Mazow Leo (146 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Soft cover. Condition: New. In publisher's shrinkwrap.

Paperback. Size: 7.5" x 11", 75pp, 59 colour illustrations. Would be brand new except for discreet owner's blind-stamp and inked date.

Condition: acceptable.

paperback. Condition: As New. In shrinkwrap.

Soft cover. Condition: Very Good. 1st Edition. Softcover, 54 pgs. Some surface/edge wear to cover.

Paperback. Condition: Acceptable. May be missing pamphlets. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Trade Paperback. Condition: Fine. First Edition. A very good copy of the first edition paperback (slight wear to edges).

Paperback. Condition: As New. Softcover. Good binding and cover. Minor shelf wear. Small markings on front end page, else unmarked.

Paperback. Condition: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Paperback. Condition: Very Good+. No Dust Jacket. First Edition; First Printing. Very slight edge rubbing, light scuffing on rear cover.; 4to 11" - 13" tall; 60 pages.

Oversize Softcover. Condition: Very Good.

Soft cover. Condition: Very good. No jacket. Cover is rubbed with creasing and closed tears along spine. Binding is tight. White sticker on top left corner and discard stamp on bottom right corner of front endpaper. Inside is otherwise clean and unmarked.

hardcover. Condition: As New. First Edition. Virginia Museum of Fine Arts, 2022. Hard cover, first edition. Fine condition with no dust jacket, as issued.

First Edition. First edition. Oblong softcover. 45 pages. Exhibition catalog for a show that ran February 10 through May 16, 2004 at Palmer Museum of Art and then traveled for additional dates at two other locations. Text by the curator Leo G. Mazow and with an interview of Stephen Kaltenbach and Sandra Shannonhouse. Includes numerous color illustrations, checklist and selected bibliography. A clean very near fine copy in wrappers.…

Condition: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Softcover exhibition catalog, 46 pages, very good condition, no internal marks, clean and crisp.

paperback. Condition: Very Good. A very nice copy. Text in clean/unmarked condition. Cover has minor shelf rubbings. Binding is tight. Your Satisfaction Guaranteed. We ship daily.

Paperback. Condition: New. In Taxing Visions, Leo Mazow and Kevin Murphy explore taxes, rents, economic depression, and financial inequity as subject matter in several visually provocative paintings and works on paper. Although this period is often identified artistically with leisure-laden impressionist landscapes, flowing-with-abundance still-life paintings, and class-conscious "official" portraits, practitioners working in a variety of stylistic idioms reckoned with financial panics and occupational turmoil that marked the Reconstruction, Gilded Age, and early Progressive eras. These paintings, drawings, and prints demonstrate with sometimes startling clarity the experience of economic downturn, ultimately picking up where facts, figures, and the printed word leave off.Featured artists include William Michael Harnett, George Inness, Eastman Johnson, and James McNeill Whistler, as well as several lesser-known individuals, in part because their art "taxes" our sensibilities of socioeconomic propriety. Taxing Visions shows satire and protest playing out through a sizable body of work, with artists confronting recession and depression with equal parts reportage, invective, humor, and hope. This catalogue accompanies an exhibition of the same name organized by the Palmer Museum of Art at Penn State University and the Huntington Library and Art Collections in San Marino, California.…

Soft cover. Condition: Very Good. 80 page soft cover exhibition catalog of John Covert photographs, Foreword by Jan Keene Muhlert, essay by Michael R. Taylor, Plates/Commentaries by Leo Mazow, Chronology, Checklist, and Sources Cited. Exhibition was at the Palmer Museum of Art Pennsylvania State University Feb. 11 - Sept. 20, 2003 before moving to others museums. Unmarked, tight and clean.…

Condition: good. Signs of wear and consistent use.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Trade Paperback. Condition: Used - Good. This catalogue, which accompanied an exhibition of the same name at the Palmer Museum of Art, provides new insight into the significance of the sculpture of Robert Arneson (1930-1992), an internationally acclaimed artist and influential teacher. Through much of his career, Arneson concentrated on making ceramic sculptures either of himself or of commonplace objects from bricks to toasters and telephones. Arneson's sculptures of the stuff of everyday life, as Leo G. Mazow observes, challenge the practice of separating 'craft' from 'art' and, more generally, the practice of excluding everyday objects from the sphere of the museum. Mazow also discusses the sculptor's role in the formation of Pop art and his eerie foreshadowing of certain of the politically charged themes chosen by many recent artists. In addition to Mazow's critical essay, Arneson and the Object offers color reproductions of all the works in the 2004 exhibition at the Palmer Museum and the text of a hitherto unpublished interview with the sculptor's widow, Sandra Shannonhouse, and his student, Stephen Kaltenbach. Front cover has a small scuff at top edge and little tear at bottom corner. Otherwise book is in good shape. Pages are clean crisp and free of markings.…

paperback. Condition: Very Good. First Edition. Unread. No markings in book. Binding is fine. 45pp.

Paperback. Condition: VG-. Some smudging on covers. Oblong white wraps with silver lettering and color illustration. 45 pp. 30 color illustrations. Catalogue published for the exhibition at Pennsylvania State University February 10-May 16, 2004 and two other locations through November 2004.

Softbound. Color pictorial wraps with french flaps, [ix]74 pp, 59 illustrations, mostly color. From the publisher: In Taxing Visions, Leo Mazow and Kevin Murphy explore taxes, rents, economic depression, and financial inequity as subject matter in several visually provocative paintings and works on paper. Although this period is often identified artistically with leisure-laden impressionist landscapes, flowing-with-abundance still life paintings, and class-conscious official portraits, practitioners working in a variety of stylistic idioms reckoned with financial panics and occupational turmoil that marked the Reconstruction, Gilded Age, and early Progressive eras. These paintings, drawings, and prints demonstrate with sometimes startling clarity the experience of economic downturn, ultimately picking up where facts, figures, and the printed word leave off. Featured artists include William Michael Harnett, George Inness, Eastman Johnson, and James McNeill Whistler, as well as several lesser-known individuals. Taxing Visions shows satire and protest playing out through a sizable body of work, with artists confronting recession and depression with equal parts reportage, invective, humor, and hope. This catalogue accompanies an exhibition held in two locations September 2010 - May 2011. VG (May have few marks from previous gallery owner.).…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.