Quint David (238 results)

Paperback. Condition: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condition: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Acceptable. Marginalia and a little underlining. Glossy covers moderately edgeworn, Binding firm. Book.

Condition: Very Good.

Paperback. Condition: Good.

Paperback. Condition: Good. Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusiadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigne's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.…

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condition: Good. No jacket. Moderate wear. Firm binding. Former owner's name on the front endpaper. Pages unmarked. Not ex-library, no stickers. Protected by cardboard for shipment.

Paperback. Condition: Fair. Book in Fair condition.

Paperback. Condition: Good. Book in Good condition.

Paperback. Condition: Good. Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusiadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigne's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.…

Condition: As New. Signed Copy . Very Good dust jacket. Inscribed by author on half title page.

Soft cover. Condition: As New. Practically new - shelved in pristine conditions.

paperback. Condition: Good. Corners are bent. Used - Good.

Softcover. Condition: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations. Pillet David (illustrator).

Softcover. Condition: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations. Pillet David (illustrator).

Softcover. Condition: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations. Pillet David (illustrator).

Paperback. Condition: Good Plus. Probably the 1st. Some editing and underlines. Name on front fly.

Soft cover. Condition: Fine. 1st Edition. Top edges slightly soiled, elseas new.

hardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: Good. Seldom have careful scholarship and book design combined to make a work as attractive as David Quint's new translation of Poliziano's Stanze per la giostra. . . . Quint's facing translation is excellent, conveying the tone and content of the poetry in prose paragraphs which reflect the ottave of the original; he manages an effect which is wholly satisfying. . . an outstanding contribution belonging on every scholar's shelf. -Italica In his unique translation of Angelo Poliziano's The Stanze, David Quint reveals in English for the first time the pagan love story of the ill-fated Giuliano de Medici and the bewitching Simonetta--a theme that has inspired painters and poets for generations. The English prose is rich, vibrant and rhythmic, while at the same time accurate and natural. It captures the fragile and fugitive beauty of the original Italian verses, emulating the complex models of Latin and Greek literature. The English version, with copious explanatory notes, faces the Italian on the opposite page. The introduction locates the poem in its historical framework, examines the mythological symbolism, and interprets the so-called neoplatonic philosophy of love guiding the poet. -Choice Those who know the intricacies of translation should be the first to praise Professor Quint. . . His book cannot fail to cast new light on the Italian Renaissance in general, and on Poliziano in particular. -Forum Italicum David Quint is Professor of Comparative Literature and English at Yale University. His books include Epic and Empire: Politics and Generic Form from Virgil to Milton (Princeton, 1993) and Origin and Originality in Renaissance Literature: Versions of the Source (Yale, 1983).…

Hardcover. Condition: Good. Dust Jacket Condition: Very Good. 1st Edition. Inspected, Cleaned & Sealed by me, the proprietor. 2003. 1st edition. 1st printing. Hardcover book with the dust jacket. It has a sturdy binding with sharp corners. Former library copy with card pocket and sticker inside the front cover, ink stamp on the edges. There are 5 pages with underlining or writing on them. 9.5" x 6.5" x .70" 192 pages. Sealed in Shrink Wrap for protection in storage and shipping. Expertly packed. *PROFESSIONAL BOOKSELLER* I try hard to get the descriptions right, sometimes I make a mistake, therefore, Returns accepted. Refunds given. -Gordon.…

paperback. Condition: New. Brand New.

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Condition: Good. Seldom have careful scholarship and book design combined to make a work as attractive as David Quint's new translation of Poliziano's Stanze per la giostra. . . . Quint's facing translation is excellent, conveying the tone and content of the poetry in prose paragraphs which reflect the ottave of the original; he manages an effect which is wholly satisfying. . . an outstanding contribution belonging on every scholar's shelf. -Italica In his unique translation of Angelo Poliziano's The Stanze, David Quint reveals in English for the first time the pagan love story of the ill-fated Giuliano de Medici and the bewitching Simonetta--a theme that has inspired painters and poets for generations. The English prose is rich, vibrant and rhythmic, while at the same time accurate and natural. It captures the fragile and fugitive beauty of the original Italian verses, emulating the complex models of Latin and Greek literature. The English version, with copious explanatory notes, faces the Italian on the opposite page. The introduction locates the poem in its historical framework, examines the mythological symbolism, and interprets the so-called neoplatonic philosophy of love guiding the poet. -Choice Those who know the intricacies of translation should be the first to praise Professor Quint. . . His book cannot fail to cast new light on the Italian Renaissance in general, and on Poliziano in particular. -Forum Italicum David Quint is Professor of Comparative Literature and English at Yale University. His books include Epic and Empire: Politics and Generic Form from Virgil to Milton (Princeton, 1993) and Origin and Originality in Renaissance Literature: Versions of the Source (Yale, 1983).…