Condition: As New. Unread book in perfect condition.
Language: English
Published by McFarland, Jefferson, 2011
ISBN 10: 0786461330 ISBN 13: 9780786461332
First Edition
First Edition. Softcover. First Edition. One corner lightly bumped, else Near Fine in perfect-bound wrappers.
Condition: New.
Language: English
Published by McFarland & Co Inc Pub, 2011
ISBN 10: 0786461330 ISBN 13: 9780786461332
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 222 pages. 9.75x7.25x0.75 inches. In Stock.
Language: English
Published by McFarland and Co Inc, US, 2011
ISBN 10: 0786461330 ISBN 13: 9780786461332
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. The work of Sam Peckinpah represents a high point in American cinema. This text is the first theoretical and critical attempt to place Peckinpah within the 2,000-year-old tradition of western tragedy. The tradition, enfolding the Greeks, Shakespeare and modern tragedians, is represented in Peckinpah's art in numerous ways, and the fact that he worked in the mode throughout his career distinguishes him from most American film directors. Films covered include Ride the High Country, Noon Wine, The Wild Bunch, Pat Garrett and Billy the Kid, and Bring Me the Head of Alfredo Garcia.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In.
Language: English
Published by McFarland and Co Inc, US, 2011
ISBN 10: 0786461330 ISBN 13: 9780786461332
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. The work of Sam Peckinpah represents a high point in American cinema. This text is the first theoretical and critical attempt to place Peckinpah within the 2,000-year-old tradition of western tragedy. The tradition, enfolding the Greeks, Shakespeare and modern tragedians, is represented in Peckinpah's art in numerous ways, and the fact that he worked in the mode throughout his career distinguishes him from most American film directors. Films covered include Ride the High Country, Noon Wine, The Wild Bunch, Pat Garrett and Billy the Kid, and Bring Me the Head of Alfredo Garcia.