Propert (65 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2017. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2017. Ammareal gives back up to 15% of this item's net price to charity organizations.

Broschiert. Condition: Gut. 400 Seiten guter Zustand, Einband minimal berieben LIEFERZEITEN / DELIVERY TIMES: DEUTSCHLAND 5 - 14 Tage EUROPA/EUROPE: 7 - 30 Tage/Days USA/WELTWEIT/WORLDWIDE: 14 - 60 Tage/Days (!!!) +++ Sprache: Deutsch Gewicht in Gramm: 600.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very Good. Hardcover. Good binding and cover. Minor wear/soiling to covers. Clean, unmarked pages. This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US.

HC. B&W illustrations (illustrator). 285pp Clean and tight copy of the first edition, BUT with wear to the top of the spine, some on the bottom, and the corners of the boards, particularly the bottom corners. good, blue cloth (hardcover) wear top/bottom spine and corners.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hard Bound Volume. Condition: Endpapers Show Darkening. First Edition.

Condition: Fine. French édition - Livre issu de déstockage JAMAIS LU présentant des marques de manipulation sur la couverture et/ou les pourtours mais demeurant en très bon état d'ensemble.Expédition sous blister dans une enveloppe matelassée depuis la France. 12x19x2cm. 2016. Broché. 271 pages. Fine.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condition: Brand New. 400 pages. 9.00x5.00x0.75 inches. In Stock.

Hardcover. Condition: Good. Large hardback; no jacket; unmarked; no bent or torn pp.; boards, fine.

Booklet - Unbound Pages. Condition: Very Good. 4 pages, with illustrations, 1 portrait of Oliver Cromwell, From The Miniature by Samuel Cooper. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. Size: 24 x 29 cms. Category: The Connoisseur; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.

Hardbound. Buckram. xvi, 285 pp. 116 bw plates. This book contains a preface, chapters on missals and illuminated manuscripts, miniature art in England from the 16th to the 19th century, foreign schools, modelling in wax, le petite sculpture, snuff boxes, collectors and collections throughout the centuries, list of illustrations, and an index. Besides the pages of grouped plates, there are decorative drawings at the beginning and end of each chapter. The pages are in great shape, except the first and last few are a little brittle around the edges; pages untrimmed; 2 bookplates. Sold as an exceptional reading copy, suitable for rebinding. VG, ex art school library copy in red buckram. Contents clean and crisp, tight. few ownership stamps in margins of plates.

Hardcover. Brown cloth, gold lettering, no dj, well rubbed and spotted, cover a bit loose, pages lightly yellowed. Picture Book; 16648.

Paperback. Condition: Brand New. 6th fol pap/ edition. 398 pages. 8.00x5.00x1.25 inches. In Stock.

Extracted illustrated article in very good condition, 5pp.

Extracted illustrated article in very good condition, 4pp.

Paperback. Condition: new. Paperback. Do you ever find yourself utterly appalled at the current state of American society, what, with its militant partisanship, reality TV-style political system, widespread corruption, rampant inequality, crumbling infrastructure, chronic disease and opioid epidemics, surveillance apparatus, regime change wars, undemocratic employment structure, the encroachment of Big Tech and Corporate America into all aspects of existence, and education and healthcare outcomes that lag behind much of the developed world? Institutions that once commanded public trust now appear completely hollowed out, political debate increasingly resembles spectacle rather than governance, the partisan divide seems wider than ever, and each passing year seems to bring new scandals, new crises, and new revelations of elite misconduct. For a nation as wealthy, technologically and medically advanced, and geopolitically powerful as the United States, these contradictions raise a serious question: how can a system produce such persistent dysfunction while continuing to reproduce itself year after year without anyone ever doing anything about it? How did things get SO bad, and why does nothing ever change? Do we not live in "times that try men's souls"? If you answered "yes" to any or all of those questions, I have written this book for you. From a strictly non-partisan perspective deeply critical of both parties, this book examines a system that all of us live within but rarely ever learn how to see-ultimately because those who control the levers of society do not want us to see it. Just as people want to reduce Trump's success to one single cause like racism, we could easily reduce all of society's ills to one cause like inequality, corruption, an unbridled profit motive, systemic racism, etc., but that would be intellectually lazy, as the ills arise from the combination of these and other factors. Neither a conspiracy in the vulgar sense nor the product of a single ideology or ruling cabal, the proverbial "system" run by "the man" is a convergent structure, a dense network of economic, political, legal, technological, social, cultural, and psychological mechanisms that together organize behavior, shape perception and understanding, constrain imagination, and ensure uncritical obedience. This book refers to the system as the "Matrix of Domination." And remember: God is dead, corporations are people, money is speech, and greed is good. Bitch. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. Print on Demand.

Paperback. Condition: New. Print on Demand. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Hardbound. Blue cloth boards with gilt design and lettering; bw frontispiece with tissue guard, xvi, 285 pp. 22 plates (including portraits). This book contains a preface, chapters on missals and illuminated manuscripts, miniature art in England from the 16th to the 19th century, foreign schools, modelling in wax, le petite sculpture, snuff boxes, collectors and collections throughout the centuries, list of illustrations, and an index. Besides the pages of grouped plates, there are decorative drawings at the beginning and end of each chapter. Good+ (heavy wear to boards, tears along spine, age toning to pages as expected with age, but text and plates are otherwise clear.).

Hardcover. Condition: Good. The book "The Russian Ballet 1921-1929" by W.A. Propert is a historical account of the Ballets Russes during the period from 1921 to 1929. It serves as a companion volume to the author's earlier work, ""The Russian Ballet In Western Europe, 1909-1920,"" and provides a detailed history of the company during its later years. The book includes a complete list of ballets performed by the Ballets Russes from 1909 to 1929, along with 48 photographic plates that capture scenes from various ballets, including a frontispiece portrait of Serge Diaghilev. The Ballets Russes, founded by Sergei Diaghilev, was an influential ballet company that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society, and after its initial Paris season, it had no formal ties there. Diaghilev's Ballets Russes is widely regarded as the most influential ballet company of the 20th century, promoting groundbreaking artistic collaborations among young choreographers, composers, designers, and dancers. This book is in good condition with just a few brown spots on a few of the pages, the cover is slightly worn, but for its age, it is in very good condition.

Hardcover. Condition: Gut. OLn., 4°, XVII, 103 S., 48 Tafeln, Vorwort von Jacques Emile Blanche, Rücken leicht ausgeblichen, Seiten leicht gebräunt, davon wenige finger- oder stockfleckig, (SW: Ballett).

Hardcover. Condition: Very Good. No Jacket. Over-sized hardback book (no dust jacket) titled THE RUSSIAN BALLET IN WESTERN EUROPE, 1909-1920 by W.A.Propert. With a chapter on the music by Eugene Goossens and sixty-three illustrations from original drawings. Originally published by John Lane in 1921 this is a reissue published by Benjamin Blom in 1972. Boards show moderate rubbing/scuffing - bookplate on front flyleaf with embossed mark on lower corner of half-title page. International shipping will require additional charge. Bookseller since 1995 (LL-Base2-1-bottom-L) rareviewbooks Language: eng.

hardcover. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: Good. No Jacket. 63 illustrations from original drawings (illustrator). 1st Edition. A 10-X-13-inch Folio, quarter-bound in ivory cloth over marbled boards, Top Edge gilt and with gilt titling to spine, hand-numbered 174 of the first edition of 450 copies for sale in the United States. 132 pp. including Index and a chapter on the music by Eugene Goossens, followed by 57 pp. of heavy gray stock to which have been loosely attached 63 illustrations, mostly of scene and costume design, mostly in color, including 2 by Matisse and nine by Picasso. Reduced from $1,295.

Hardcover. Condition: Good. Limited Edition. With an illustrated title page printed in red and black and decorations in the text by N. Gontcharova, five black and white portraits including frontispiece with tissue guards, and 66 illustrations tipped-in on 55 leaves of brown card, many in colour. Limited to Five Hundred Copies for sale in Great Britain, of which this is number 213. 4to. [333 x 265 x 43 mm]. [1], xv, [4], 132 pp. Bound in publisher's quarter white cloth with marbled paper sides, spine lettered in gilt, top edge gilt, with plain endleaves. (Spine and corners worn, gilt faded). The occasional light spotting and small mark. Small holes to the early leaves. Illustrated title page with detached tissue guard, two tissue guards with small marginal tears. A good copy. Propert describes this work as the 'story of what the Ballet has done, and of the chain of happy accidents that led to its birth and even made it possible' (p.ix). In this highly illustrated volume, the plates represent the work of the main artists who contributed to the early days of the Ballets Russes: V. Serov, J. E. Blanche, Pablo Picasso, Glyn Philpot, A.R.A., Leon Bakst, A. Benois, A. Derain, I. Fedorovsky, A. Golovin, N. Gontcharova, M. Larionov, Henri Matisse, N. Roerich, J. M. Sert, and S. Soudeikine.

Hardcover. Condition: Very Good. First edition. Small folio. Publisher's blue cloth gilt. Ex-library copy, with spine letters, pocket, and name stamps or perforations, else a sound, very good copy.