Mitchell Helen Et Al (13 results)

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780727917614.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780727917614.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:1873927258. …

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780727917614. …

Hardcover. Condition: UsedGood. Hardcover; 16th edition; fading, light soiling, and shelf wear to exterior; otherwise in good condition with clean text, tight binding.

Soft cover. Condition: Fine. 1st Edition. 8vo. Pp v, 93. Original card wraps.

Soft cover. Condition: Fine. 1st Edition. 4to. Pp v, 137. Original card wraps.

Soft cover. Condition: Fine. 1st Edition. 8vo. Pp vi, 239. Illustrations. Original card wraps. Virtually as new condition.

hardcover. Condition: Very Good.

Hard Cover. Condition: Good. [Por]. Ex-Conselheria para Assuntos de Pesquisa, Harvard School of Public Health[.]. Henderika J. Rynbergen, Professora Honorária de Ciências, Cornell University - New York[.]. Linnea Anderson, Professora Adjunta de Dietética Clínica, School of Allied Medical[.]. Marjorie V. Dibble, Directora e Professora do Departamento de Nutriçao Humana. Décima sexta edição. 1.ª Edição. Interamericana. Rio de Janeiro. 1979. De 26x19 cm. Com xii, 567, [i] págs. Encadernação do editor. Ilustrado no texto com tabelas e fotografias a preto e branco. Exemplar com encadernação plastificada, etiqueta de posse na pasta anterior e alguns sublinhados a caneta. Esta 1.ª edição em português é tradução e adaptação da 16.ª edição do original. Language: Português / Portuguese Location/localizacao: I-162-E-16. …

Broadside (26 x 19.5 in.), twice-folded into four panels (13 x 9.75 inches). A Bradbury Thompson-designed catalogue for the remarkable group show at Stable Gallery (Nov. 29 - Dec. 23, 1955); organized to correspond with Thomas Hess' exposé on a new generation of American painters for Art News Annual ("U.S. Painting: Some Recent Directions"). The exhibition featured a total of 59 works from twenty-one artists, including: Elaine de Kooning, Robert de Niro, Helen Frankenthaler, Joan Mitchell, Larry Rivers, and Robert Rauschenberg, who here exhibited one of his earliest combines and is credited as being of "inestimable help" in the show's preparation. Each of the artists represented in a grid of b&w portraits, imposed opposite a lengthy text by Hess: "In one sense the younger artist can be compared to a pair of mirrors, set back to back, reflecting simultaneously an image of the past and of the future?the point where the light of history is more concentrated. In another sense, the younger artist is a breaker of historical mirrors?the contemporary instant of creation for which past and future are equally absurd. The mirror of his art is fixed in front of his own eyes." Some tenderness to glossy sheet at fold-lines, with faint stains to text section, but nonetheless a well-preserved copy of a scarce document; better than very good. With only a single OCLC record located in North America (Frick).…