Landau Dr David (20 results)

Condition: New.

Condition: New.

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

Soft cover. Condition: Very Good. Nice copy with just minor wear. Pages of text are clean, bright and free of markings. Binding is tight and secure. ***Shipped within 24 hours from the beautiful Baltimore inner harbor area. First class service; accurate descriptions. Most items packed in boxes, not envelopes.***.…

Condition: New.

Condition: New.

Condition: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

Soft cover. Condition: Good. No Jacket. Wrappers Rubbed.

Softcover. Condition: Fine. First Edition. 4to. 448 pages. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly. P12.

paperback. Condition: Very Good. Front cover is slightly bowed due to storage. Pages are unmarked. Binding is tight. No crease in spine. Ships quickly. Mild shelf/reading wear. Orphans Treasure Box sells books to raise money for orphans and vulnerable kids.

Condition: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

softcover. Condition: near fine. First edition. Quarto. 28cm x 23cm. 433pp.

Condition: Fair. Please note: below is a general description of how we classify our condition types. If you would like a closer look or have any specific questions, please feel free to send us a message, and we will gladly check it for you. Condition descriptions: UsedlikeNew: Barely any signs of use, almost like new. UsedGood: May show some light signs of use, such as slight discoloration or a name written on the front endpaper, but generally no markings or notes in the text. UsedAcceptable: Book in acceptable condition. May show signs of use, such as some discoloration, reading creases in the spine, underlining, notes, slight dirt on edges, dog-eared pages, or a bent spine. New: Book is new. ZB 21-11 221024.…

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Soft cover. Condition: Good. Oversized soft cover book (433 pages)illustrated with numerous black and white and color photographs/reproductions. Cover show moderate rubbign/scuffing with tips creased. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-BS-9-Bottom-R) rareviewbooks.…

Hardcover. Black cloth with gilt lettering, black glossy, color-illustrated dustjacket. xii, 433 pp., 383 illustrations, including about 40 in color. Never before has the Renaissance fine print received the type of multifaceted scrutiny elaborated in this superb synthesis. While focusing on the great prints and printmakers of Italy and Germany, the authors have articulated a consideration that rigorously evokes the various graphic techniques, their stylistic qualities and visual ramifications, and the aesthetic and theoretical context in which the prints were produced. Not only is the proximate setting of the prints' production convincingly educed, but the societal milieu of their dissemination, acquisition, and appreciation are also cogently reconstructed. All this is set within an overview that encompasses the rise, efflorescence, and decline of this new artistic medium. This is a work so rich in information, observation, and insight that no collection seriously concerned with the history of the graphic arts of Renaissance culture may dispense with it. -- Library Journal. Robert Cahn, Fashion Inst. of Technology, New York. Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public. Printmaking matured in western Europe between 1470 and 1550, when the great generation of artists and printmakers brought international recognition to print as an art form. This book examines the technical and aesthetic experimentation that went into printmaking, workshop practices, and the material and social contexts of print production, and it gives the fullest account ever written of the ways in which Renaissance prints were produced, distributed, and acquired. David Landau and Peter W. Parshall pose a range of practical questions about the production of prints. They investigate, for example, what materials were used, how they were acquired, and how a Renaissance printmaker's workshop operated. They explore the evidence that individual prints were beginning to be esteemed as works of art rather than as inexpensive substitutes for them, and the relationship between prints made to be collected and those of a more ephemeral nature intended for a wider audience. They discuss how prints were valued during the period, including the relative value of woodcuts to engravings, and engravings to etchings. And they investigate how prints evolved in relation to the pictorial arts of the Renaissance generally. Examining documentary evidence and many individual prints, Landau and Parshall provide an integrated view of the Renaissance print as a social and artistic enterprise and reevaluate the achievements of the most influential phase in the history of European printmaking. -- Publisher's website. Contents include: Framing the Renaissance print -- Craft guilds, workshops, and supplies -- How prints became works of art: the first generation -- From collaboration to reproduction in Italy -- The cultivation of the woodcut in the North -- Artistic experiment and the collector's print -- Epilogue. Good+/Good+ (ex-library with labels and stamps on dj spine, block, inside front and rear covers and title page verso. Bottom right of pages are bent, curled. Pages are otherwise clean.).…

hardcover. Condition: new.

Hardcover. Condition: Like New. Like New. Dark blue hardback with gilt lettered spine: firm and square, strong joints, no bumps. Complete with original dustjacket: showing well, no tears, no chips. Contents crisp, tight and clean; no pen-marks. Not from a library so no such stamps or labels. Looks and feels unread. Size: 290mm x 250mm. Pages: xxii, 443. Fully indexed and well illustrated. Thus a nearly new copy.…

Softcover. Condition: Near fine. Examining documentary evidence and many individual prints, Landau, editor of Print Quarterly and Parshall, professor of art history, provide an integrated view of the Renaissance print as a social and artistic enterprise and reevaluate the achievements of the most influential phase in the history of European printmaking. Small traces of wear particularly to the corners. Pages are clean. book.…

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.