Rogovin Mark (9 results)

Soft cover. Condition: Good. INCLUDES LETTER SIGNED BY JOE POWERS; 1994 Salsedo Press pbk.; light cover wear; pages clean/tight; good condition. Inscribed by Author(s).

PAPERBACK. SECOND EDITION. SECOND EDITION, FEB 2000 / 36 PAGES BOOK IS FINE WITHOUT ANY MARKS TO THE BINDING OR THE TEXT. A BEAUTIFUL CLEAN, BRIGHT, UNFADED COPY WITH NO REMAINDER MARK OR READER'S CREASING TO THE SPINE. FINE IN OFF WHITE STAPLED WRAPS.

Softcover. Second Printing. Wraps, a fine copy of this guide, but for owner's inscription on inside front wrap. Mini biographies of 69 people buried around the monument, and publishes a layout of the cemetery with each grave numbered. William Adelman gives a short survey of the circumstances of the Haymarket affair. ; 8vo 8" - 9" tall.…

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. orange & black pictorial wraps. 116 pgs w/ bw illustrations. Illustrated throughout. Good+ (scuffs & scratches to boards; rubbed edge-wear. spine ends rubbed w/ small tear to back edge. bumping & rubbing to corners w/ crease to lower front corner; may have a stamp on ffep; corners rubbed).…

Softcover. orange & black pictorial wraps. 116 pgs w/ bw illustrations. Illustrated throughout. Good+ (scuffs & scratches to wraps; rubbed edge-wear. spine ends rubbed w/ small tear to back edge. bumping & rubbing to corners w/ crease to lower front corner; may have a stamp on ffep; corners rubbed).

4°, XI S., 116 S. mit s/w Abbildungen, Orig.-Karton. (= Beacon Paperback, 517).- Einband stark berieben, Stauchung am unteren Rücken. Einige Seiten mit Textmarker Anstreichungen, Namenszug des Vorbesitzers auf Vorsatz.

hardcover. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Soft cover. Condition: Very Good. 1st Edition. 85 pages, illustrations : 28 cm. INTRODUCTION Americans are drowned in words--over the air, in directives on paper, in appeals through the mails. We're also drowned in pictures--outdoor advertising, transit advertising, advertising on pages of paper, or in blurry pictures on a little screen. The independent graphic artist in America has in the past occupied himself or herself with filling rectangles to be hung on interior walls. Usually only a small percentage of people will pay for such art, or even find wall space for it. Now an increasing number of graphic artists are realizing the need to use exterior surfaces, visible to any pedestrian, cyclist, or to passengers in car, bus, or train. It's an old technique, used by ancient societies in all countries, and today still in some places. Sometimes it has been a folk art, of anonymous painters filling the people's needs. Sometimes, as in Mexico, the artists have been national heroes. Now. This manual will help young artists expand the tradition here. In the crisis facing the inhabitants of this land, murals can fill a need for honest communication between all people on a non-verbal level. Independent artists can communicate ideas which will not be said by our politicians, our TV or newspapers-- ideas which need to be explored in public. Not all the artists will agree with each other, of course. No matter. Their non-commercial pictures will carry an important message: We can we are not 100% at the mercy of the media. communicate with each other through color, line, and form. And as independent human beings, our content is going to be different from what is ground out on the drawing boards of commerce: are going to build a new world. We are going to unite for peace, freedom, jobs for all, and a clean, unpolluted world to share. we How will this come about? The murals will tell the story. You don't believe me? Keep your eyes open. Pete Seeger Beacon, New York April, 1973.…