Nancy De Moss (14 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.

Hardcover. Condition: As New. Dust Jacket Condition: Near Fine. Joseph V. Gorman (illustrator). 1st Edition. A real nice clean 177 page padded hardcover. Beautiful shape with gold lettering and tassel. gold trimmed and has a 1980 form letter and calender bookmark. Nice plain brown slipcase has just a touch of wear. F ull of stories poems and inspirational sayings. Has some nice color photos scattered throughout Size: 10h x 7w. Book.

Condition: As New. Unread book in perfect condition.

Condition: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condition: Brand New. 224 pages. Spanish language. 8.50x5.50x0.46 inches. In Stock.

Condition: as new. Wie neu/Like new.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: Good. 2007 Four Courts Press large format hardcover edition. Light reading wear else very good condition. Chapters: 1 Weaving garnets: thoughts about two 'excessively rare' belt mounts from Sutton Hoo, 2. Motifs and techniques in Early Medieval Celtic filigree: their ultimate origins, 3. Pushing boundaries: Anglo-Saxon zoomorphic pins, 4. The figural iconography of the Soisceal Molaise and Stowe Missal book shrines, 5. Context and meaning: finding a place for some fragments of Early Medieval metalwork from Perthshire, Scotland, 6. Insular-type crosiers: their construction and characteristics, 7. Skeuomorphs and spolia: the presence of the past in Irish pre-Romanesque architecture, 8. A legal perspective on the saer and workshop practice in pre-Norman Ireland, 9. A twelfth-century renaissance? Irish Romanesque sculpture and the Insular tradition, 10. Collingwood and Anglo-Saxon sculpture: art history or archaeology?, 11. Artistic identity and the Irish scripture crosses, 12. Iconographical analysis of the Marigold Stone, Carndonagh, Inishowen, Co. Donegal, 13. Early Medieval sculpture in south-west Wales: the Irish Sea connection, 14. New animal ornament on the cross-slab from Hilton of Cadboll, Ross and Cromarty, Scotland, 15. Classical animals on Irish high crosses, 16. Insular display capitals and their origins, 17. Remembering Jerusalem: architecture and meaning in Insular canon table arcades, 18. 'Therefore do I speak to them in parables': meaning in the margins of the Book of Kells, 19. Looking the Devil in the eye: the figure of Satan in the Book of Kells folio 202v, 20. The incipit pages of the Macregol Gospels, 21. An examination of the blessing hand in Insular art, 22. 'Know who and what he is': the context and inscriptions of the Durham Gospels Crucifixion image, 23. Continuing the tradition: Insular influences in Irish manuscripts of the Late Medieval period.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.