Rathke Ewald (231 results)

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

1 Includes illustrations. Good. TRADE PAPERBACK, moderate shelfwear, ex museum stamps, good service copy.

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Tight, clean, unmarked copy with light edge/corner wear to the dust jacket. Cloth boards are slightly creased at the corners.

Broschiert. Condition: Gut. ohne Seitenangabe; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 215.

Broschiert. Condition: Gut. 87 Seiten; Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. Sprache: Deutsch Gewicht in Gramm: 250.

Soft cover. Condition: Good. No Jacket. Otto Dix (illustrator). Black titles on white color illustrated soft covers, 72 pages plus several pages of advertisements. Spine is scuffed with a small tear that has been taped. There are 8 color plates and 62 in black and white.

18 x 17 cm ; kart. ; Condition: Gut. 38 S., 72 Taf. ; Paperbackausgabe, 38 Seiten nebst 72 Bildtafeln. Gutes Exemplar. hw1266.

Softcover, unpaginated; in German; very good condition; fading around spine; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Used: Good. [Ausstellung,] Frankfurter Kunstverein, 10. Aug. - 29. Sept. 1968. [[Ausstellungskatalog]]. Good overall; paperback.

Paperback. Condition: Very Good. First Edition. 26 pages; Clean and secure in original glossy photographic wrappers with portrait of the artist on front wrapper. OCLC 1072064688 Includes an Introductory text by Ewald Rathke, the catalogue, twelve pages of reproductions (including 2 in color), and a Biographical Chronology, five full page illustrated ads at rear. Oswald Petersen (1903 - 1992) was a German painter who was part of the Düsseldorf painting school. From 1927 to 1933 he lived in Paris , where he studied at the Académie Lhote, founded by André Lhote in 1922 in the Rue d'Odessa on Montparnasse . The cubist painter, sculptor and art theorist's students included Tamara de Lempicka , Henri Cartier-Bresson , Alf Bayrle , Hans Hartung , Anna Eva Bergman , Aurélie Nemours , Fred Klein and William Klein. In 1932, the French poet and surrealist Robert Valençay described Oswald Petersen as "extremely sensitive in playing with colors" in the "Revue d'Allemagne et des pays de langue allemande". This sensitivity is "more a matter of temperament than school". In addition, he developed his emotions "to a conscious constructive ability" and thus disciplined them. He called him a main representative of current young painting in Germany. The French poet and art critic André Salmon , an advocate and pioneer of Cubism, attested him "a rare intelligence in visual design". 1937 he exhibited his landscapes in the Düsseldorf Reich Exhibition Schaffendes Volk , an externally important propaganda show in Germany during National Socialism. From 1945 the art dealer Hella Nebelung exhibited its works in the ruin of a patrician house bombed by the war at Düsseldorf Hofgartenstraße 10 and from 1955 in the southern Ratinger Tor . In 1946 Oswald Petersen joined the Rhenish Secession , in 1949 the New Rhenish Secession and in 1950 the German Association of Artists , in whose first annual exhibitions he participated until 1954. His works have their own character between abstract and classical forms and occupy an important position, especially in painting after 1945. Supported by the gallery owner Hella Nebelung, he had exhibitions in 1957, 1968 ( watercolors ) and 1977 ( portraits ) in the municipal art collection in Düsseldorf, in 1960 at the Kunstverein für die Rheinlande und Westfalen and in 1967 in Oldenburg (Oldenburg). From the 1960s on, Petersen devoted himself to watercolor painting, in addition to portraiture. This is how light-flooded watercolors with informal color flows from gorges on Ischia and in Spain were created. The Kunsthalle Düsseldorf showed them from November 29, 1968 to January 1, 1969 in the solo exhibition "Oswald Petersen - New Aquarelle". Since the 1980s, near Bad Gastein, large-format "forest" watercolors and "forest clearings" painted in oil with an abstract effect have been created.

Paper Wrappers. Condition: Very Good. First Edition. 8 vo., 136 illustrated examples of exhibition items. Signed by Heck on front free endpaper. Catalogue of Exhibition held 12 July to 31 August, 1969. Black paper covers with illustration of sculpture of Heck to front cover. Scuffing to covers with edge wear. Binding tight. Overall very good. Signed by Author.

Pp. Condition: Sehr gut. Überwiegend Ill. (z. T. farb.); 31 cm ; Hardcovereinband mit farbig illustriertem Schutzumschlag, 95 Seiten. Sehr gutes Exemplar. hw455 ISBN: 3779650061.

Softcover. 32 S. ; 32 S. ; 32 S. Guter Zustand. Die Leseseiten sind sauber und ohne Markierungen. Leichte Lager- und Gebrauchsspuren. Einbände leicht fleckig. Eintragung auf der ersten Seite (Band 10,11). Bücherrücken leicht berieben. Ansonsten ordentliches Exemplar. Sprache: Deutsch Gewicht in Gramm: 1000.

Paperback. Condition: Very Good. First Edition. 24 pages; Clean and secure in original glossy photographic wrappers with portrait of the artist on front wrapper. OCLC 1021369806 Includes an essay "Der Fufnte Zustend" by Renato Berolli, an essay "Phantasie in der Wirklichkeit" by Franco Rusolli, the catalogue, eight pages of reproductions (one in color), and a Biographical dates and exhibitions, three full page ads (some illustrated) at rear. Renato Birolli (1905 1959) was a 20th century Italian painter. In 1923 he moved to Milan where he formed an avantguardist group with artists such as Renato Guttuso, Giacomo Manzù and Aligi Sassu. In 1937 he was a member of the artistical movement Corrente di Vita. In the same year he was arrested by the Fascist government for opposing the regime. He subsequently cast painting aside to devote himself to support Communist causes and, later, the partisan resistance.After World War II, in 1947, Birolli moved to Paris. Here his painting style changed under the influence of Henri Matisse and Pablo Picasso, moving first to a post-Cubist position and then to a somehow abstract form of lyrism.He died suddenly in Milan in 1959.

Softcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Edition 1974. Livre reconditionné de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 1974. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condition: Bon. Edition 1988. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Edition 1988. Ammareal gives back up to 15% of this item's net price to charity organizations.

31 cm x 25,5 cm, kart. Ausg., 96 S. in ital. Sprache, mit vielen farb. Fotos, Am oberen Buchrücken ist eine kleine Fehlstelle, die Ecken sind ein wneig betossen und der Einband ist etwas angestaubt, sonst guter Zustand. Sprache: Deutsch Gewicht in Gramm: 1200.

Broschiert, Taschenbuch. Condition: Sehr gut. 195 Seiten. Seitenwerk vollständig und textsauber, lediglich altersgemäß nachgedunkelt. Einband ebenso nachgedunkelt und zudem leicht berieben und randlagerspurig. Sprache: Deutsch Gewicht in Gramm: 430 Anl. der Ausstellung im April/Juni 1966.

29 Bl. u. zahlr. Tafeln. Orig.-Kart. (gut erhalten).

kart. Condition: Befriedigend. 15 Bl. : Text, 45 Bl. Abb. ; 8 Kanten etwas berieben / bestossen, Einband vergilbt und verzogen, Rauchgeruch, papierbedingte Seitenbräunung /// Standort Wimregal HOM-11681 Sprache: Deutsch Gewicht in Gramm: 289.

Hardcover. Condition: Very good in a ragged dj. First. Obl. 4to, cloth. 218 pp, 301 illustrations (38 in color), chronology, exhibition list, bibliography. French text. An oeuvre catalogue.

broschürt. Obr, 8°, quer., nicht paginiert, , 82 Tafeln, in gutem Zustand, , [Lbroschürt50,4b].(3) Deu 400g.

Broschürt. Obr., nicht paginiert 82 Tafeln, in gutem Zustand, , [LSA5,5a]. [LSC48,3a]., Deu 400g.

Condition: Sehr gut. Formateinband: Großformat, Heft 28 S. (30 cm) 1. Aufl.; Sehr guter Zustand. ((Beiliegend Einladungskarte und Anmelde-Postkarte zur Ausstellungseröffnung)). Sprache: Deutsch Gewicht in Gramm: 350 [Stichwörter: Ausstellungskatalog].

AK. Frankfurter Kunstverein - Steinernes Haus, Römerberg u. Adolf u. Luisa Haeuser-Stiftung, 12.2. 27.3.1966. farb. illustr. OPbd. 50 nn. Textseiten sowie 59 ganzs. S/w-Abbildungen auf Tafeln u. Anzeigen-Werbung. - 18 x 16,5. * Sehr gut erhalten !

AK. Frankfurter Kunstverein, 29. Mai bis 4. Juli 1965. Farb. illustr. OPbd. ca. 50 Textseiten u. 152 ganzseitige, teils farb. Abb. - 18 x 16,5. * Gut erhaltenes Exemplar !