Mccarthy Jeremiah William (41 results)

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condition: New.

Hardcover. Condition: New.

Condition: New.

Hardcover. Condition: Near Fine. No Jacket. Oversized hardback book (304 pages) illustrated with decorated endpapers, numerous color photographs/reproductions. Removed from shrink wrap to photograph. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-C-1-Middle-L) rareviewbooks. …

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Remainder.

Paperback. Condition: new. Paperback. A critical reappraisal of a classic collections modernist legacy for women artistsTaking as its point of departure the art collection at Kykuitthe former home of the Rockefeller family, now a museumInspired Encounters asks: if exclusively women-identifying artists remained in this legendary modernist collection, what would be revealed? Essentially the product of three people whose lives intertwined around MoMAAlfred H. Barr Jr., Dorothy Canning Miller and Nelson A. RockefellerKykuit's holdings include work by Anni Albers, Mary Bauermeister, Lee Bontecou, Mary Callery, Valerie Clarebout, Dorothy Dehner, Grace Hartigan, Louise Kruger, Marisol, Louise Nevelson and Lenore Tawney. The book augments this group with works by Louise Bourgeois, Elizabeth Catlett, Lin Emery and Fanny Sanin to expand the possibilities of a closed collection. Commissioned works by Sonya Clark, Maren Hassinger, Elana Herzog, Melissa Meyer, Barbara Takenaga and Kay WalkingStick reflect on the collection. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Softcover. Condition: Fine. First edition, paperback original. Illustrated with numerous photographs. Octavo. 195pp. Fine. A catalog of the inaugural exhibition at the David Rockefeller Creative Arts Center in Tarrytown, New York of women's artwork. With essays by Kimberli Gant, Fritz Horstman, and Helaine Posner and contributions from Adrienne L. Childs, Laurence Madeline and Maura Reilly.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In English.

Paperback. Condition: Brand New. 160 pages. 8.75x6.00x0.70 inches. In Stock.

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Condition: New.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Hardcover. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. 2019. Hardcover. . . . . .

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: Brand New. 180 pages. 8.75x7.50x0.75 inches. In Stock.

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Condition: new.

Condition: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condition: New. A sweeping look at the ways American artists have viewed themselves, their peers, and their painted worlds over two centuries This stunning book provides an unprecedented glimpse into the past two centuries of American art, tracing artistic tradition and innovation at the National Academy of Design from its 19th-century founding to the present. The nation's oldest artist honorary society has maintained a unique collecting principle: each member gives a self-portrait (or, until 1994, a portrait by a contemporary Academician) as well as an example of their work. By presenting artists' portraits in tandem with their self-selected representative works, this book offers a unique opportunity to explore how American artists have viewed both themselves and the worlds they depicted.   The diverse selection of artists whose work is showcased here includes Frederic Edwin Church, Eastman Johnson, Winslow Homer, John Singer Sargent, Thomas Eakins, Cecilia Beaux, Isabel Bishop, Andrew Wyeth, Charles White, Wayne Thiebaud, Louisa Matthíasdóttir, David Diao, Jaune Quick-to-See Smith, and Peter Saul. Essays by a stellar roster of distinguished historians and art historians, curators, artists, and architects delve into single artworks or pairs of paintings, while others explore themes such the representation of landscapes and the figurative tradition in American art. Additionally, 17 current Academicians-visual artists and architects including Walter Chatham, Catherine Opie and Fred Wilson-contribute personal responses to individual artworks.Distributed for the American Federation of ArtsExhibition Schedule:Dayton Art Institute, Dayton, OH (02/20/19-06/02/19)New Britain Museum of American Art, CT (11/07/19-02/02/20)Society of the Four Arts, Palm Beach, FL (02/22/20-04/26/20)  The Dixon Gallery and Gardens, Memphis, TN (07/02/20-09/27/20)New Mexico Museum of Art, Santa Fe (10/22/20-01/17/21)Figge Art Museum, Davenport, IA (02/20/21-05/09/21)Crocker Art Museum, Sacramento, CA (06/06/21-09/12/21).…