Mcculloh Douglas (23 results)

Condition: Good. COVER SHOWS SOME GENERAL WEAR, SUCH AS SCRATCHES AND RUBBING. Paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects. Douglas McCulloh (illustrator).

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Douglas McCulloh (illustrator).

Paperback. Condition: Very Good. Dust Jacket Condition: Very Good. This book is in very good condition; no remainder marks. Unread copy. Dustjacket does have some shelfwear and small edge tear at the top. Inside pages are clean. ; 152 pages.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.

Hardcover. Condition: Good. some shelfwear/edgewear but still NICE! - may have remainder mark or previous owner's name Oversized.

Condition: Very Good. Hardcover in a bright dust jacket, 152 pages, color photographs. A catalog of beach photos exhibited at the Southeast Museum of Photography in November 2006 thropugh January 2007. Two photographers present a portfolio of random close-up color portraits they made to show beachgoers at various beaches in Southern California and Florida. Locations and subjects' names are omitted. Essay about the project by Tyler Stallings, curator of the Laguna Art Museum. Record # 351896.…

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Very Good. Hardcover, 152 pages with 69 color plates. Like new in publishers shrink-wrap. The memorable and sometimes aggressive photographic portraits of On The Beach are the result of a six year project by two well-known photographers, Douglas McCulloh and Jacques Garnier. They placed a studio lighting setup directly in the sand, making California and Florida beaches their backdrop. The beach eliminates conceits, concealment, and clothing. People who cross onto the sand become a little naked. To this equation of vulnerability, the two photographers add unforgiving strobe lights and a ruthless high resolution camera. Record # 350184.…

Paperback. Condition: new. Paperback. From the title essay:Inland Southern California occupies the margin between two mythical landscapes of the American West--the wide-open spaces of the Basin and Range and the strange dream of Los Angeles. It is set between L.A.'s distillation of golden structures on hardscrabble streets and 500,000 square miles of saltbush, sage, and aspiration. It contains a little of both, and a lot of nothing at all.At its core, In the Sunshine of Neglect is [a book] about place and experiment. It is about artists using the rapidly developing spaces of Inland Southern California as a tabula rasa, a laboratory to dissect new subjects and deploy new approaches. In these interstitial spaces, this zone of neglect on the periphery of Los Angeles, artists have transformed extremity into new practice, banality into discovery. Some have been engaged here for long durations--even lifetimes, while others have cycled through like grad students visiting a research lab down the hall. But the entire current generation is influenced by the new avenues of photography established several of the artists--Robert Adams, Lewis Baltz, Joe Deal, Judy Fiskin, Anthony Hernandez, Sant Khalsa, Laurie Brown, and others--not long ago in the West, this part of the West.In Inland Southern California, photographers criss-cross a landscape so stripped down, so newly manufactured that treasures can be found right at the surface, every surface. Most of [the] artists do not define their task as delving into development, decay, or decline. For the most part, they seek to simply look at the wide range of what is, as if looking can ever be simple. But it's fruitful to undertake the task in a place especially exposed and revealing. A place founded on faith in constant expansion, regardless of cultural or ecological consequences. A place willing to consistently erase the present for a stake in an imagined future. In short, a place that nakedly stands in for the Western World. "Published in conjunction with the joint exhibition held concurrently at UCR ARTS: California Museum of Photography and Riverside Art Museum, January 19, 2019-April 28, 2019"--t.p. verso. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condition: Near fine. No jacket. Cover and inside pages are clean and unmarked. Photo prints are crisp and vivid.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Fine copy in fine dust jacket. 1st. 4to, 152 pp. Profusely illustrated (illustrator).

Soft cover. Condition: Very Good. No Jacket. Large, oblong paperback, color and b + w plates throughout. 268 pages. Condition: some ordinary wear along edges and corners of the covers; mild reading wear.Very bright and solid. (photo).

Hardcover. Condition: Brand New. 152 pages. 12.20x9.50x0.80 inches. In Stock.

Hardcover. Condition: Brand New. 144 pages. 10.50x8.50x1.00 inches. In Stock.

Condition: New. 2019. Illustrated. paperback. . . . . .

Condition: New. 2019. Illustrated. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: Brand New. 268 pages. 8.75x11.75x0.75 inches. In Stock.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: new. Paperback. From the title essay:Inland Southern California occupies the margin between two mythical landscapes of the American West--the wide-open spaces of the Basin and Range and the strange dream of Los Angeles. It is set between L.A.'s distillation of golden structures on hardscrabble streets and 500,000 square miles of saltbush, sage, and aspiration. It contains a little of both, and a lot of nothing at all.At its core, In the Sunshine of Neglect is [a book] about place and experiment. It is about artists using the rapidly developing spaces of Inland Southern California as a tabula rasa, a laboratory to dissect new subjects and deploy new approaches. In these interstitial spaces, this zone of neglect on the periphery of Los Angeles, artists have transformed extremity into new practice, banality into discovery. Some have been engaged here for long durations--even lifetimes, while others have cycled through like grad students visiting a research lab down the hall. But the entire current generation is influenced by the new avenues of photography established several of the artists--Robert Adams, Lewis Baltz, Joe Deal, Judy Fiskin, Anthony Hernandez, Sant Khalsa, Laurie Brown, and others--not long ago in the West, this part of the West.In Inland Southern California, photographers criss-cross a landscape so stripped down, so newly manufactured that treasures can be found right at the surface, every surface. Most of [the] artists do not define their task as delving into development, decay, or decline. For the most part, they seek to simply look at the wide range of what is, as if looking can ever be simple. But it's fruitful to undertake the task in a place especially exposed and revealing. A place founded on faith in constant expansion, regardless of cultural or ecological consequences. A place willing to consistently erase the present for a stake in an imagined future. In short, a place that nakedly stands in for the Western World. "Published in conjunction with the joint exhibition held concurrently at UCR ARTS: California Museum of Photography and Riverside Art Museum, January 19, 2019-April 28, 2019"--t.p. verso. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

paperback. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. Douglas McCulloh (illustrator). book.

Hardcover. Condition: New. The memorable and sometimes aggressive photographic portraits of On The Beach are the result of a six year project by two well-known photographers, Douglas McCulloh and Jacques Garnier. The photographs of On The Beach are beach images unlike any others quirky, engaging, and often starkly revealing. On The Beach rises from a powerfully straightforward idea go to beaches and capture a cross-section of beachgoers. The concept of sampling drives the project. In the words of artist Sol LeWitt, "The idea becomes the machine that makes the art." These portraits are unrehearsed and unposed. Part happening, part ritual, part spontaneous ballet, the photographs meet at the intersection of chance and magic. The photographers place a studio lighting setup directly in the sand, making California and Florida beaches their backdrop. The beach eliminates conceits, concealment, and clothing. People who cross onto the sand become a little naked. To this equation of vulnerability, the two photographers add unforgiving strobe lights and a ruthless high resolution camera. In truth, they are setting a trap. …