Mort Valzhyna (274 results)

Paperback. Condition: Good. A young Belarussian poet co-translated by Pulitzer Prize-winner Franz Wright, who calls Valzhyna Mort Electrifying.

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Paperback. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: very_good.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.

Condition: good. Used - Good: A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.…

Condition: like_new.

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: new.

paperback. Condition: Good.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. The lyrical, imaginatively-crafted debut collection by one of Germany's most important contemporary poets explores the shifting of the mouth toward the other, toward translation, toward a reckoning with historical silences.In KOCHANIE, TODAY I BOUGHT BREAD, Uljana Wolf crosses borders from East Germany into Poland, from fairy tales to the tallying of land torn by fateful past, from women's voices hibernating in documents, to Lavinia's spilling forth of red language. Hailed by critics for its brief strokes that open up a wide historical space in which political doom is still present, this book is a testament that the cartography we inherit is equal parts limit and dare. Wolf's debut collection won the Peter Huchel Prize in 2006--she was its youngest recipient. Nearly 20 years later, this bilingual edition--featuring a new introduction by Valzhyna Mort and Greg Nissan's superbly-tuned translation--invites English-language readers into the guest room of poetry.Uljana Wolf's first book begins with pain, a hospital, with a daughter who rebels against the controlling word of the fathers. But it goes farther. Its mouth shifts, playfully inventive, though with a dark undertone of Polish-German history, to find bread in language. Then even a mattress becomes translatable and everything connects 'in this border trade / on my tongue.'--Rosmarie WaldropNissan's translations skillfully keep pace with Wolf's brilliant word- and worldsmithery.--Susan BernofskyThe persistent word/sonic plays in KOCHANIE, TODAY I BOUGHT BREAD, brilliantly re-rendered by Greg Nissan, are Uljana Wolf's defiance--'my defiance is my instrument'--against Germany's fascist history. The multiplicity of 'mouths' and 'daughters' topple 'sir father herr father, ' generating linguistic displacement, hence subverting power and borders. Wolf's language of defiance is a form of 'linguistic hospitality, ' to borrow Paul Ricoeur's term. She simultaneously welcomes and deforms 'our father's embroidered word.'--Don Mee ChoiThe child works tirelessly with language. Why is this ability lost to us? Why do we avoid foreign languages except when we can abuse them as proof of achievement? Uljana Wolf's approach to languages is extremely sympathetic, liberating, and stimulating. . When she connects words with elegant lines, crossing the boundaries between languages, an unexpected structure appears as poetry. This is comparable to constellations: Between the individual stars lies a distance of millions of light years, but because their radiation reaches our presence at the same time, we can recognize an image.--Yoko Tawada, Erlanger Prize Citation (2015)One of Germany's most respected and original poets, Uljana Wolf is also a masterful writer of prose. --Alexander Wells, ExberlinerAll in all, Wolf's poetry and Nissan's translation offer powerful commentary on the present and the past, making use not only of the words themselves, but also the spaces around and in-between them, on the page and beyond.--Anna Rumsby, AsymptotePoetry.…

Soft cover. Condition: Very Good. Very good condition. Minimal wear. All intact. No writing or marking. Not Ex-Library.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: New. Paperback. Publisher overstock, may contain remainder mark on edge.

Condition: acceptable. Includes dustjacket.

Condition: good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. The lyrical, imaginatively-crafted debut collection by one of Germany's most important contemporary poets explores the shifting of the mouth toward the other, toward translation, toward a reckoning with historical silences.In KOCHANIE, TODAY I BOUGHT BREAD, Uljana Wolf crosses borders from East Germany into Poland, from fairy tales to the tallying of land torn by fateful past, from women's voices hibernating in documents, to Lavinia's spilling forth of red language. Hailed by critics for its brief strokes that open up a wide historical space in which political doom is still present, this book is a testament that the cartography we inherit is equal parts limit and dare. Wolf's debut collection won the Peter Huchel Prize in 2006--she was its youngest recipient. Nearly 20 years later, this bilingual edition--featuring a new introduction by Valzhyna Mort and Greg Nissan's superbly-tuned translation--invites English-language readers into the guest room of poetry.Uljana Wolf's first book begins with pain, a hospital, with a daughter who rebels against the controlling word of the fathers. But it goes farther. Its mouth shifts, playfully inventive, though with a dark undertone of Polish-German history, to find bread in language. Then even a mattress becomes translatable and everything connects 'in this border trade / on my tongue.'--Rosmarie WaldropNissan's translations skillfully keep pace with Wolf's brilliant word- and worldsmithery.--Susan BernofskyThe persistent word/sonic plays in KOCHANIE, TODAY I BOUGHT BREAD, brilliantly re-rendered by Greg Nissan, are Uljana Wolf's defiance--'my defiance is my instrument'--against Germany's fascist history. The multiplicity of 'mouths' and 'daughters' topple 'sir father herr father, ' generating linguistic displacement, hence subverting power and borders. Wolf's language of defiance is a form of 'linguistic hospitality, ' to borrow Paul Ricoeur's term. She simultaneously welcomes and deforms 'our father's embroidered word.'--Don Mee ChoiThe child works tirelessly with language. Why is this ability lost to us? Why do we avoid foreign languages except when we can abuse them as proof of achievement? Uljana Wolf's approach to languages is extremely sympathetic, liberating, and stimulating. . When she connects words with elegant lines, crossing the boundaries between languages, an unexpected structure appears as poetry. This is comparable to constellations: Between the individual stars lies a distance of millions of light years, but because their radiation reaches our presence at the same time, we can recognize an image.--Yoko Tawada, Erlanger Prize Citation (2015)One of Germany's most respected and original poets, Uljana Wolf is also a masterful writer of prose. --Alexander Wells, ExberlinerAll in all, Wolf's poetry and Nissan's translation offer powerful commentary on the present and the past, making use not only of the words themselves, but also the spaces around and in-between them, on the page and beyond.--Anna Rumsby, AsymptotePoetry.…

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

softcover. Condition: Fine copy. 1st. 8vo, 65 pp.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: As New. Ships Out Tomorrow.