Railing (210 results)

Condition: Very Good. Very Good condition. Paperback edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. . . All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Cards. Condition: Very Good. Gmc Crds. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Condition: Good. . . All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Good. special cards are NOT included.

cards. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: New.

Paperback. Condition: new. Paperback. Three texts by two Italian Renaissance painters Leonardo da Vinci and Gian Paolo Lomazzo and a compendium of the 53 standard pigments commonly found on artists' palettes for painting in oil on panel and on canvas as outlined by the writer, Raffaello Borghini, make up this 16th century collection of pigments. Leonardo's studio advice on the use of colors for capturing light and dark picks up this theme from Italian 15th century and classical painting and lays the foundation for this practice as it would develop in European painting. The plates are of works by Titian found in the National Gallery in London, whose pigments have been identified and matched to the paintings. This book will be of interest to art historians, collectors, students, conservators, and museum-goers. AUTHOR: Patricia Railing (PhD, University of Paris ,Sorbonne, Philosophy of Art) is an art historian specialising in both the Russian Avant-Garde and the history of artists' pigments. She has compiled this collection, Colour Palettes, from treatises, 1st century B.C. to the 19th century, which culminates in the Documentary Dictionary of Historical Pigments. The series is complemented by a website, SELLING POINTS: . The 16th century palette was made up of 53 pigments, and was described in treatises by Leonardo da Vinci, Gian Paolo Lomazzo, and Raffaello Borghini . Plates are from paintings by Titian whose pigments have been identified Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

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Condition: New.

Paperback. Condition: new. Paperback. The sources of pigments used in European painting are found in classical antiquity, and the over 40 pigments in use were described by Theophrastus, Vitruvius, Pliny the Elder, and Dioscorides. The principles of painting were also described by Pliny, to be picked up by Italian Renaissance painters of the 15th century, and they are discussed by the Editor. The pigments in the four extant treatises are described in full which, together with the artistic principles, make this little book a basic primary source for both classical painting and subsequent European painting. This book will be of interest to art historians, collectors, students, conservators, and museum-goers. AUTHOR: Patricia Railing (PhD, University of Paris ,Sorbonne, Philosophy of Art) is an art historian specialising in both the Russian Avant-Garde and the history of artists' pigments. She has compiled this collection, Colour Palettes, from treatises, 1st century B.C. to the 19th century, which culminates in the Documentary Dictionary of Historical Pigments. The series is complemented by a website, The complete descriptions by Vitruvius, Pliny the Elder, Theophrastus and Dioscorides of the over 40 pigments used in classical antiquity Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New.

Condition: New.

Paperback. Condition: new. Paperback. Pigments described by the English chemist, Robert Dossie, the French artists' colourman, Jean Felix Watin, and the London-based pigment maker, Constant de Massoul. 18th century European painting saw the introduction of new pigments to the painters' palettes, from Prussian Blue to the early synthetics such as Patent Yellow. It was a century rich in pigments, the authors of the treatises listing over 150 pigments that could be bought in the shops in London and Paris. This book will be of interest to art historians, collectors, students, conservators, and museum-goers. AUTHOR: Patricia Railing (PhD, University of Paris ,Sorbonne, Philosophy of Art) is an art historian specialising in both the Russian Avant-Garde and the history of artists' pigments. She has compiled this collection, Colour Palettes, from treatises, 1st century B.C. to the 19th century, which culminates in the Documentary Dictionary of Historical Pigments. The series is complemented by a website, SELLING POINT: . 18the century palettes used in France and England described by a pigment maker (Constant de Missoula), an artist's colourman (Jean Felix Watin) and a scientist (Robert Dossie). 18th century European painting saw the introduction of new pigments, the descriptions here given by 3 18th century authors: a French colour merchant, an English scientist, and a London pigment maker. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condition: As New. Unread book in perfect condition.

Condition: New.