Reilly Iii (102 results)

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paperback. Condition: Very Good.

Condition: Very Good.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: Fair. Dust Jacket Condition: Good. Hardbound with dust jacket. Moderate discoloration of cloth covers near edges. Pages unmarked, modest wear.

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

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Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Good. A major reconstruction of the rituals, cosmology, ideology, and political structures of the prehistoric native peoples of the Mississippi River Valley and Southeastern United States.

Condition: New.

Paperback. Condition: new. Paperback. Between AD 900-1600, the native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States conceived and executed one of the greatest artistic traditions of the Precolumbian Americas. Created in the media of copper, shell, stone, clay, and wood, and incised or carved with a complex set of symbols and motifs, this seven-hundred-year-old artistic tradition functioned within a multiethnic landscape centered on communities dominated by earthen mounds and plazas. Previous researchers have referred to this material as the Southeastern Ceremonial Complex (SECC).This groundbreaking volume brings together ten essays by leading anthropologists, archaeologists, and art historians, who analyze the iconography of Mississippian art in order to reconstruct the ritual activities, cosmological vision, and ideology of these ancient precursors to several groups of contemporary Native Americans. Significantly, the authors correlate archaeological, ethnographic, and art historical data that illustrate the stylistic differences within Mississippian art as well as the numerous changes that occur through time. The research also demonstrates the inadequacy of the SECC label, since Mississippian art is not limited to the Southeast and reflects stylistic changes over time among several linked but distinct religious traditions. The term Mississippian Iconographic Interaction Sphere (MIIS) more adequately describes the corpus of this Mississippian art. Most important, the authors illustrate the overarching nature of the ancient Native American religious system, as a creation unique to the native American cultures of the eastern United States. Presents 10 essays that analyze the iconography of Mississippian art in order to reconstruct the ritual activities, cosmological vision, and ideology of these ancient precursors. This work correlates archaeological, ethnographic, and art historical data that illustrate the stylistic differences within Mississippian art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condition: New. Between AD 900-1600, the native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States conceived and executed one of the greatest artistic traditions of the Precolumbian Americas. Created in the media of copper, shell, stone, clay, and wood, and incised or carved with a complex set of symbols and motifs, this seven-hundred-year-old artistic tradition functioned within a multiethnic landscape centered on communities dominated by earthen mounds and plazas. Previous researchers have referred to this material as the Southeastern Ceremonial Complex (SECC).This groundbreaking volume brings together ten essays by leading anthropologists, archaeologists, and art historians, who analyze the iconography of Mississippian art in order to reconstruct the ritual activities, cosmological vision, and ideology of these ancient precursors to several groups of contemporary Native Americans. Significantly, the authors correlate archaeological, ethnographic, and art historical data that illustrate the stylistic differences within Mississippian art as well as the numerous changes that occur through time. The research also demonstrates the inadequacy of the SECC label, since Mississippian art is not limited to the Southeast and reflects stylistic changes over time among several linked but distinct religious traditions. The term Mississippian Iconographic Interaction Sphere (MIIS) more adequately describes the corpus of this Mississippian art. Most important, the authors illustrate the overarching nature of the ancient Native American religious system, as a creation unique to the native American cultures of the eastern United States. …

Condition: new.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Pamphlet. Condition: Like New. Volume 48, No. 2, 1989. 39 pp. Volume 48, No. 2, 1989 only! Clean, fresh copy with very light shelf wear, crisp pages and clean text. Bruce Campbell (Design) (illustrator).

Paperback or Softback. Condition: New. Ancient Objects and Sacred Realms: Interpretations of Mississippian Iconography. Book.

Paperback. Condition: Good. A major reconstruction of the rituals, cosmology, ideology, and political structures of the prehistoric native peoples of the Mississippi River Valley and Southeastern United States.

Condition: As New. Unread book in perfect condition.