Mouflard Claire (39 results)

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Paperback. Condition: New. In Ethnic Minority Women's Writing in France, Mouflard argues that the identity politics surrounding the immigration discourse of early twenty-first century France were reflected in the marketing and editing practices of the Metropole's key publishers, specifically with regards to non-white French women's literature. Echoing the utopic "Black-Blanc-Beur" model of integration which surfaced during the 1998 soccer World Cup, select publishers fashioned unofficial literary categories based on neocolonial racial and gender stereotypes, either lauding integrated "Beur" authors or exploiting "Black" political dissenters. Concurrently, metropolitan women writers in their autobiographies, autofictions, and manifestoes, problematized notions of French multiculturalism and literary hierarchies, thereby exposing the dangers of utopian thinking. Mouflard ultimately reveals that the absence of the Franco-Vietnamese identity from the "Black-Blanc-Beur" paradigm enabled authors of Southeastern Asian origin to establish themselves outside of the era's reductive multicultural utopia, within a realm directly adjacent to littérature française, if not in a newly-designed, truly multicultural French literature category. Overall, Mouflard's research highlights the discrepancies between France's official discourse on immigration, and the actual identity formation processes created by the institutions and exploited by influential publishers, in the years leading to the historic 2005 banlieue civil unrest.

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Paperback. Condition: Brand New. 192 pages. 9.00x6.00x0.59 inches. In Stock.

hardcover. Condition: Very Good.

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Paperback. Condition: New. In Ethnic Minority Women's Writing in France, Mouflard argues that the identity politics surrounding the immigration discourse of early twenty-first century France were reflected in the marketing and editing practices of the Metropole's key publishers, specifically with regards to non-white French women's literature. Echoing the utopic "Black-Blanc-Beur" model of integration which surfaced during the 1998 soccer World Cup, select publishers fashioned unofficial literary categories based on neocolonial racial and gender stereotypes, either lauding integrated "Beur" authors or exploiting "Black" political dissenters. Concurrently, metropolitan women writers in their autobiographies, autofictions, and manifestoes, problematized notions of French multiculturalism and literary hierarchies, thereby exposing the dangers of utopian thinking. Mouflard ultimately reveals that the absence of the Franco-Vietnamese identity from the "Black-Blanc-Beur" paradigm enabled authors of Southeastern Asian origin to establish themselves outside of the era's reductive multicultural utopia, within a realm directly adjacent to littérature française, if not in a newly-designed, truly multicultural French literature category. Overall, Mouflard's research highlights the discrepancies between France's official discourse on immigration, and the actual identity formation processes created by the institutions and exploited by influential publishers, in the years leading to the historic 2005 banlieue civil unrest.

Condition: New.

Hardback. Condition: New. This edited volume investigates the reconfiguration of gender in French banlieue cinema, interrogating whether the films produced over the last two decades provide new and viable models of resistance to dominant modes of power. Contributors take a critical approach which identifies gender as a marker of both body and identity politics to highlight the need to overcome a binary approach to banlieue aesthetics, which limits inquiry into the basis of conflict. Given that a feminization-and, to some extent, queering-of the once exclusively-masculine space is underway, contributors ultimately conclude that the banlieue and its on-screen representations cannot be properly understood unless intersectionality as a systematic approach is applied as an interpretive lens. Scholars of film, gender studies, and sociology will find this book particularly useful.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 190 pages. 9.01x6.01x9.27 inches. In Stock.

Hardcover. Condition: Brand New. 196 pages. 9.25x6.25x1.00 inches. In Stock.

Hardback. Condition: New. This edited volume investigates the reconfiguration of gender in French banlieue cinema, interrogating whether the films produced over the last two decades provide new and viable models of resistance to dominant modes of power. Contributors take a critical approach which identifies gender as a marker of both body and identity politics to highlight the need to overcome a binary approach to banlieue aesthetics, which limits inquiry into the basis of conflict. Given that a feminization-and, to some extent, queering-of the once exclusively-masculine space is underway, contributors ultimately conclude that the banlieue and its on-screen representations cannot be properly understood unless intersectionality as a systematic approach is applied as an interpretive lens. Scholars of film, gender studies, and sociology will find this book particularly useful.

Paperback. Condition: new. Paperback. In Ethnic Minority Womens Writing in France, Mouflard argues that the identity politics surrounding the immigration discourse of early twenty-first century France were reflected in the marketing and editing practices of the Metropoles key publishers, specifically with regards to non-white French womens literature. Echoing the utopic Black-Blanc-Beur model of integration which surfaced during the 1998 soccer World Cup, select publishers fashioned unofficial literary categories based on neocolonial racial and gender stereotypes, either lauding integrated Beur authors or exploiting Black political dissenters. Concurrently, metropolitan women writers in their autobiographies, autofictions, and manifestoes, problematized notions of French multiculturalism and literary hierarchies, thereby exposing the dangers of utopian thinking. Mouflard ultimately reveals that the absence of the Franco-Vietnamese identity from the Black-Blanc-Beur paradigm enabled authors of Southeastern Asian origin to establish themselves outside of the eras reductive multicultural utopia, within a realm directly adjacent to litterature francaise, if not in a newly-designed, truly multicultural French literature category. Overall, Mouflards research highlights the discrepancies between Frances official discourse on immigration, and the actual identity formation processes created by the institutions and exploited by influential publishers, in the years leading to the historic 2005 banlieue civil unrest. This book examines autobiographies, autofictions, and manifestoes written by ethnic minority women writers in early twenty-first century France. In their publications, select authors denounce the ethnic hierarchies created and propagated by French institutions, and contend wit. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condition: new. Paperback. In Ethnic Minority Womens Writing in France, Mouflard argues that the identity politics surrounding the immigration discourse of early twenty-first century France were reflected in the marketing and editing practices of the Metropoles key publishers, specifically with regards to non-white French womens literature. Echoing the utopic Black-Blanc-Beur model of integration which surfaced during the 1998 soccer World Cup, select publishers fashioned unofficial literary categories based on neocolonial racial and gender stereotypes, either lauding integrated Beur authors or exploiting Black political dissenters. Concurrently, metropolitan women writers in their autobiographies, autofictions, and manifestoes, problematized notions of French multiculturalism and literary hierarchies, thereby exposing the dangers of utopian thinking. Mouflard ultimately reveals that the absence of the Franco-Vietnamese identity from the Black-Blanc-Beur paradigm enabled authors of Southeastern Asian origin to establish themselves outside of the eras reductive multicultural utopia, within a realm directly adjacent to litterature francaise, if not in a newly-designed, truly multicultural French literature category. Overall, Mouflards research highlights the discrepancies between Frances official discourse on immigration, and the actual identity formation processes created by the institutions and exploited by influential publishers, in the years leading to the historic 2005 banlieue civil unrest. This book examines autobiographies, autofictions, and manifestoes written by ethnic minority women writers in early twenty-first century France. In their publications, select authors denounce the ethnic hierarchies created and propagated by French institutions, and contend wit. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In Ethnic Minority Women's Writing in France, Mouflard argues that the identity politics surrounding the immigration discourse of early twenty-first century France were reflected in the marketing and editing practices of the Metropole's key publishers, specifically with regards to non-white French women's literature. Echoing the utopic 'Black-Blanc-Beur' model of integration which surfaced during the 1998 soccer World Cup, select publishers fashioned unofficial literary categories based on neocolonial racial and gender stereotypes, either lauding integrated 'Beur' authors or exploiting 'Black' political dissenters. Concurrently, metropolitan women writers in their autobiographies, autofictions, and manifestoes, problematized notions of French multiculturalism and literary hierarchies, thereby exposing the dangers of utopian thinking. Mouflard ultimately reveals that the absence of the Franco-Vietnamese identity from the 'Black-Blanc-Beur' paradigm enabled authors of Southeastern Asian origin to establish themselves outside of the era's reductive multicultural utopia, within a realm directly adjacent to littérature française, if not in a newly-designed, truly multicultural French literature category. Overall, Mouflard's research highlights the discrepancies between France's official discourse on immigration, and the actual identity formation processes created by the institutions and exploited by influential publishers, in the years leading to the historic 2005 banlieue civil unrest.