Perry Ogden John Edwards (19 results)

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: Very Good. 7 Reece Mews, South Kensington, was Francis Bacon's home and studio for over thirty years. After he died in 1992, access was granted to award-winning photographer Perry Ogden to work undisturbed for days on end to produce this riveting record of the house and its contents. He captured every part of the small building's hidden interior: the rickety wooden staircase; the kitchen with its 'gallery' of Bacon works in reproduction; the bedsitting room with its bookcases piled high. In the studio itself, thirty years of inspired artistic endeavour had accumulated unchecked: the slashed, discarded canvases scattered across the floor; the brushes, rags and tins encrusted with layer upon layer of paint; the surfaces used as impromptu palettes; the last unfinished self-portrait on the easel. For some, Bacon's studio was an heroic statement, a work of art in its own right, constructed to distil and give form to his aesthetic intentions. In this astonishing book we are invited to take an intimate and privileged look around his private space, and to gain unrivalled insights into how, why and what he painted.…

Hardcover. Condition: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Hardcover. Condition: Très bon. Edition 2004. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2004. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: New. pp. 120 Illus.

Condition: New.

Hardcover. Condition: Brand New. 120 pages. 9.75x7.00x0.75 inches. In Stock.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: Like New. Like New. First Edition. Publisher: Thames and Hudson, New York & London, 2001. FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. As new. Pristine.

Condition: New. pp. 120.

Hardcover. Condition: As New. Dust Jacket Condition: Very Good. 1st Edition. Grey boards with dolphin design blind-stamped to front & white titles to spine. Illustrated dw. 60 colour plates. Minor shelf wear to extremities of dw, mainly corners. Interior clean & bright. A tight, bright copy.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. Size: 8vo - over 7¾" - 9¾" tall. Perry Ogden (illustrator).

Condition: Used: Like New. Relié, jaquette illustrée, nombreuses illustrations, comme neuf.

Hardcover. Condition: New. One of the most powerful painters of our age, Francis Bacon lived and worked for the last thirty years of his life in a modest building in London's South Kensington. After he died in 1992, access was granted to award-winning photographer Perry Ogden to work undisturbed for days on end to produce this riveting record of the house and its contents. In the studio itself, thirty years of inspired artistic endeavor had accumulated unchecked: the slashed and discarded canvases scattered across the floor; the brushes, rags, and tins encrusted with paint; the doors and walls used as impromptu palettes; the piles of photographs of friends and models; the crumpled and torn pages of magazines and books that served as a stimulus for Bacon's work; the notes, sketches, and ideas for paintings jotted down and then cast aside; the last unfinished self-portrait on the easel. For some of those close to Bacon, the studio was a heroic statement, a work of art in its own right, secretly constructed over many years to distill and give form to his aesthetic intentions. Now in this astonishing book we are invited to take a privileged look around this private space, to become intimate witnesses to the amazing conditions in which Bacon lived and worked, to gain unrivaled insights into how, why, and what he painted. 60 color photographs.…