Mraz John (93 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: Good. Illustrated. Ships same day or next business day! UPS shipping available (Priority Mail for AK/HI/APO/PO Boxes). Used sticker and some writing and/or highlighting. Used books may not include working access code. Used books will not include dust jackets.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Good.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: New.

Condition: New.

Hardcover. Condition: Near Fine. No Jacket. Nice copy, with no markings. Almost like new, but there are four separate prints of B&W photos inserted, in addition to the multiple photos in the book. Not sure about the origin of the extra photo prints.

Condition: New.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: New.

Hardcover. Condition: USED Good.

softcover. Condition: Used; Very Good. Numerous full-page photographs. Essays by Reinhard Schultz, John Mraz and Michael Nungesser. Text in German. Published on the occasion of the traveling exhibition, 1989-1996. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. …

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback or Softback. Condition: New. History and Modern Media: A Personal Journey. Book.

Condition: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Near Fine. Dust Jacket Condition: No Dust Jacket As Issued. Pictorial boards. Color and b/w photos. Exhibition catalogue. Text in English. Due to size, ships within US only and only by media rate mail. ; Small 4to 9" - 11" tall; 240 pp.

Condition: Nuevo. Poesía y orfandad caminan de la mano. A falta de familia las palabras quedan, toman fuerza debido a la urgencia de lo mucho que faltó por decir. Escribir fue mi forma de sacar la voz, de encontrarla, voz huérfana hermana de otras orfandades: se puede tener todo y a la vez sentir vacío. Fue con los libros que nunca más me sentí solo. Solo escribiendo pude alejarme de mi familia. Ciudad del Niño es el testimonio del trayecto generalizado de una familia huacha (huérfana). Situado en el Santiago de Chile de los años 90. Ahonda en los diversos tipos de abandonos que se repiten como patrón de identidad, de las tantas muertes que los padres ofrendan a sus hijos, de los Internados que uno carga en silencio, antes y después de pasar por uno de ellos. La desgracia no es algo personal, dice el libro, la desgracia nos hace hermanos de origen y de un abierto destino. A falta de padres la poesía me adoptó. Decir que te adopta la poesía es decir que te adopta la orfandad. La orfandad también es territorio. José del Carmen.…

First Edition. Hardcover, very good with light wear. Book.

Condition: Good. Good condition. Volume 20, No. 3, Autumn 1996. (Mexico, Photography, History, Periodicals) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: New.

Hardback. Condition: New. The Mexican Revolution of 1910-1920 is among the world's most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes-commercial and amateur, national and international. Many images of the Revolution remain iconic to this day-Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other's images.In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that AgustÍn VÍctor Casasola was "the photographer of the Revolution," there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).…