Condition: Good. 215 pp., Hardcover, ex library, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Language: English
Published by Stanford University Press, 2025
ISBN 10: 1503641236 ISBN 13: 9781503641235
Seller: Books From California, Simi Valley, CA, U.S.A.
paperback. Condition: Very Good.
Language: English
Published by Stanford University Press, 2025
ISBN 10: 1503641236 ISBN 13: 9781503641235
Seller: Books From California, Simi Valley, CA, U.S.A.
paperback. Condition: Fine.
Language: English
Published by Springer-Verlag Berlin and Heidelberg GmbH & Co. K, 1994
ISBN 10: 3540578781 ISBN 13: 9783540578789
Seller: Ammareal, Morangis, France
Hardcover. Condition: Bon. Ancien livre de bibliothèque. Légères traces d'usure sur la couverture. Edition 1994. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Slight signs of wear on the cover. Edition 1994. Ammareal gives back up to 15% of this item's net price to charity organizations.
Language: English
Published by Stanford University Press, 2018
ISBN 10: 150360585X ISBN 13: 9781503605855
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Stanford University Press 9/4/2018, 2018
ISBN 10: 150360585X ISBN 13: 9781503605855
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. Jazz as Critique: Adorno and Black Expression Revisited. Book.
Language: English
Published by Stanford University Press, US, 2018
ISBN 10: 150360585X ISBN 13: 9781503605855
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. A sustained engagement with Theodor Adorno, Jazz As Critique looks to jazz for ways of understanding the inadequacies of contemporary life. Adorno's writings on jazz are notoriously dismissive. Nevertheless, Adorno does have faith in the critical potential of some musical traditions. Music, he suggests, can provide insight into the controlling, destructive nature of modern society while offering a glimpse of more empathetic and less violent ways of being together in the world. Taking Adorno down a path he did not go, this book calls attention to an alternative sociality made manifest in jazz. In response to writing that tends to portray it as a mirror of American individualism and democracy, Fumi Okiji makes the case for jazz as a model of "gathering in difference."Noting that this mode of subjectivity emerged in response to the distinctive history of black America, she reveals that the music cannot but call the integrity of the world into question.
Language: English
Published by Stanford University Press, 2018
ISBN 10: 150360585X ISBN 13: 9781503605855
Seller: California Books, Miami, FL, U.S.A.
Condition: New.
Language: English
Published by Stanford University Press, 2018
ISBN 10: 150360585X ISBN 13: 9781503605855
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Stanford University Press, 2018
ISBN 10: 150360585X ISBN 13: 9781503605855
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Hardcover/Pappeinband. 226 p. Very good. Shrink wrapped. / Sehr guter Zustand. In Folie verschweißt. Sprache: Englisch Gewicht in Gramm: 505.
Language: English
Published by Stanford University Press, 2025
ISBN 10: 1503641236 ISBN 13: 9781503641235
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Stanford University Press, US, 2025
ISBN 10: 1503641236 ISBN 13: 9781503641235
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Deeply informed by jazz, Billie's Bent Elbow explores the nonsensical and nonsensuous in black radical thought and expression. Extending the encounter between black study, Frankfurt School critical theory, and sound studies staged in her first book, Jazz as Critique, and, crucially, bringing Yoruba aesthetics into the conversation, Okiji attunes to various sites of intemperance and equivocation in thought and music. Billie's Bent Elbow eschews the parsimonious tendencies of the Western philosophical tradition, in its contribution to a shared project of improvised correspondence that finds its criticality in its heterophony of approach and intention. The book ranges from Haitian revolutionaries' rendition of "La Marseillaise," to Cecil Taylor's synesthetic poetics, to the aporetic mien of the orisha Esu, to Billie Holiday's undulating arm. What is more, by way of her intense fascination with these sites of fantastic noise, Okiji brings our attention to a galaxy of intimacies that flash up in her experiments in array and correspondence. The nonsensuous standard Okiji cultivates in this musical and essayistic book, in concert with a host of theorists, musicians and artists, is as much a statement of non-citizenry as it is preparation for intoxicated gathering.
Language: English
Published by MK - Stanford University Press, 2025
ISBN 10: 1503641236 ISBN 13: 9781503641235
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Stanford University Press, 2018
ISBN 10: 1503602028 ISBN 13: 9781503602021
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Language: English
Published by Stanford University Press, US, 2018
ISBN 10: 150360585X ISBN 13: 9781503605855
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. A sustained engagement with Theodor Adorno, Jazz As Critique looks to jazz for ways of understanding the inadequacies of contemporary life. Adorno's writings on jazz are notoriously dismissive. Nevertheless, Adorno does have faith in the critical potential of some musical traditions. Music, he suggests, can provide insight into the controlling, destructive nature of modern society while offering a glimpse of more empathetic and less violent ways of being together in the world. Taking Adorno down a path he did not go, this book calls attention to an alternative sociality made manifest in jazz. In response to writing that tends to portray it as a mirror of American individualism and democracy, Fumi Okiji makes the case for jazz as a model of "gathering in difference."Noting that this mode of subjectivity emerged in response to the distinctive history of black America, she reveals that the music cannot but call the integrity of the world into question.
Language: English
Published by Stanford University Press 1/21/2025, 2025
ISBN 10: 1503641236 ISBN 13: 9781503641235
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.
Paperback or Softback. Condition: New. Billie's Bent Elbow: Exorbitance, Intimacy, and a Nonsensuous Standard. Book.
Gebundene Ausgabe. Condition: Wie neu. 243 Seiten Versand am folgenden Arbeitstag Rechnung mit ausgewiesener MwSt. liegt bei daily shipping worldwide with invoice Sprache: Englisch Gewicht in Gramm: 505.
Language: English
Published by Stanford University Press, 2018
ISBN 10: 150360585X ISBN 13: 9781503605855
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new.
Language: English
Published by Stanford University Press, Palo Alto, 2025
ISBN 10: 1503641236 ISBN 13: 9781503641235
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Deeply informed by jazz, Billie's Bent Elbow explores the nonsensical and nonsensuous in black radical thought and expression. Extending the encounter between black study, Frankfurt School critical theory, and sound studies staged in her first book, Jazz as Critique, and, crucially, bringing Yoruba aesthetics into the conversation, Okiji attunes to various sites of intemperance and equivocation in thought and music. Billie's Bent Elbow eschews the parsimonious tendencies of the Western philosophical tradition, in its contribution to a shared project of improvised correspondence that finds its criticality in its heterophony of approach and intention. The book ranges from Haitian revolutionaries' rendition of "La Marseillaise," to Cecil Taylor's synesthetic poetics, to the aporetic mien of the orisha Esu, to Billie Holiday's undulating arm. What is more, by way of her intense fascination with these sites of fantastic noise, Okiji brings our attention to a galaxy of intimacies that flash up in her experiments in array and correspondence. The nonsensuous standard Okiji cultivates in this musical and essayistic book, in concert with a host of theorists, musicians and artists, is as much a statement of non-citizenry as it is preparation for intoxicated gathering. Deeply informed by jazz, Billie's Bent Elbow explores the nonsensical in black radical thought and expression. Extending the encounter between black study, Frankfurt School critical theory, and Jazz as Critique, and, crucially, bringing Yoruba aesthetics into the conversation, Okiji attunes to various sites of intemperance in thought and music. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Stanford University Press, 2025
ISBN 10: 1503641236 ISBN 13: 9781503641235
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new.
Language: English
Published by Stanford University Press, 2025
ISBN 10: 1503641236 ISBN 13: 9781503641235
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Stanford University Press, 2018
ISBN 10: 150360585X ISBN 13: 9781503605855
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 160.
Language: English
Published by Stanford University Press, 2025
ISBN 10: 1503641236 ISBN 13: 9781503641235
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New.
Language: English
Published by Stanford University Press, 2018
ISBN 10: 150360585X ISBN 13: 9781503605855
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
£ 17.71
Quantity: Over 20 available
Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Language: English
Published by Stanford University Press, 2018
ISBN 10: 150360585X ISBN 13: 9781503605855
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
First Edition
Condition: New. 2018. 1st Edition. Paperback. . . . . .
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. 184 pages. 9.00x6.00x0.25 inches. In Stock.
Language: English
Published by Stanford University Press, 2025
ISBN 10: 1503641236 ISBN 13: 9781503641235
Seller: Chiron Media, Wallingford, United Kingdom
paperback. Condition: New.
Language: English
Published by Stanford University Press, 2025
ISBN 10: 1503641236 ISBN 13: 9781503641235
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
First Edition
Condition: New. 2025. 1st Edition. paperback. . . . . .
Language: English
Published by Stanford University Press, 2025
ISBN 10: 1503641236 ISBN 13: 9781503641235
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.