Neubert George (91 results)

Condition: Fine. 1 Wraps (US). 12 p.

paperback. Condition: Good. General shelf wear. Pages clean.

Softcover. Condition: Fine. First Edition. Sterling condition softcover copy, brightly illustrated with several of Todd's bronze and steel sculptures, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear. Foreword by the Director of the Klein Gallery. Exhibition catalogue. 24 pp. with 14 illustrations, nine being in full color. Statement by the artist, biographical notes galore, a list of exhibitions and also notes personal collections and commissioned work.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Paperback. Condition: Near Fine. 1st. 48 pages, illustrations (some colour); 28 cm. Catalogue of a traveling exhibition shown at the Walker Art Center and other museums, September 13, 1981 to December 19, 1982. Near fine. Firm binding, clean inside copy. Light edgewear to wraps, age toning. Size: 4to. Collectible.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good+. Signed by artist. Very good with edgewear and tears to Dust Jacket and no marks to text. Art12 ; 12.36 X 9.84 X 1.47 inches; 330 pages.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Signed by artist. Very Good with light wear to dust jacket and no marks to text. ; 12.36 X 9.84 X 1.47 inches; 330 pages; Signed by Artist.

Softcover exhibition catalog, 48 pages, very good condition, no internal marks, clean and crisp.

Softbound. Condition: Very Good. Oblong royal octavo, paper covers with an oval cut-out in the front cover, 50 pp., b/w illustrations.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Wrappers. Condition: Very Good. The Oakland Museum, Art Department, Published 1980. Wraps, 64 pp.; 28 cm; illustrated with 10 color and 26 black-and-white plates of paintings, plus a photograph of the artist; issued as the catalogue for the 1980-1981 traveling retrospective. In Very Good condition. Glossy pictorial wraps with a full color reproduction of Hill's "Yosemite Valley (El Capitan and Bridal Veil Fall)" on the front and bright orange-red rear cover. A 1/2 inch tear to the front cover along the fold of the spine; light bumping and creasing to edges and corners; mild shelf wear. Binding tight. Pages clean and unmarked. A silver Anchorage Museum Shop sticker (a small affiliate sticker that photographs as black) is affixed to the title page, with a smaller partial sticker remnant in the upper outer corner of the same page. The catalogue accompanying the 1980-1981 traveling retrospective Thomas Hill: The Grand View, organized by The Oakland Museum and circulated to the Tacoma Art Museum, the Joslyn Art Museum (Omaha), the Anchorage Historical and Fine Arts Museum, and the Midland Center for the Arts (Michigan). Marjorie Dakin Arkelian's biographical essay traces Hill's career from his birth in Birmingham, England, through his apprenticeships in Massachusetts and his European study, to his decades in California where he became, with Albert Bierstadt and Thomas Moran, one of the defining painters of the American West. The text follows Hill from his early New England landscapes through his Yosemite "grand views," his commission for "The Driving of the Last Spike" at Promontory Point (1881), his Muir Glacier painting commissioned by John Muir's circle at Glacier Bay, Alaska (now in the collection of the Anchorage Historical and Fine Arts Museum), and his late Wawona studio years. With preface by George W. Neubert, Curator of the Exhibition; chronology, notes, selected bibliography, catalogue of works, and list of lenders.

Hardcover. Condition: As New. Dust Jacket Condition: As New. New book and DJ, still in publisher's shrinkwrap.

Hardcover. Condition: Fine. 1st. Pictorial boards, 75 pages, colour illustrations; 30 cm. This publication accompanies the exhibition Squaring the Circle curated by Peter Selz and Sue Kubly at the De Saisset Museum at Santa Clara University, April 10 to June 14, 2015. Firm binding, clean inside copy. *** Brian Wall was born in London, was part of the St. Ives art colony in Cornwall in the mid 1950s, and taught at Berkeley from the early 1970s on, retiring in California. Size: 4to. Collectible.

Soft cover. Condition: As New. Assumed first. Book is new but shows some shelf scuffing at spine. Pages are all tight, bright and clean. No remainder marks. No library marks. No owner's marks. Shows no evidence of having been read. Spine is perfect. See our photos. No underling or highlighting.

Soft Cover. Condition: Very Good+. First Edition; First Printing. 25 full page plates in color and black and white. With essays by Graham William John Beal and George W. Neubert. Published on the occasion of the traveling exhibition that opened September 13 - November 8, 1981 at Walker Art Center, Minneaopolis, MN, and went on to 5 other museums in 1982. ; Tight, clean and crisp. A hint of light shelf/edge wear to wraps, otherwise in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to; 48 pages.

Softbound. Condition: Very Good. Oblong royal octavo, 28 pp., b/w and color illustrations Artists included in the exhibit are Joel Bass, Herbert de Rockere, Henry Fujioka, Alberto Garcia-Alvarez, Patrick Humble, Philip Lewis, Sam Tchakalian, and Richard Yokomi.

Paperback. Condition: Good. No Jacket. Good condition. Clean text, tight binding. Some edge wear. Size: 4to - over 9¾" - 12" tall.

Softcover staple bound exhibition catalog, 24 pages, very good condition, no internal marks, clean and crisp, with color reproductions.

paperback. Condition: Acceptable. Detached from cover and stapled together This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Standard-sized.

Hardcover. Condition: Used - Very Good. Very nice clean, tight copy free of any marks. BEAUTIFUL COPY!!!

Hardcover. Condition: Used - Very Good. Previous owner stamped in name inside. Binding is tight no interior marks,

Soft Cover. Condition: Very Good. First Edition; First Printing. 20 full page color plates of works by Lita Albuquerque, Fletcher Benton, David Bottini, Louise Bourgeois, Scott Burton, Mark di Suvero, Robert Graham, Michael Heizer, Edward and Nancy Reddin Kienholz, Tom Marioni, Ron Nagel, Bruce Nauman, Isamu Noguchi, Georgia O'Keeffe, Claes Oldenburg, Ronald Raiss, Joel Shapiro, James Surls, Michael Todd, and William Wiley. Introduction by George W. Neubert. Published on the occasion of the second biennial exhibition (1982) organized by the San Francisco Museum of Modern Art. ; Tight and clean. Solid binding. A touch of age-toning to wraps, with a hint of spotting to fore edge, otherwise in Very Good condition. No inscriptions. No remainder mark. Not ex-library. ; 4to.

paperback. Condition: Very Good. First Edition. Unread. No markings in book. Binding is fine. 81pp.

First Edition. Large softcover, very good with light wear. Illustrated. 80 pp.

Oakland Museum, Oakland, CA, 1978. Softcover, 71 pp. Exhibition catalog for a show of paintings by American artist George Inness (1825-1894). Illustrated in black & white and in color. Near fine condition.

Paperback. Condition: Very Good. Scuffed covers at edges. No markings in book. Binding is tight.

ed. paperback good condition with a bit of wear and rubbing.

Wrappers. Condition: Good. 1st Edition. 80 pages. Paperback. Texts in English. From the collection of a working artist who used her books in her studio. There is a faint overall spattering of white gesso to the front cover with an associated larger drip of paint along with some general handling and shelfwear and scuffing. But the binding is solid, the spine uncreased, and interior clean and free of markings. Bound in stiff illustrated paper covers and published on the occasion of the exhibition held in San Francisco from September 6-October 21, 1984 and subsequently in Laguna Beach, Madison, and Lincoln. Book.

Soft cover. Condition: Very Good. Wraps with a bit of soiling, front panel faded near the spine. Unmarked copy.