 by Louis Zukofsky, Objectivist poetry gave expression to the complex contours of culture and politics in America during the Great Depression. This study of Zukofsky and two others in the Objectivist constellation, George Oppen and Lorine Niedecker, elaborates the dialectic between the formal experimental features of their poetry and their progressive commitments to the radical potentials of modernity.Mixing textual analysis, archival research, and historiography, Ruth Jennison shows how Zukofsky, Oppen, and Niedecker braided their experiences as working-class Jews, political activists, and feminists into radical, canon-challenging poetic forms. Using the tools of critical geography, Jennison offers an account of the relationship between the uneven spatial landscapes of capitalism in crisis and the Objectivists paratactical textscapes. In a rethinking of the overall terms in which poetic modernism is described, she identifies and assesses the key characteristics of the Objectivist avant-garde, including its formal recognition of proliferating commodity cultures, its solidarity with global anticapitalist movements, and its imperative to develop poetics that nurtured revolutionary literacy. The resulting narrative is a historically sensitive, thorough, and innovative account of Objectivisms Depression-era modernism.A rich analysis of American avant-garde poetic forms and politics, The Zukofsky Era convincingly situates Objectivist poetry as a politically radical movement comprising a crucial chapter in American literary history. Scholars and students of modernism will find much to discuss in Jennisons theoretical study. Scholars and students of modernism will find much to discuss in Jennison's theoretical study. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Johns Hopkins University Press, 2018
ISBN 10: 142142701X ISBN 13: 9781421427010
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Language: English
Published by Johns Hopkins University Press, 2018
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Language: English
Published by Johns Hopkins University Press, 2012
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Published by Johns Hopkins University Press, 2018
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Published by Johns Hopkins University Press, 2018
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Language: English
Published by Johns Hopkins University Press, 2018
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Published by Johns Hopkins University Press, 2018
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Language: English
Published by Johns Hopkins Univ Pr, 2018
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Language: English
Published by Johns Hopkins University Press, 2018
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Published by Johns Hopkins University Press, Baltimore, MD, 2018
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Paperback. Condition: new. Paperback. Zukofsky, Oppen, and Niedecker wrote with a diversity of formal strategies but a singularity of purpose: the crafting of an anticapitalist poetics.Inaugurated in 1931 by Louis Zukofsky, Objectivist poetry gave expression to the complex contours of culture and politics in America during the Great Depression. This study of Zukofsky and two others in the Objectivist constellation, George Oppen and Lorine Niedecker, elaborates the dialectic between the formal experimental features of their poetry and their progressive commitments to the radical potentials of modernity.Mixing textual analysis, archival research, and historiography, Ruth Jennison shows how Zukofsky, Oppen, and Niedecker braided their experiences as working-class Jews, political activists, and feminists into radical, canon-challenging poetic forms. Using the tools of critical geography, Jennison offers an account of the relationship between the uneven spatial landscapes of capitalism in crisis and the Objectivists paratactical textscapes. In a rethinking of the overall terms in which poetic modernism is described, she identifies and assesses the key characteristics of the Objectivist avant-garde, including its formal recognition of proliferating commodity cultures, its solidarity with global anticapitalist movements, and its imperative to develop poetics that nurtured revolutionary literacy. The resulting narrative is a historically sensitive, thorough, and innovative account of Objectivisms Depression-era modernism.A rich analysis of American avant-garde poetic forms and politics, The Zukofsky Era convincingly situates Objectivist poetry as a politically radical movement comprising a crucial chapter in American literary history. Scholars and students of modernism will find much to discuss in Jennisons theoretical study. Scholars and students of modernism will find much to discuss in Jennison's theoretical study. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Language: English
Published by Palgrave Macmillan 2020-08, 2020
ISBN 10: 3030171582 ISBN 13: 9783030171582
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Taschenbuch. Condition: Neu. Communism and Poetry | Writing Against Capital | Ruth Jennison (u. a.) | Taschenbuch | Modern and Contemporary Poetry and Poetics | xi | Englisch | 2020 | Springer | EAN 9783030171582 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
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Language: English
Published by Springer International Publishing, 2020
ISBN 10: 3030171582 ISBN 13: 9783030171582
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Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Communism and Poetry: Writing Against Capital addresses the relationship between an upsurge in collective political practice around the world since 2000, and the crystallization of newly engaged forms of poetry. Considering an array of perspectives-poets, poet-critics, activists and theorists-these essays shed new light on the active interface between emancipatory political thought and poetic production and explore how poetry and the new communism are creating mutually innovative forms of thought and activity, supercharging the utopian imagination. Drawing inspiration from past connections between communism and poetry, and theorizing new directions over the years ahead, the volume models a much-needed critical solidarity with creative strategies in the present conjuncture to activate movements of resistance, on the streets and in verse.