Robert Cozzolino (252 results)

Hardback. Condition: Good. Retells the familiar fairy tale in English and American Sign Language. Includes information about ASL and how it is used. Steiner, Pat; Cozzolino, Sandra (illustrator).

Hardcover. Condition: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. Steiner, Pat; Cozzolino, Sandra (illustrator).

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Steiner, Pat; Cozzolino, Sandra (illustrator). …

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. Steiner, Pat; Cozzolino, Sandra (illustrator).

Hardback. Condition: Good. Retells the familiar fairy tale in English and American Sign Language. Includes information about ASL and how it is used. Steiner, Pat; Cozzolino, Sandra (illustrator).

Hard Cover. Condition: Very Good. c.60pp. Oversize hardback with glossy boards, EX-LIB, minimal markings, clear plastic tape along spine, full page with the manual alphabet, each story in B&W American Sign Language drawings and in words with color illustrations. Steiner, Pat; Cozzolino, Sandra (illustrator).…

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. Ex-library with the usual stamps, stickers, and markings. Gray cloth covered boards are slightly bumped on the bottom corners and spine. The boards are protected by the dust jacket and clear library covering. The pages are clean with many full color photographs. The bottom right page edges are soiled from handling. There is a bookplate on the front free endpaper. The spine is reenforced by brown tape on both the inside front and back endpapers. The dust jacket is protected by the clear library covering. This book was published in conjunction with the exhibition The Female Gaze: Women Artists Making Their World, presented by the Pennsylvania Academy of the Fine Arts. 335 pp. Shelf: E-5.…

Condition: acceptable. All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Condition: very_good. Any images shown are stock photographs. The actual item may differ from the image displayed. Very Good condition. Dust Jacket included, Light signs of handling or shelf wear may be present. Pages are clean and the binding is secure. If you would like to confirm the exact condition of this copy before purchasing, please feel free to contact us for photos.…

Condition: good. Paperback Book.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condition: Acceptable. May be water damaged or have seperating binding. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: very_good. Fast & Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

hardcover. Condition: Very Good. Hudson Hills Press February 1997 Hardcover with jacket. Clean, bright, and tight.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Trade Paperback. Condition: Near Fine. 1st Edition. Large paperback, scuffing to the blank inside of the front cover is the only remarkable flaw, looks new otherwise, "this vibrant and thoughtful catalogue is the first in-depth look at the influential Ojibwe artist's ouevre" ; ; 164 pages.

Hardcover. Condition: Acceptable. May have spine damage. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.…

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condition: Good. Modest shelfwear to jacket, housed in protective mylar cover. Clean pages and sound binding.

hardcover. Condition: Good. Hardcover in dust jacket. Clean text - NO writing, NO highlighting to text. Very Dust jacket has some moderate surface rubbing on front panel. A VG/Good and useful reading and perusing copy. Oversized. Clean text -- NO writing, NO highlighting to text.ÂPLEASE NOTE: Domestic US media (standard) US orders ONLY. NO international orders. …

Hardcover. Condition: VG+. Hardback in Very Good+ condition without dust jacket. 11.25 X 0.5 X 9.25 inches. 115 pages. Lower corners bumped . Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardcover. Grey cloth with white lettering; color-illustrated dj with white lettering; 335 pp. with color and bw images throughout. In response to the poor representation of women in art galleries and museums, Philadelphia-based collector, Linda Lee Alter, decided in the 1980s to focus on art by women. The result, now at the Pehhsylvania Academy of Fine Arts, is an extraordinarily diverse and powerful collection of nearly 500 objects by some of the most influential female artists of the past 50 years, including major works by Louise Bourgeois, Elizabeth Catlett, Alice Neel, Louise Nevelson and others. Alter formed her collecitno with the intent of giving it to a public institution in order to make women artists more visible. Contributors include Glenn Adamson, Linde Lee Alter, Diane Burko, Anna Chave, Joanna Gardner-Hugget, Anna Havemann, Melanie Anne Herzog, Janine Mileaf, Mey-Yen Moriuchi, Jodi Throckmorton and Michele Wallace. Includes 12 essays, the plates, checklist of Alter's collection with biographies of each artis and, a selected bibliography. VG/VG dustjacket is in mylar. Exlibrary with small label at base of spine on mylar covering, ownership stamp at top text block, labels inside rear cover. Very clean copy overall.…

Softbound. Condition: As New. Color Illustrated wraps. 385 pp., Profusely illustrated in color. Wow, what a collection, and what a catalogue. A remarkable collection of American drawings and watercolors from one of the leading university museums in the United States The Princeton University Art Museum's collection of American drawings and watercolors is impressive in both scope and quality, providing a comprehensive overview of the nation's artistic traditions. This lavishly illustrated book highlights seventy-seven master drawings and watercolors chosen from the museum's extensive collection. The selections, which range from the eighteenth century to the present, are by such eminent American artists as Benjamin West, Winslow Homer, Thomas Eakins, Mary Cassatt, Andrew Wyeth, Georgia O'Keeffe, Lee Bontecou, and Tom Wesselmann. A group of outstanding works by Hudson River School and Ash Can artists also distinguishes the collection. Each of the selected drawings and watercolors is reproduced in full color and is accompanied by an in-depth catalogue entry. The book also features an introduction by John Wilmerding describing Princeton's history of collecting American art, as well as an essay by Kathleen A. Foster on the historiography of American drawings and watercolors. A useful checklist of the Museum's entire collection of over 1,300 American drawings and watercolors, selectively illustrated in color, concludes the book. This beautiful and informative volume clearly demonstrates that the holdings of the Princeton University Art Museum represent an extraordinary resource for students, scholars, and those with a love of American art and art history. This book accompanies an exhibition on view at the Princeton University Art Museum (October 16, 2004, to January 9, 2005) the Musee d'Art Americain, Giverny, France (Spring 2005) and the High Museum of Art, Atlanta (Spring 2006).…