Pestell Timothy (14 results)

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

hardcover. Condition: Good.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine Hardcover in Fine d/w.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. May contain underlining and/or highlighting. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardback. Condition: New. A history of monastic foundations in East Anglia, from the middle Anglo-Saxon period to the Normans.Monastic studies usually focus upon the post-Conquest period; here, in valuable contrast, the focus is on pre-Conquest monastic foundations, in the present-day counties of Norfolk and Suffolk. Tim Pestell considers the place of the monastery in wider landscapes - topographical, social, economic and political. He observes that by 1215 the Diocese of Norwich contained about a tenth of all English monasteries, a remarkable richness of patronage was no suddenflush of enthusiasm, but a manifestation of religious devotion that had been evolving in East Anglia since the seventh-century Conversion. By integrating archaeological and historical sources, Dr Pestell presents an in-depth examination of where and how communal religious life developed in the region over half a millennium. In so doing, he demonstrates how the more visible and better-evidenced post-Conquest monastic landscape was typically structured by its Anglo-Saxon past. Dr TIM PESTELL is Curator of Archaeology at Norwich Castle Museum.…

Condition: New. 2002. Illustrated. Hardcover. . . . . .

Hardback. Condition: New. An investigation into the manifestations of religious art in East Anglia and how they are connected to and inspired by their locations.The relationship between religious or spiritual artworks and the locality where such objects are made and used is the central question this volume addresses. While it is a well-known fact that religious artworks, objects and buildings can have a power or agency of their own (iconoclasm, the violent defacement of an object which paradoxically testifies to the fear and loathing it has generated, being an extreme example), the sources of this power are less well understood. It is this problem which the book seeks to begin to remedy, using East Anglia, an area of Britain with an exceptionally long history of religious diversity, as its prism. Case-studies are taken from prehistory right up to the twenty-first century, and from a variety of media, including wall-paintings, church architecture, and stained glass; famous sites examined include Seahenge and Sutton Hoo. Overall, the book shows how profoundly religious artworks are embedded in local communities, belief systems, histories and landscapes. T.A. Heslop is Professor of Visual Arts, Elizabeth Mellings a Post-doctoral Research Fellow, and Margit Thofner Senior Lecturer, at the School of World Art Studies, University of East Anglia. Contributors: Margit Thofner, T.A. Heslop, Elizabeth de Bièvre, Daphne Nash Briggs, Adrian Marsden, Timothy Pestell, Matthew Champion, Carole Hill, ElizabethRutledge, David King, John Peake, Nicola Whyte, Chris King, Francesca Vanke, Stefan Muthesius, Kate Hesketh-Harvey, Karl Bell, Elizabeth Mellings, Robert Wallis, Trevor Ashwin. Cover artwork: Glowing Embers (Seahenge), 2000. Painting by Susan Laughlin.…

Hardback. Condition: New. A history of monastic foundations in East Anglia, from the middle Anglo-Saxon period to the Normans.Monastic studies usually focus upon the post-Conquest period; here, in valuable contrast, the focus is on pre-Conquest monastic foundations, in the present-day counties of Norfolk and Suffolk. Tim Pestell considers the place of the monastery in wider landscapes - topographical, social, economic and political. He observes that by 1215 the Diocese of Norwich contained about a tenth of all English monasteries, a remarkable richness of patronage was no suddenflush of enthusiasm, but a manifestation of religious devotion that had been evolving in East Anglia since the seventh-century Conversion. By integrating archaeological and historical sources, Dr Pestell presents an in-depth examination of where and how communal religious life developed in the region over half a millennium. In so doing, he demonstrates how the more visible and better-evidenced post-Conquest monastic landscape was typically structured by its Anglo-Saxon past. Dr TIM PESTELL is Curator of Archaeology at Norwich Castle Museum.…

Condition: New. 2002. Illustrated. Hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condition: New. An investigation into the manifestations of religious art in East Anglia and how they are connected to and inspired by their locations.The relationship between religious or spiritual artworks and the locality where such objects are made and used is the central question this volume addresses. While it is a well-known fact that religious artworks, objects and buildings can have a power or agency of their own (iconoclasm, the violent defacement of an object which paradoxically testifies to the fear and loathing it has generated, being an extreme example), the sources of this power are less well understood. It is this problem which the book seeks to begin to remedy, using East Anglia, an area of Britain with an exceptionally long history of religious diversity, as its prism. Case-studies are taken from prehistory right up to the twenty-first century, and from a variety of media, including wall-paintings, church architecture, and stained glass; famous sites examined include Seahenge and Sutton Hoo. Overall, the book shows how profoundly religious artworks are embedded in local communities, belief systems, histories and landscapes. T.A. Heslop is Professor of Visual Arts, Elizabeth Mellings a Post-doctoral Research Fellow, and Margit Thofner Senior Lecturer, at the School of World Art Studies, University of East Anglia. Contributors: Margit Thofner, T.A. Heslop, Elizabeth de Bièvre, Daphne Nash Briggs, Adrian Marsden, Timothy Pestell, Matthew Champion, Carole Hill, ElizabethRutledge, David King, John Peake, Nicola Whyte, Chris King, Francesca Vanke, Stefan Muthesius, Kate Hesketh-Harvey, Karl Bell, Elizabeth Mellings, Robert Wallis, Trevor Ashwin. Cover artwork: Glowing Embers (Seahenge), 2000. Painting by Susan Laughlin.…

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: Very Good. Dust Jacket Condition: Good. First Edition. Hardback with dust-wrapper. 23.5 x 15.5cm. 296pp. 11 b/w and 50 line illustrations. A couple chips to dust-wrapper. Book itself is a very good clean copy.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.