Published by Abbeville Press: Modern Masters Series, New York, 1983
Seller: Montreal Books, Westmount, QC, Canada
Soft cover. Condition: Near Fine+. First edition, Fifth Printing. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 4to, 128pp. Book.
Published by Kouros Gallery, New York, 1987
Seller: Willis Monie-Books, ABAA, Cooperstown, NY, U.S.A.
Softcover. Condition: Very Good. Approx. 10 1/2" wide by 8". ; 32 pages.
Published by New York, NY: GP Contemporary., 2017
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. [Exhibition catalogue]. 4to. Oblong. 31 pp. Soft, glossy red and color illustrated wraps. As new. Color plates. Includes an essay by Carter Ratcliff. Catalogue created to accompany the exhibition "Pat Lipsky: Stain Paintings 1968-1975", held in Spring of 2017 at GP Contemporary in New York, NY.
Published by (München), Schirmer/Mosel (1986)., 1986
Seller: Antiquariat Les-art, Burgstetten, Germany
First Edition
4°. XXXIX(I) S. Text und 270(1) S. Tafeln mit sehr zahlreichen, teils ganzseitigen bzw. farbigen Abbildungen und Photos. Opbd. mit farbig illustriertem Schutzumschlag. Umschlag mit leichten Alters- und Gebrauchsspuren (an Unter- und Oberrand etwas angeknittert, vordere Innenklappe mit vertikaler Knickspur und hinterer Klappenfalz mit kleinen Bereibungen im oberen Drittel, sonst sehr gutes Exemplar. Erste deutsche Ausgabe. Hier Buchhandelsausgabe des umfangreichen Kataloges der 1986/87 in verschiedenen europäischen Museen gezeigten Ausstellung. Sprache: de.
30x24 cm. 159 pp. Illustrated. Publisher's printed boards. With a nice inscription from Peter Åström to a fellow artist.
Published by Grace Borgenicht Gallery, New York, 1982
Seller: David Bunnett Books, London, United Kingdom
First Edition
SOFTCOVER. Condition: As New. 1st Edition. Tall 4to. in stiff card covers, 23pp, plates in colour and b/w, etc . [CONDITION: An extremely well preserved AS NEW copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.
Published by New York, New York: Tibor de Nagy Gallery, 1984
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 8vo. Staplebound Wraps. 12 pp. Color Plates. Very Good.
Published by The Butler Institute of American Art, Youngstown, OH, 2016
ISBN 13: 2900013896615
First Edition Signed
Oversized Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. (2016) (Youngstown) Tall 4to. 1st edition. SIGNED by Erbe on ffep. Slight bowing to front board. Light rubbing to top joint ends. Minor bumping to top forecorner of back board. Half an inch closed tearing to top forecorner of back cover and bottom left edge of back cover of DJ. Some chipping and rubbing to forecorners and top spine end of DJ. VG/VG. Author.
Language: English
Published by Municipal Van Abbemuseum, London / Eindhoven, 1980
ISBN 10: 9070149036 ISBN 13: 9789070149031
First Edition Signed
First Edition. First Edition, issued simultaneously with the soft cover. One of 5000 unnumbered copies. Warmly INSCRIBED on the front endpaper by artists Gilbert and George to noted curator Brenda Richardson: "For Our Dear Brenda / Lots of Love / Gilbert + George / xx." Published in conjunction with a traveling exhibition which opened at the Municipal Van Abbemuseum in November, 1980, and closed at the Whitechapel Art Gallery in July, 1981. One of the most distinguished art curators and historians of the twentieth century, Brenda Richardson began her career at the University Art Museum in Berkeley (1964-1975), and went on to become the chief curator at the Baltimore Museum Art between 1975 and 1998. An unapologetic champion of contemporary art, she curated well over 70 major exhibitions for the BMA, the high spots being notable stagings for Frank Stella, Brice Marden, Barnett Newman, and Bruce Nauman. She also curated the 1985 exhibition of the Cone Collection, the BMA's prized centerpiece, which contains over 3000 works, including 600 pieces by Matisse, as well as work by Picasso, Cezanne, Gauguin, and others. She has authored and contributed to dozens of books on contemporary art, and John Waters, one of the most significant thinkers in the world of contemporary art, considers Richardson to be his mentor. Near Fine with no dust jacket as issued. Light rubbing to boards overall. Signed.
Published by Oktagon, 1993
ISBN 10: 3927789437 ISBN 13: 9783927789432
Seller: Antiquariat Wortschatz, Markt Hartmannsdorf, Austria
Hardcover. Condition: Gut. kA (illustrator). kA. Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: de - Einband: Leinen - Gewicht: 900 - Illust.: kA - Zustand: Gut - deutliche Gebrauchsspuren.
Language: German
Published by München. Oktagon Verlag, 1993
ISBN 10: 3927789437 ISBN 13: 9783927789432
Seller: Antiquariat Bernhardt, Kassel, Germany
First Edition
Leinen Leinen. Condition: Sehr gut. 1. Auflage. 65 Seiten, mit Abbildungen, Zust: Gutes Exemplar. Mit original Schutzumschlag. Schneller Versand und persönlicher Service - jedes Buch händisch geprüft und beschrieben - aus unserem Familienbetrieb seit über 25 Jahren. Eine Rechnung mit ausgewiesener Mehrwertsteuer liegt jeder unserer Lieferungen bei. Wir versenden mit der deutschen Post. Sprache: Deutsch Gewicht in Gramm: 1000.
Published by Alpine Fine Arts Collection, New York \ London, 1983
Seller: The Book Gallery, Jerusalem, Israel
270X300 mm. 252 pages. Hardcover. Cover edges slightly stained. Ex Library copy with the usual markings. Else in good condition. The book is in : English.
Language: German
Published by Hatje Cantz, Stuttgart, 2003
ISBN 10: 3775713603 ISBN 13: 9783775713603
Seller: Antiquariat UEBUE, Zürich, Switzerland
First Edition
Hardcover. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. Profusely Illustrated (illustrator). 1. Auflage. Z : 200 Seiten, 154 Abb. - Die vorliegende, großformatige Monografie zu Georgia O'Keeffe will dem Betrachter eine vertiefte Begegnung mit ihrem Werk ermöglichen, einer Malerei, deren eigenwillige Charakteristik eine Art Schwebezustand ist. Zwischen Bild und Abstraktion, Nahblick und Monumentalität, Naturschau und Künstlichkeit offenbaren sich kühne Bildfindungen und Raumentwürfe. Schon früh nahm Georgia O'Keeffe verschiedene Einflüsse, etwa der europäischen und amerikanischen Moderne, später auch der Eingeborenenkultur auf, setzte sich aber von Anfang an in einer Malerei des tonalen Farbauftrags und einer sich an der fotografischen Optik orientierenden Kompositionsweise von der europäischen Tradition ab und fand so zu Stilisierungen, die gar als »Pre-Pop« bezeichnet werden könnten.