Parisotto Simone (11 results)

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: new. Hardcover. The art of image restoration and completion has entered a new phase thanks to digital technology. Indeed, virtual restoration is sometimes the only feasible option available to us, and it has, under the name 'inpainting', grown, from methods developed in the mathematics and computer vision communities, to the creation of tools used routinely by conservators and historians working in the worlds of fine art and cinema. The aim of this book is to provide, for a broad audience, a thorough description of imaging inpainting techniques. The book has a two-layer structure. In one layer, there is a general and more conceptual description of inpainting; in the other, there are boxed descriptions of the essentials of the mathematical and computational details. The idea is that readers can easily skip those boxes without disrupting the narrative. Examples of how the tools can be used are drawn from the Fitzwilliam Museum, Cambridge collections. Inpainting, or virtual image completion, is sometimes the only way of restoring precious artwork. The ideas and tools of inpainting are described here for a broad readership. The real-world restoration of an illuminated manuscript shows the power of the technology and illustrates opportunities for technology development and art conservation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 218 pages. 0.63x7.24x10.35 inches. In Stock.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: new. Hardcover. The art of image restoration and completion has entered a new phase thanks to digital technology. Indeed, virtual restoration is sometimes the only feasible option available to us, and it has, under the name 'inpainting', grown, from methods developed in the mathematics and computer vision communities, to the creation of tools used routinely by conservators and historians working in the worlds of fine art and cinema. The aim of this book is to provide, for a broad audience, a thorough description of imaging inpainting techniques. The book has a two-layer structure. In one layer, there is a general and more conceptual description of inpainting; in the other, there are boxed descriptions of the essentials of the mathematical and computational details. The idea is that readers can easily skip those boxes without disrupting the narrative. Examples of how the tools can be used are drawn from the Fitzwilliam Museum, Cambridge collections. Inpainting, or virtual image completion, is sometimes the only way of restoring precious artwork. The ideas and tools of inpainting are described here for a broad readership. The real-world restoration of an illuminated manuscript shows the power of the technology and illustrates opportunities for technology development and art conservation. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condition: Brand New. 218 pages. 0.63x7.24x10.35 inches. In Stock.

Hardcover. Condition: new. Hardcover. The art of image restoration and completion has entered a new phase thanks to digital technology. Indeed, virtual restoration is sometimes the only feasible option available to us, and it has, under the name 'inpainting', grown, from methods developed in the mathematics and computer vision communities, to the creation of tools used routinely by conservators and historians working in the worlds of fine art and cinema. The aim of this book is to provide, for a broad audience, a thorough description of imaging inpainting techniques. The book has a two-layer structure. In one layer, there is a general and more conceptual description of inpainting; in the other, there are boxed descriptions of the essentials of the mathematical and computational details. The idea is that readers can easily skip those boxes without disrupting the narrative. Examples of how the tools can be used are drawn from the Fitzwilliam Museum, Cambridge collections. Inpainting, or virtual image completion, is sometimes the only way of restoring precious artwork. The ideas and tools of inpainting are described here for a broad readership. The real-world restoration of an illuminated manuscript shows the power of the technology and illustrates opportunities for technology development and art conservation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.