Nicklas Pascal (59 results)

hardcover. Condition: Gut. Auflage: 1. 192 Seiten *Werktagsversendung innerhalb von 24 Stunden* -- Exempl. in einem guten Gesamtzust., geringe Gebrauchsspuren möglich --mit SU. ISBN: 9783882218725 Alle Sendungen werden mit beiliegender Rechnung, inkl. ausgewiesener MwSt., verschickt. Sprache: Deutsch Gewicht in Gramm: 319.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Broschiert. Condition: Gut. 263 Seiten; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 510.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: Neu. Edited by Pascal Nicklas. Twelve essays analyze McEwan's work as a paradigmatic example for the intricate relationship between art and politics in British fiction. Whereas his early work is more concerned with the family and its perversions, there is a definite politicization after "The Comfort of Strangers" (1981). 212 Seiten, broschiert (anglistik & englischunterricht; Band 73/Universitätsverlag Winter 2009). Früher EUR 24,00. Gewicht: 262 g - Softcover/Taschenbuch.

Olms, Hildesheim, 1996. 323 S., kartoniert---- Neuwertig, ungelesen. Anglistische und Amerikanische Texte und Studien, Band 9 - 750 Gramm.

Condition: Gut. 1. Auflage. 188 Seiten., Gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 690 8°. OPappe mit Schutzumschlag (dieser mit Gebrauchsspuren).,

Condition: Neu. Neu - Ian McEwan's work is paradigmatic for the intricate relationship between art and politics in British fiction. Whereas his early work is more concerned with the family and its perversions, there is a definite politicization after The Comfort of Strangers (1981). The years between McEwan's Venetian novel and The Child in Time (1987) was a period of gestation: he wrote the libretto Or Shall We Die (1983) and the script for The Ploughman's Lunch (1985) taking up nuclear disarmament and Thatcherism. McEwan saw these works as A Move Abroad (1989) and returned to the novel with the caustically political The Child in Time . All his later novels have strong political undertones most drastically visualized in The Innocent (1990): Otto s mutilated corpse as an image of Berlin. In Saturday (2005), the mass rally against the Iraq War in 2003 is the background against which the Perowne s Bloomsday takes place. Similarly, in Black Dogs (1992) or Amsterdam (1998) politics are shown in their complex relationship to art which is also celebrated in The Atonement (2001).

Olms Verlag, Hildesheim, 2000. 304 S., kartoniert--- - neuwertig/ungelesen - 396 Gramm.

Condition: Sehr Gut. Zustandsbeschreibung: leicht angeschmutzt. Beispiele aus philologischer Sicht. Hrsg. von Angelika Corbineau-Hoffmann und Pascal Nicklas. Elf Beiträge zeigen, inwiefern die Macht der Sprache gerade dort, wo sie Gewalt thematisiert und ausübt, weitreichende und keineswegs nur negative Wirkungen entfaltet. Mit Beiträgen von Ulla Fix, Annemarie Mieth, Ludwig Stockinger, Pascal Nicklas, Klaus Rek, Christiane Schulz, Wilfried Zieger, Angelika Corbineau-Hoffmann, Mona Siegel, Ilse Nagelschmidt und Andreas Herzog. 310 Seiten, broschiert (Olms Verlag 2000). Statt EUR 29,80. Gewicht: 396 g - Softcover/Taschenbuch.

Berlin / New York: Walter de Gruyter (= spectrum Literaturwissenschaft / spectrum literature - Komparatistische Studien / Comparative Studies, Bd. 27), 2012. Farb. illustr. OHardc. VIII, 277 S. mit Index. - 23,5 x 16. * Hamlet by Olivier, Kaurismäki or Shepard and Pride and Prejudice in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs and cultures in literature, film and the arts. - Tadellos erhaltene Dublette aus der Privatbibliothek von Prof. Dr. Aleida Assmann (Universität Konstanz) !

Condition: New. In the age of globalization, digitization, and media convergence, traditional hierarchies between media are breaking down. This book offers new approaches to understanding the politics and their underlying ideologies that are reshaping our global media landscape, including questions of audience participation and transmedia storytelling. Editor(s): Hassler-Forest, Dan; Nicklas, Pascal. Num Pages: 278 pages, biography. BIC Classification: APF; DSA; JFC; JFD; JPA. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2015. 1st ed. 2015. paperback. . . . .

Condition: Sehr Gut. Zustandsbeschreibung: Mängelexemplar. Gewalt und Empfindsamkeit in Samuel Richardsons 'Clarissa'. In dieser Studie wird der Zwiespalt zwischen der ausdrücklichen Absicht Richardsons und der tatsächlichen Wirksamkeit seines Hauptwerkes literaturgeschichtlich nachvollzogen und als Beleg für die Ambivalenz der Empfindsamkeit in ihrem Verhältnis zur Gewalt genutzt. VIII,324 Seiten, broschiert (Anglistische und amerikanistische Texte und Studien; Band 9/Olms Verlag 1996). Statt EUR 35,80. Gewicht: 446 g - Softcover/Taschenbuch.

Empirische und hermeneutische Methoden. Berlin / Boston: Walter de Gruyter Verlag (= spectrum Literaturwissenschaft / spectrum Literature, Band 63), 2019. Farb. illustr. OHardc. 253 Seiten mit Index. - 23,5 x 15,5. * Für die Untersuchung des Verhältnisses von Literatur und Musik im Arbeitsgebiet der Comparative Arts, des Künstevergleiches gibt es keine allgemeine Methodenlehre und selten wird in den speziellen Studien methodologisch reflektiert. Dieses Desiderat zu erfüllen, vermag kein einzelner Band allein aufgrund der vielfältigen Verhältnisse, in denen Literatur und Musik zueinander stehen. Den methodologischen Herausforderungen, die je nach Untersuchungsgegenstand neue Konstellationen eingehen, stellen sich die Autorinnen und Autoren der hier vorgelegten Studien. - Druckfrisch und unbenutzt !

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New. In.

Hardcover. Condition: Brand New. 265 pages. 9.00x5.75x1.00 inches. In Stock.

Condition: New. In the age of globalization, digitization, and media convergence, traditional hierarchies between media are breaking down. This book offers new approaches to understanding the politics and their underlying ideologies that are reshaping our global media landscape, including questions of audience participation and transmedia storytelling. Editor(s): Hassler-Forest, Dan; Nicklas, Pascal. Num Pages: 278 pages, biography. BIC Classification: APF; DSA; JFC; JFD; JPA. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2015. 1st ed. 2015. paperback. . . . . Books ship from the US and Ireland.

Condition: New.

Condition: new.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. "Hamlet" by Olivier, Kaurismäki or Shepard and "Pride and Prejudice" in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs and cultures in literature, film and the arts.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 288 | Sprache: Englisch | Produktart: Bücher | "Hamlet" by Olivier, Kaurismäki or Shepard and "Pride and Prejudice" in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs and cultures in literature, film and the arts.

Condition: New. pp. viii + 277 5 Figures.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. viii + 277.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - 'Hamlet' by Olivier, Kaurismäki or Shepard and 'Pride and Prejudice' in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs and cultures in literature, film and the arts.

Hardcover. Condition: Brand New. illustrated edition. 277 pages. 9.00x6.25x0.75 inches. In Stock.

Hardback. Condition: New. "Hamlet" by Olivier, Kaurismäki or Shepard and "Pride and Prejudice" in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs and cultures in literature, film and the arts.