Parrish Stephen Maxfield (31 results)

Broschiert. Condition: Gut. 2. Auflage;. 430 Seiten Das Buch befindet sich in einem gut erhaltenen Zustand. Stellenweise Anstreichungen im Text. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 445.

Hardcover. Condition: Very Good. No Jacket. Hardcover 1959 edition. Ex-library book with stamps and labels attached. Binding firm. Pages unmarked and clean. Covers and text in very good condition. Series: The Cornell Concordances. [xxi, 965 p. 25 cm].

Hardcover. Condition: New. Dust Jacket Condition: Very Good. 1st Edition. Volume, measuring approximately 6.5" x 9.75", is bound in gray cloth, with stamped black lettering to spine. Book is new. Dust jacket displays light shelfwear, with sunning to spine. Jacket is in mylar cover. xi/141 pages. "This book offers a history of Coleridge's great "Dejection" poems and presents the earliest manuscripts and earliest printed versions of those poems, along with the only known manuscript of another of Coleridge's poems, "The Day-Dream." The first version of "Dejection," dated April 102 bears the title "A Letter to -----" and is addressed to Sar Hutchinson. In October of the same year, the poem shaped into a Pindaric ode, addressed to Wordsworth, was publsihed in abridged form. The ode remained incomplete until Coleridge published it in 1817 in "Sibylline Leaves," readdressed to an anonymous "Edmund." Two manuscripts of the "Letter" survive. One has been in the Dove Cottage Library at Grasmere for many years, the other was found in 1977, with "The Day-Dream" attached to it, among a bundle of Wordsworth family papers, and is now also at Dove Cottage. In his introduction Stephen Parrish traces the early development of the "Dejection" poems, from their genesis in Coleridge's unhappy personal situation through the circumstances of their composition and revision. Reading texts of the recently discovered version of "A Letter to ------" and "The Day-Dream" are presented here for the first time, together with reading texts of a transitional version of "A Lover," the October 1802 and 1817 published verions of "Dejection," and the only verion of "The Day-Dream" published by Coleridge. The volume also contains photographs and transcripts of the principal manuscripts. Where appropriate, a record of variants is providd in form of an apparatus criticus.".

Wraps. Condition: Good. Illustrated wraps. 16 pp. Color illustrations throughout. A catalog to an exhibition of paintings by Stephen Parrish, an American artist perhaps best known for his etchings. With an essay by his grandson, Maxfield Parrish. GOOD condition. Moderate scuffing and fading to the covers. Minor soiling and creasing. Drink ring stain on the upper front cover, affecting the illustration.

hardcover. Condition: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condition: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hard Cover. Condition: VG++. No Jacket. Second Printing. Ex-library copy with usual markings; bound in red buckram, sans DW; 965pp. Ex-Library.

xxxvii,967 pp. 8vo, publisher's cloth First edition. Bookplate on pastedown; clean, tight and sound.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. ; Illustrated with black-and-white facsimiles. The dust jacket is protected by a Brodart mylar cover and is not clipped. Not an ex-library copy. No remainder marks. No names or marks in the text. Most books shipped within 24 hours. All books mailed with Delivery Confirmation. One corner is bumped. Near fine condition in near fine dust jacket. ; B&W Illustrations; 8vo.; xi, 142 pages.

Hardcover. Condition: Good+. Dust Jacket Condition: No Dust Jacket. Exlibrary with usual library markings. Front free endpaper removed. ; 965 pages.

Condition: Brand New.

New bright brick red boards with silver titles and with clean bright text. Massive and dedicated. New and bright all around, gift quality.

tapa blanda. Condition: Bien. Literatura.(82) Norton. New York. 1972. 22 cm. ix, 460 p. Encuadernación en tapa blanda de editorial ilustrada. Idioma Inglés . ISBN: 0393042812 : 039309667X (=3536470=) VI166.

Hardcover. Condition: Very Good. First edition. Very good plus/hardcover, book has light rub of spine, edges and cover corners, light yellowing pages, name of former owner front endpaper, light soiling of bottom corners of foredge.

Condition: Very Good. Dust Jacket Condition: Good. 250 pages. Light edgewear, rubbing, fading to dust jacket spine. Faint foxing to edges. Internally very good. Record # 855016.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Exlibrary with usual library markings. ; 967 pages.

First edition. 8vo. [xxxvii], 967 pp. Cloth binding, silver embossed lettering, very good condition.(75221). Programmed by James Allan Painter.

965pp. 8vo cloth ex-library o/w VG+.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 8vo. 142pp. Grey cloth with dark blue lettering. Clean and tight copy, fine in a fine dust jacket.

Condition: very good. Dust Jacket Condition: very good. 8vo pp.143. book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good+ Dust Jacket. First Edition. Cornell University Press, 2001; First Printing with full number line; a volume from the Cornell Yeats series. Binding is tight, sturdy, and square; boards and text also very good. DJ sunned over spine, small closed tear at foot of spine, else dust jacket very good. NOT an ex-library copy, NO remainder mark. Ships from Dinkytown in Minneapolis, Minnesota.

Condition: New. Satisfaction Guaranteed or your money back.

Hardback. Condition: Very Good. Series: The Cornell Yeats. xxxix 431p large format hardback, blue cloth fresh with "W B Yeats" gilt to front cover, facsimiles throughout, excellent copy, light library markings, never used, as new Language: English.

Large 8vo. Pp: xxxix, 397. First Edition thus. Publisher's blue dust jacket with white lettering. Publisher's blue boards lettered in gilt at front and spine. Black and white illustrations. Ownership signature of Gavin Selerie (poet and academic) at front fly-leaf.ISBN: 0801438462 Very good plus in very good dust jacket. Foxing to top edge of text block. Small closed tear (approx. 0.7cm) to front cover near head of spine. Some rubbing wear to front fore-edge of dust jacket. Light pen mark (approx. 2cm) to dust jacket at rear fore-corner.

Hardcover. Condition: Good. First Edition. Hardback. Dust Jacket. 8vo. pp 220. Original publisher's black cloth, lettered gilt at the spine. Very good indeed in slightly used and rubbed, about very good dust jacket. No inscriptions, not price-clipped.

Cloth. Condition: Very Good Plus. Dust Jacket Condition: Very Good. Book measures 24.5x17.5.cm. xxxix, 399pp. Bound in original publishers blue cloth, with gilt signature on cover, gilt lettering on spine. Binding in near fine condition. Dust jacket in good clean condition. Internally, pages clean. A nice clean copy.

Original Cloth. Condition: Fiine. Dust Jacket Condition: Very Good Plus. First Edition. Original glassine dust jacket with two nicks.

hardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Hardcover. Condition: Very Good. 1st Edition. First Edition. Large Folio quarter red leather over vellum boards decorated in red and gold.Original etchings SIGNED BY THE ARTISTS. The Japan proof edition of this work, limited to 100 copies, with each of the original works of art signed by the artists. These include etchings by F. S. Church, Robert Frederick Blum, J. S. King, Stephen Parrish (Maxfield Parrish's father), H. N. Hyneman, Frederick W. Freer, Frank M. Gregory, Stephen J. Ferris, J. J. Calahan, and C. F. W. Mielatz. The etchings are laid in the binding portfolio style. Each of the etchings is carefully described and is matted as published. Some of the edges of the text pages, and the rear pastedown are lightly frayed, as are the spine ends. Also, most of the original gold tassels used to tie the portfolio are shortened from their original state, but each of the etchings is in fine condition. Very hard to find signed etchings by some of the best etchers working in America at the end of the 19th century.

Condition: Good. Gebundene Ausgabe. Zustandsangabe altersgemäß. Sofortversand aus Deutschland. Artikel wiegt ueber 1000g. 965 Seiten. Ohne Schutzumschlag, Einband mit leichten Gebrauchsspuren sowie leicht verfärbt. Vorsatz leicht verfärbt. Stockfleckig.