Lukas Nickel (57 results)

unknown_binding. Condition: Very Good.

Hardcover. Condition: Very Good. 1903973058. Royal Academy of Arts, bright clean copy, no markings,with dustjacket, Professional booksellers since 1981.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 175 pages : illustrations (some colour), map ; 31cm. Notes: Catalogue published on the occasion of the exhibition held at the Royal Academy of Arts, London, 26 April - 14 July, 2002. Bibliography: pages 166-171. Largely translated from the German.Largely translated from the German. Contents: Introduction / Albert Lutz -- Early Buddhist art in China / Helmut Brinker -- Longxing Temple in Qingzhou and the discovery of the sculpture hoard / Lukas Nickel -- The Qingzhou region : a centre of Buddhist art in the sixth century / Zhang Zong -- Sculpture of the northern Qi Dynasty and its stylistic models / Su Bai. Subjects: Gautama Buddha Art ; Exhibitions. Gautama Buddha. Gautama Buddha Art ; Exhibitions. Long xing si (Qingzhou, Shandong Sheng, China) ; Exhibitions. 1 Kg.…

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 175 pages : illustrations (some colour), map ; 31cm. Notes: Catalogue published on the occasion of the exhibition held at the Royal Academy of Arts, London, 26 April - 14 July, 2002. Bibliography: pages 166-171. Largely translated from the German.Largely translated from the German. Contents: Introduction / Albert Lutz -- Early Buddhist art in China / Helmut Brinker -- Longxing Temple in Qingzhou and the discovery of the sculpture hoard / Lukas Nickel -- The Qingzhou region : a centre of Buddhist art in the sixth century / Zhang Zong -- Sculpture of the northern Qi Dynasty and its stylistic models / Su Bai. Subjects: Gautama Buddha Art ; Exhibitions. Gautama Buddha. Gautama Buddha Art ; Exhibitions. Long xing si (Qingzhou, Shandong Sheng, China) ; Exhibitions. 1 Kg.…

Die Rückkehr des Buddha. Chinesische Skulpturen des 6. Jahrhunderts. Der Tempelfund von Qingzhou. Ausstellung des Museums für Ostasiatische Kunst, Staatliche Museen zu Berlin, Preussischer Kulturbesitz, im Rahmen des China-Festes, 3. Asien-Pazifik-Wochen ; Altes Museum, Staatliche Museen zu Berlin, 20. September - 18. November 2001 . Altes Museum, Staatliche Museen zu Berlin. Übers. aus dem Chines. Alexandra von Przychowski. Mit zahlreichen, meist farbigen Abbildungen. Hardcover (kein SU), sauberes frisches Exemplar. 236 S. ISBN 3907077016. …

Hardcover. Second printing of 2002 English edition. Black cloth boards with stamped lettering, black dj with color illustration. 172 pp. 33 color plates, 50 color figures, frontispiece and additional illustrations. Large, lovely pictures and fascinating text. In 1996 an extraordinary discovery of Buddhist stone sculptures was found in a pit in eastern China. The high quality of the sculptures, their large number and their deliberate burial raise many questions. Why should over 400 Buddhist figures, dating in the main to the sixth century, have been buried at some point in the twelfth century in a carefully constructed pit within the precincts of a temple situated in the eastern province of Shandong? A selection of the finest sculptures were brought to the United States for exhibit, after appearing in Berlin, Zurich, and London. VG/VG. May have light cover wear. May be inscribed by previous owner or have owner's sticker inside, otherwise clean and tight.…

236 Seiten. Mit Illustrationen. 4°, illustrierter Pappeinband. Einband gering berieben mit mit einigen leichten Kratzern. Sonst einwandfrei. Sprache: Deutsch.

Hard Cover. Condition: Fine. Dust Jacket Condition: Fine.

30,5 x 23,5 cm ; Pp. . Condition: Gut. 236 S. ; Großformatige Hardcoverausgabe, 236 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. hw1516 ISBN: 3907077016.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. 1. Edition.

Condition: Very Good. Excellent condition, basically as new.

Buch. Condition: Neu. Neuware -China, the country at the far end of Asia, occupied the European imagination throughout the 18th century, although only adventurous traders and intrepid missionaries had actually seen it for themselves. Tales about its long history, literary tradition, ethical values, social harmony and advanced economy stirred intellectual fascination, while a growing long-distance trade made porcelain, lacquer screens, paintings on silk and paper, and soapstone sculptures increasingly accessible. Rulers, nobility and clergy sought to associate themselves with the famed culture in the east by collecting artworks and adding Chinese-inspired rooms and buildings to their palaces and gardens. As patrons in England, Spain, France, the German and Italian states and the Habsburg empire shaped varying perceptions and connected diverse ideas with chinoiserie, this book investigates the phenomenon at courts across Europe. It is the result of a collaboration between the Institute of Art History of the University of Vienna and the Kulturstiftung Dessau-Wörlitz. 308 pp. Englisch. …

Buch. Condition: Neu. Neuware -China, the country at the far end of Asia, occupied the European imagination throughout the 18th century, although only adventurous traders and intrepid missionaries had actually seen it for themselves. Tales about its long history, literary tradition, ethical values, social harmony and advanced economy stirred intellectual fascination, while a growing long-distance trade made porcelain, lacquer screens, paintings on silk and paper, and soapstone sculptures increasingly accessible. Rulers, nobility and clergy sought to associate themselves with the famed culture in the east by collecting artworks and adding Chinese-inspired rooms and buildings to their palaces and gardens. As patrons in England, Spain, France, the German and Italian states and the Habsburg empire shaped varying perceptions and connected diverse ideas with chinoiserie, this book investigates the phenomenon at courts across Europe. It is the result of a collaboration between the Institute of Art History of the University of Vienna and the Kulturstiftung Dessau-Wörlitz. 308 pp. Englisch. …

Hardcover. Condition: Brand New. 1. edition edition. 308 pages. 7.48x1.10x10.43 inches. In Stock.

Hardcover. Condition: Gut. 30,5 x 23,5 cm 236 S. Hardcover. Ill. Zustand: Sehr Gut, eher ungelesen (Innen); Außenecken u. sind min. bestoßen; Einband (Außen) hat min. Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Pappeinband. Condition: Gut. 236 S. Guter Zustand. Einband mit sehr leichten Gebrauchsspuren. Seiten sauber. Sprache: Deutsch Gewicht in Gramm: 1420.

Buch. Condition: Neu. Neuware -China, the country at the far end of Asia, occupied the European imagination throughout the 18th century, although only adventurous traders and intrepid missionaries had actually seen it for themselves. Tales about its long history, literary tradition, ethical values, social harmony and advanced economy stirred intellectual fascination, while a growing long-distance trade made porcelain, lacquer screens, paintings on silk and paper, and soapstone sculptures increasingly accessible. Rulers, nobility and clergy sought to associate themselves with the famed culture in the east by collecting artworks and adding Chinese-inspired rooms and buildings to their palaces and gardens. As patrons in England, Spain, France, the German and Italian states and the Habsburg empire shaped varying perceptions and connected diverse ideas with chinoiserie, this book investigates the phenomenon at courts across Europe. It is the result of a collaboration between the Institute of Art History of the University of Vienna and the Kulturstiftung Dessau-Wörlitz. …

Condition: New.

Paperback. Condition: New. 1.

Hardcover. Condition: Very good. Dust Jacket Condition: very good. Cloth/dust jacket Quarto. black cloth, gilt lettering, dust jacket, 175 pp Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Hardcover / Pappeinband. Condition: Neu. Auflage aus dem Buch nicht ersichtlich. 236 Seiten Das Buch wurde regulär im Buchhandel gekauft, aber nie gelesen. Es wurde nicht mal aus der Einschweißfolie ausgepackt. Am Buch keine Schäden erkennbar, top Zustand. Da das Buch noch eingeschweißt ist, kann ich keine Garantie auf Ausgabejahr, Auflage, Seitenzahl machen. Hin und wieder ist nicht mal der Verlag erkennbar. Bitte auf das eingestellte Foto schauen, es ist UNSER Buch! Rik122909 Sprache: Deutsch Gewicht in Gramm: 1700.…

Paperback. Condition: New. Erstauflage.

dj. First Edition. First edition. Hardcover. 47 pages. Exhibition catalog for a show that ran October 31 through November 22, 2013. Features text in English and Chinese with a foreword by Giuseppe Eskenazi and an essay by Lukas Nickel. Includes numerous color illustrations. A fine copy in green cloth boards and in a fine dust jacket.…

Royal Academy of Arts, 2001. Hardback, d/j, 4to, 175pp, illust. A good copy. 1903973031.

Condition: New.

Condition: Gebraucht / Used. 2001. Hardcover. Fine state. 236pp. Illustr.

Condition: Near Fine. English-language edition (hardback). 4to (30cm by 23cm), 236pp. Text illustrations. Original laminated boards. Light rubbing of the boards, else this book is in very good condition. ISBN 3907077040.

236 S. Hardcover. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Einband leicht berieben. Mit Lesebändchen. Sehr gut erhalten. Sprache: deu.

Buch. Condition: Neu. Neuware - China, the country at the far end of Asia, occupied the European imagination throughout the 18th century, although only adventurous traders and intrepid missionaries had actually seen it for themselves. Tales about its long history, literary tradition, ethical values, social harmony and advanced economy stirred intellectual fascination, while a growing long-distance trade made porcelain, lacquer screens, paintings on silk and paper, and soapstone sculptures increasingly accessible. Rulers, nobility and clergy sought to associate themselves with the famed culture in the east by collecting artworks and adding Chinese-inspired rooms and buildings to their palaces and gardens. As patrons in England, Spain, France, the German and Italian states and the Habsburg empire shaped varying perceptions and connected diverse ideas with chinoiserie, this book investigates the phenomenon at courts across Europe. It is the result of a collaboration between the Institute of Art History of the University of Vienna and the Kulturstiftung Dessau-Wörlitz. …