Robert B Young Editor (22 results)

Paper Back. Condition: Good.

Hard Cover. Condition: Very Good. First Edition. a very good hardcover; an ex-library copy with usual markings; internally pages bright and clean; ---------- SATISFACTION GUARANTEED --------- FAST, COURTEOUS SERVICE ------ ALL ORDERS SHIPPED WITH DELIVERY CONFIRMATION; Size: 7 x 10". Ex-Library.

Paperback. Condition: Good. Cover art by EMSH (illustrator). 1st Edition. Kokomo ,Ind.: Better Publications Inc. A vintage issue of Startling Stories for June 1953 Featuring Moth and Rust a Sequel to The Lovers by Philip Jose Farmer A good to very good copy with edge tears and chipping as shown, light dust soiling, text paper toned. See photos bx276E.

Soft cover. Condition: Very Good. 66 pages. Fox B Holden "Here We Lie" / Leslie Waltham "Imperfection" / Robert F Young "The Black Deep Thou Wingest" / Isaac Asimov "The Monkey's Fingers" / Damon Knight "Definition" / H H West "The Book Of The Dead" (SL#117/2).

Soft cover. Condition: Very Good. Emsh; Virgil Finlay; (illustrator). First Edition. 146 pp. Pulp Magazine format. General wear. Cover art by Emsh - Ed Emshwiller; interiors by Emsh and Virgil Finlay. This issue contains: Moth and Rust - a novel by Philip Jose Farmer. Here Lie We - a novelette by Fox B. Holden. Essay: Obsolescence Inc. by Dixon Wells. Short Stories: Imperfection by Leslie Waltham; and The Black Deep Thou Wingest by Robert F. Young; along with the usual features. Size: 8vo. Book.

Hardcover. Condition: As New. Dust Jacket Condition: Fine. Reyes, Jesse Marinoff (jacket design); Hobbing, Diane (book design) (illustrator). 1st Edition. As new condition maroon boards/brown spine/gold spine lettering contained in a fine condition non price-clipped color illustrated dust jacket. Includes List of Illustrations; Introduction by Byron Hollinshead; Acknowledgments; Illustration Credits; and A Note About the Editor. Illustrated with black-and-white photographs. "Twenty distinguished American historians vividly re-imagine twenty events of great drama and significance in our country's past. "What is the scene or incident in American history that you would like to have witnessed - and why?" This is the thought-provoking question that editor Byron Holingshead posed to twenty of our finest interpreters of American history with the invitation to write a personal essay answering it. The result is I Wish I'd Been There, a book that trains a lens on crucial moments of our past and brings them to vivid life. With these peerless scholars as their guides, readers will be transported to the Salem witch trials, the Lewis and Clark expedition, the raid on Harpers Ferry, the assissination of Abraham Lincoln, the Scopes "monkey trial," the beginnings of the Vietnam War, the voting rights march to Selma, and other turning points of our national drama. Contributors include Mary Beth Norton, Joseph Ellis, Jay Winik, Carol Berkin, Kevin Baker, Robert Cowley, Carolyn Gilman, Geoffrey Ward, Robert Dallek, and William Leuchtenburg, among other luminaries of the historical profession. I Wish I'd Been There is a marvelous concept, wonderfully and imaginatively executed. The result is an American pageant of character and event that will attract and delight readers of history." - from the inner front and rear jacket flaps.

Paperback. Condition: Good. 1st printing. LIght shelf wear, tanning. Faint creasing on cover. Tight, clean copy.

Soft cover. Condition: Fine. Fine condition color illustrated stiff softcover wraps. Includes rear section of the following: Authors and Artist Briefly Noted; Cornell Laboratory of Ornithology Staff and Administrative board for 1981; Life Members and Benefactors Laboratory of Ornithology 31, December 1981 nine scholarly ornithological publications by various author. Illustrated with color plates, including a color plate frontispiece.

Soft cover. Condition: Very Good. 44 pages. Illustrated. Gerald Ackermann "Sketching from Nature in Water-Colour" / Robert Greenham "The Theory and Practice of Oil Painting Part VI" / Frank H Young "The Technique of Advertising Layout" / Herbert B Grimsditch "Billie Waters" / R Myerscough-Walker "Designing for the Stage" (BT#38).

Paperback. Condition: Brand New. 288 pages. 9.22x6.14x1.00 inches. In Stock.

Paperback. Condition: Brand New. 288 pages. 9.21x6.14x1.00 inches. In Stock.

Paperback. Condition: Brand New. 254 pages. 9.01x6.01x8.96 inches. In Stock.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condition: Brand New. 1st edition. 528 pages. 10.00x6.50x1.25 inches. In Stock.

Original Printed Wrappers. Condition: Very Good. Ansel E. Adams, Marion Randall Parsons, Ray J. Baker, C.S. Carlsmith, Walter L. Huber, J.N. LeConte, E.A. Hornuth, C.S. Tappaan, Ansel F. Hall, W.B. Putnam, Chester Versteeg, George J. Young, Harold C. Bradley, Howard C. Tibbitts, George L. Beam (illustrator). First Edition. San Francisco: Sierra Club, 1922. First Edition. First published Ansel Adams photographs. Vol XI, No. 3, for 1922. This was published during a several-year time period when the Sierra Club did not stipulate the month of an issue, just the volume, the number, and the year; monthly designations for such an infrequent publication having always been somewhat unnecessary in any case. Original printed wrappers, 9 1/4" x 6 1/4", 113 pp. + numerous unpaginated photographic plates, features and ads - including two very precious shots which are the first published Ansel Adams photographs. Buff stapled wraps, Very Good or better, and internally fine, of course. Circuit binding (yapp binding) was used, in which cover edges were intentionally extended out beyond page edges, but over time the extended part becomes pressed inward somewhat (see third scan for the unusual degree of this is this issue). A handsome copy. See scans. Binding sturdy, contents fine. See scan of contents page for the lineup of impassioned club writers and their always engaging and adventurous topics. In addition to the two early and memorable Ansel Adams shots mentioned above, this issue is chock full of photographic plates by the club's best photographers, as well as others, including Ansel E. Adams, Marion Randall Parsons, Ray J. Baker, C.S. Carlsmith, Walter L. Huber, J.N. LeConte, E.A. Hornuth, C.S. Tappaan, Ansel F. Hall, W.B. Putnam, Chester Versteeg, George J. Young, Harold C. Bradley, Howard C. Tibbitts, and George L. Beam, as well as several uncredited artists. SC2.

Soft cover. Condition: Fair. Arthur B. Davies; K.R. Chamberlain; Boardman Robinson; Arthur Young; Maurice Sterne; Cornelia Barns (illustrator). 1st Edition. New York: The Masses Publishing Company, 1917. The April, 1917 issue (Volume IX, Number 6, whole number 70). Quarto, illustrated stapled wraps, 42 pp.; this is a scarce survivor of the smaller-format issues (i.e., no longer folio size) which were issued late in the life The Masses. 1917 was the last year of publication, and by the time of this issue, there were only months left. Just Fair, due to the absence of the front cover and the separation of the first page from the remaining textblock with rear cover - all of which is itself in Very Good condition, by any periodical standard. As the very inexpensively-produced budget-of-the-heart icon The Masses was, it no doubt deserves its own grading standard, but there is none such. Some small scale chipping on page 3 and rear cover, modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years, The Masses was a collection of ideological art, opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values, but in a larger sense was representative of labor, women's rights, and radical left issues in general as those were at that time. Famous names of the era often contributed work, but the names of the regulars are themselves all now in history books. The now-timeless publication was officially shut down by the U.S. Government in 1918, ostensibly on the basis of postal regulations (though it had already suspended publication in late 1917), following two intense and ideologically-charged trials. Eastman and his sister, Crystal, then started The Liberator to carry on; after The Liberator closed its doors in 1926, The New Masses, under the primary leadership of Mike Gold, carried the radical flag. The Masses, as the first, is also the rarest. Text contributors to this issue of April, 1917 included Eastman, John Reed; Louise Bryant; Floyd Dell; Howard Brubaker; Robert Hillyer; Louis Untermeyer; Hutchins Hapgood; Ruza Wenclaw; Leslie Nelson Jennings; Robert H. Lowie; Charles W. Wood; Jane Whitaker; Anne Arnold; Henry Reich, Jr.; Dorothea Gay; Franklin Van Wert; David Rosenthal; Elizabeth Fox; and Nina Bull. Art was contributed by Arthur B. Davies; K.R. Chamberlain; Boardman Robinson; Arthur Young; Maurice Sterne; and Cornelia Barns. Check out all of these names. An extraordinarily rare piece of American publishing and political history. Please see scans. l-lng2.

Hardcover. Condition: New. Special Edition. Full leather bound edition. Raised bands on spine with gilt lettering. Gilt page edges and cover design. Ribbon page marker. Marble design endpapers. Book is new and sealed in publishers shrinkwrap. Book.

Red Cloth. Condition: Very Good +. Dust Jacket Condition: No Dust Jacket. First Edition. Red Cloth. First Edition. Very Good+, No Dust Jacket. "Compiled Under The Direction Of The Committee On Scientific Method In The Social Sciences Of The Social Science Research Council." 822 Pages, Slightly Age-Toned At Edges. Five Words Underlined In Red Pencil On Pg.Ix Of The Table Of Contents.No Other Underlining Or Marking. Previous Owner's Name In Very Light Pencil On Front Endpaper. Covers Clean And Unmarked. Top Of Spine Frayed. Bottom Of Spine Shelfworn. A Solid, Tight Book.

Hardcover. Condition: Brand New. 1st edition. 528 pages. 10.00x6.50x1.25 inches. In Stock. This item is printed on demand.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1907. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 190, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 190 190.