Peyton Sara (7 results)

Paperback. Condition: Very Good. Illustrated by downing, marylu cover art (illustrator). first edition,1p; 10987654321pt line. VERY GOOD CONDITION, clean, solid, bright.PAPERBACK.**SIGNED BY at least 10 of the authors on pages that their works begin at. OW book is very clean and appears to be new. not every author included in anthology signed their work.but a suprising (living) ones did. ; Attractive cover art, and production values reflecting professional publishing experience.Quite a few photos with ruarl themes in text. ; 247 pages; Saltwater, Sweetwater has had a direction from the start and has grown like a river, deepening as it gathered in tributaries. Early on, Maureen Jennings and I recognized a curious unity running through many of the manuscripts we received. All the writers understood that we were dedicating the book to Suzanne Lipsett and Judi BARIand that every piece had to touch on or be about place. The writings were all regionally connected, but beyond that, a remarkable number of them were also about ghosts, about bridging the worlds of life and death. Many stories and memoirs and poems, even the funny ones, seemed haunted, as if resisting separation and loss.; Signed by Author.

paperback. Condition: Very Good. First Paperback Edition. Publisher: Parkett, Zurich, 2000. NEAR FINE softcover in illustrated/pictorial wraps, as issued. Text in English and German. First Softcover Edition, First Printing.

Paperback. Condition: New. From prose and presentations to reflections and conversations, this reader offers unprecendented access into nearly fifty years of Phyllida Barlow's thoughts on art, teaching, drawing and more.Alongside her career as an artist, Phyllida Barlow has written, taught, lectured, and been the subject of numerous interviews. This book brings together fifty texts by Barlow - a diverse array of prose, presentations, reflections on artists, and conversations with art-world luminaries, critics, and fellow artists. Edited by Sara Harrison, this reader gives access to nearly fifty years of Barlow's thoughts on art, making, teaching, drawing, and other artists.

Paperback. Condition: New. From prose and presentations to reflections and conversations, this reader offers unprecendented access into nearly fifty years of Phyllida Barlow's thoughts on art, teaching, drawing and more.Alongside her career as an artist, Phyllida Barlow has written, taught, lectured, and been the subject of numerous interviews. This book brings together fifty texts by Barlow - a diverse array of prose, presentations, reflections on artists, and conversations with art-world luminaries, critics, and fellow artists. Edited by Sara Harrison, this reader gives access to nearly fifty years of Barlow's thoughts on art, making, teaching, drawing, and other artists.

Paperback. Condition: New.

Paperback. Condition: New. From prose and presentations to reflections and conversations, this reader offers unprecendented access into nearly fifty years of Phyllida Barlow's thoughts on art, teaching, drawing and more.Alongside her career as an artist, Phyllida Barlow has written, taught, lectured, and been the subject of numerous interviews. This book brings together fifty texts by Barlow - a diverse array of prose, presentations, reflections on artists, and conversations with art-world luminaries, critics, and fellow artists. Edited by Sara Harrison, this reader gives access to nearly fifty years of Barlow's thoughts on art, making, teaching, drawing, and other artists.

Paperback. Condition: New. From prose and presentations to reflections and conversations, this reader offers unprecendented access into nearly fifty years of Phyllida Barlow's thoughts on art, teaching, drawing and more.Alongside her career as an artist, Phyllida Barlow has written, taught, lectured, and been the subject of numerous interviews. This book brings together fifty texts by Barlow - a diverse array of prose, presentations, reflections on artists, and conversations with art-world luminaries, critics, and fellow artists. Edited by Sara Harrison, this reader gives access to nearly fifty years of Barlow's thoughts on art, making, teaching, drawing, and other artists.