Roberts and Wallis (9 results)

Soft cover. Condition: Fair. Trade paperback, magenta and black with white, black lettering to cover and bacsktr. Crease to backstr. Dogear bend to front cover bottom, shelfwear. Tables. 218pp. incl. index. Contents clean and sound.

Hardcover. Condition: Good. Fourteenth Printing, July 1967. The hardcover binding is intact and in good condition, with minimal wear visible on the spine and cover. The pages are clean and free from inscriptions or markings. The dust jacket condition is unknown.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780340762271. …

Paperbackr. Condition: UsedGood. Paperback; Part 3 only; scuffing, light soiling, and shelf wear to exterior; chip to top front corner of cover and a few pages; in good condition with clean text, firm binding.

Paperback. Condition: Very Good. Card covers in clean, tidy condition Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condition: UsedGood. Hardcover; fading and shelf wear to exterior; in good condition with clean text, firm binding.

Original Cloth. Condition: Very Good. No Jacket. Thirteenth Printing. Outer edge foxed.

trade paperback. Condition: good; used. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDsm4to; 182 pages; good trade paperbck; tips bumped; couple slight nicks to edges cover; clean pages; prompt shipping with tracking.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.…