P De Carli (8 results)

and greening seedlings of Larix decidua as compared with Picea abies (S. A. J. Plant Physiol. Vol. 137) 1990. S. 5 - 14. gr8. m. zahlr. Abb. br. -2) Sonderabdruck Offprint.

brossura. Condition: Fine. 1. Brossura ed. Copertina cartonata sporca in modo lievissimo. Tagli e pagine integri. Collana: "Diritto pubblico" n^ XII. 8814098050 Ottimo (Fine) . Book.

Soft cover. Condition: Very Good Plus. 1st Edition. Folio. French wrappers with mounted illustration. 64pp., two of the leaves folding out. In parallel Italian and Romansh. A few light spots to the fore edge, the wrappers just a little rubbed and faintly marked, but a lovely copy.

rilegatura. Condition: Good. I ed.: 26 luglio 1969. Volume pubblicato in occasione dei 200 anni dell'Accademia di Belle Arti di Carrara (1769-1969). VIII grande/ 308, comprese le tavole/ cart./ sovraccoperta patinata con grafica in b/n ed illustrata con un particolare di un manufatto in marmo/ cofanetto editoriale muto in cartoncino liscio avorio. Con 188 illustrazioni in b/n in tavole patinate f.t. Fogli di guardia in carta liscia nera. Stato buono (leggera usura del cofanetto ai margini - cofanetto, sovraccoperta e pagine leggermente bruniti). Indice: Presentazione; L'Accademia di Belle Arti di Carrara - Studi e contributi (Clara Baracchini; Problemi di scultura medievale nel contado lucchese: la Pieve di S. Giorgio a Brancoli- Valentino Martinelli; Una testa sconosciuta di Giovanni Pisano a Perugia (e il problema di Giovanni architetto) - Augusta Monferini; Pietro di Oderisio e il rinnovamento tomistico - Cesare Brandi; Michelangiolo e la curva della cupola di San Pietro - Maurizio Calvesi; Il significato della Sagrestia Nuova di Michelangelo - Charles de Tolnay; Michelangelo e il blocco - Giulio Carlo Argan; Il filo del Canova) - Il marmo ieri e oggii (Enzo Carli; Fortune statuarie del marmo classiche e italiane - Pier Carlo Santini; Il materiale pietra - Interviste con gli scultori (Ettore Colla - Franco Cannilla - Alfio Castelli - Andrea Cascella - Pietro Cascella - Lorenzo Guerrini - Marino Mazzacurati - Carlo Sergio Signori - Quinto Ghermandi - Augusto Perez - Carlo Ramous - Giacomo Manzù - Alberto Viani - Aldo Calò - Carmelo Cappello - Pietro Consagra - Nino Franchina - Franco Garelli - Alviani - Mario Ceroli - Enzo Mari - Manfredo Massironi)). Book. …

Condition: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9783037970614.

Tall 4to. 483-519 pp. Printed in two columns; light foxing. Handsomely bound in period-style half calf marbled boards, five raised bands, gilt-stamped dark leather spine label. Near fine. Extracted from: vol. 1 of Awnsham Churchill's Collection of voyages and travels, 3rd ed., 1744-1746. / The author's account of native attire and his own views: "He only wore a clout of the bigness of a handkerchief made of palm-tree leaves, for decency sake, to cover that which modesty requires should be cover'd, and a cloke of European cloth reaching down to the ground; it was blue, a colour much esteem'd among them; the rest of his body was naked. The Blacks that attended the macolonte, and who were his officers, had only one of those handkerchiefs, which they send to be dy'd blue at Loanda: The rest of the people had only leaves of trees, and monkeys skins; and those who live in the open country, and lie under the trees, whether men or women, wear nothing at all, but go quite naked without any sense of shame." (p. 493). He describes musical instruments ("a piece of stake, which they tie and bend like a bow, and bind to it fifteen long, dry, and empty gourds, or calabashes of several sizes, to sound several notes, with a hole at top with a little thin bit of board, somewhat lifted above the hole. Then they take a cord made of the bark of a tree, and fastening it to both ends of the instrument, hang it about their neck. To play upon it they use two sticks, the ends of which are cover'd with a bit of rag, with which they strike upon those little boards, and so make the gourds gather wind, which in some manner resembles the sound of an organ, and makes a pretty agreeable harmony, especially when three or four of them play together." (p. 493). The author then talks of drums, beats, extraordinary birds, the colla [kola = caffeine, often chewed in Africa] nut, the death reported of Fra Michael Angelo of Gattina (p. 502) â" after a prolonged and unknown sickness which was treated variously including by bleeding, anointed with oil (to lessen pain), then the swelling increased, they stopped applying the oil (for fear it made matters worse), after fifteen days he died. Another account tells of "a useful monkey" â" the author being bothered by rats, and a smell by some natives, and a remedy was called "infallible ⦠against those two inconveniences" was offered: a little monkey would protect him from rats by [the monkey] blowing on them [the rates], "when he spied them and would expel the ill scent by that of his skin, which smelt of muskâ¦" Problems with ants, a voyage to Lisbon, and to Cadiz, a sea-battle of a Christian ship against that of Turkish origin. More voyaging, and a report that F. Philip de Galesia, a missioner, was killed and eaten by "Blacks". / "Dionigi da Palacenza Carli was a Capuchin missionary in Africa, in the seventeenth century. He was one of a band of Franciscan friars of the Capuchin Reform, sent out to the Congo in 1666. One of his companions was Padre Michele Angelo Guattini da Rhegio, who wrote an account of the voyage of the missionaries from Genoa to Lisbon and thence to Brazil, Loanda, and the Congo, that being the route the missionaries had to take to get to their destination. Padre Michele Angelo died shortly after his arrival in the Conga, leaving his manuscript in the hands of Dionigi Carli, who, on his return to Italy a few years afterwards owing to sickness, wrote an account of his own experiences in the Congo and on his homeward journey. Carli gives a detailed description of the manners and customs of the natives and of the doings of the missionaries. He tells how the friars died in numbers, owing to the climate, and speaks with discouragement of the peculiar difficulties of the situation. He trusts that some of the 2700 children he baptized will reach Heaven and be to his credit as a missionary in the judgment book of God. Finally he gives some account of the various cities he passed through in Portugal, Spai.…

Condition: Ottimo esemplare. Torino, Nel Salone del WINTER CLUB, [1922], marzo-aprile, Catalogo originale. Ottimo esemplare. Rarissimo: Iccu registra solo tre esemplari, tutti nel Nord Italia (Braidense, Apice Milano, Asac Venezia); Oclc aggiunge l'esemplare di Getty e quello di Yale. -- Catalogo della mostra nel marzo-aprile del '22 «nel Salone del Winter Club». Come apertura, un importante scritto militante di Antonio Marasco che dimostra confidenza con l'avanguardia francese e tedesca, e risulta particolarmente adatto a introdurre i manifesti che seguono: «Contro tutti i ritorni in pittura» (Russolo), «Che cos'è il futurismo» (Marinetti, Settimelli, Carli). In catalogo spiccano: Carlo Frassinelli con «Alcune illustrazioni per la "Rivoluzione Grafica" (pubblicazione in corso di stampa)», Gino Soggetti, Pino Masnata, Jamar 14, Ivo Pannaggi, Vinicio Paladini, Rougena Zátková, Arnaldo Ginna, Lucio Venna, Volt, pareti dedicate a Cangiullo (numericamente il più esposto) e Rognoni; tra i meno noti, Bolongaro, De Nardis, G. Spina, G. Soldi, Mimì Lazzaro, Res, Pittèri, Alteroi, Togo, Ago, Duilio Remondino, De Gobis, P. Ancarani etc. Una sola opera di Balla, tre di Depero, sei di Prampolini.«. prima di randellare i batraci proponiamo loro un potente rimedio che li allontanerà da tutte le vigliaccherie del dopo guerra. Eccolo: Nell'arte come nella vita, Allenare i muscoli - Amare la lotta - Adorare il nuovo - Centuplicare la Virilità novatrice . [firmato:] Marasco futurista» Nuovi archivi del futurismo I, 1922/4 in 8°, punto metallico con brossura in carta arancione stampata in nero al piatto anteriore, pp. [16]. Catalogo originale. punto metallico con brossura in carta arancione stampata in nero al piatto anteriore.…

Padova, Cedam, 1998, in-8, br. editoriale.