L Venturi (132 results)

paperback. Condition: Good. Published by Casa Italiana of Columbia University. Posted within 1 working day. Royal Mail Tracked 24 to UK. Tracked Airmail worldwide. Robust recyclable packaging. Picture is the actual item.

Presumed first edition (no direct statement provided). x, 277 pages. Hardcover: H 30.5cm x L 23cm. Dust jacket lightly rubbed; slight bumping at flap fold ends with small surface scuff near heel of rear flap fold. Black cloth with blur and yellow stamping to front board and spine. Interior pages are bright and clean. Binding remains fairly crisp. A fine copy in a near fine dust jacket. Features 270 color plates and 184 b/w reproductions. Published as the accompanying catalog for an exhibition opening at the Philadelphia Museum of Art from June 10 to August 5, 2001 and thereafter touring to the Museum of Contemporary Art, San Diego from June 2 to September 8, 2002 and to the Heinz Architectural Center, Carnegie Museum of Art, Pittsburgh from November 7, 2002 to February 3, 2003. ****** Please note that this large book has an approximate shipping weight of 4.75 pounds (2.15 kg) and may require additional postage for any postal class other than domestic Media Mail. ISBN 0300089953.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. Dust Jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:

Condition: Fair. Publication date unknown. .This book has hardback covers. Ex-library, With usual stamps and markings, In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0852290799.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1650grams, ISBN:

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2300grams, ISBN:

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In poor condition, suitable as a reading copy. Dust jacket in poor condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1500grams, ISBN:

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1950grams, ISBN:

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2800grams, ISBN:

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2650grams, ISBN:

10327 VENTURI L. 1950 PAINTING AND PAINTERS. HOW TO LOOK AT A PICTURE FROM GIOTTO TO CHAGALL. 250PP. ILLUSTRATED. HARD COVER WITH A TORN DUST JACKET OTHERWISE IN VERY GOOD CONDITON. (BS-169).

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2600grams, ISBN:

Hardcover square imperial octavo (near fine); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.

HARD BACK PURPLE. Condition: VERY GOOD. JACKET: GOOD DJ. Book Condition: Very good, very light shelf wear, good binding, clean body and unmarked text. Dust Jacket Condition: Good, general shelf wear, lightly rubbed cover, rubbed extremities, few creases in corners. Architectural historian George E. Thomas purchased the papers of the early twentieth century Philadelphia-based architect William L. Price at auction in 1968 intending only to give them a safe home. A visit to Traymore, on of Price's grand hotels in Atlantic City, NJ, in 1971, a year before it was demolished, led to look into Price's work more closely. His conclusion, presented in "William L. Price: Arts and Craft to Modern Design" (April 25; $60.00; 362 pp; black & white photos, drawings and color plates throughout), is that Price is indeed, as architect George Howe once put forth, of the three pioneers of American architecture, along with Louis Sullivan and Frank Lloyd Wright. "William L. Price" is the first book devoted to this forgotten hero of American architecture and design, documenting the architect's complete works, including over 350 hotels, houses, and pieces of furniture. In many ways, Price, a disciple of Frank Furness who practiced in Philadelphia from 1883 to 1916, was the Eastern counterpart to Frank Lloyd Wright. And after 1909 (when Wright was exiled to Europe) Price was the best-known modern American architect. In the early twentieth century, Price's buildings spanned the eastern half of the nation, from Atlantic City to Chicago and Newport to Florida. His firm established the architectural character of two of the nation's great resorts. Atlantic City and Miami, and his architecture served as the basis for much of the Art Deco style in America ten years before the 1926 French exhibit that gave it that name. The career of William Price offers the opportunity to revisit architecture in the progressive center of the United States in the early twentieth century. Price took the lessons of Frank Furness about making an architecture of the contemporary world that applies them to the twentieth century and its technology, making the leap from Arts and Crafts to Modern Design. Although all of Price's major buildings have been demolished, including the Art Deco Traymore Hotel and the Chicago Freight Terminal, his Arts and Crafts utopian community in Rose Valley, Pennsylvania, and his Garden City community in Arden, Deleware, survive to attest to the vigor of his ideas and the leadership he exerted. Price left a legacy of exquisite houses, railroad stations, and commercial structures that were wildly emulated and recall the best works of Frank Lloyd Wright and Greene & Greene. In addition, Price was an accomplished writer and furniture designer whose work was regularly featured in Gustav Stickley's "The Craftsman." Price's role in shaping American architecture is uncovered in this lavishly illustrated volume, bringing to light this unknown American master. George E. Thomas teaches urban studies and historic preservation at the University of Pennsylvania. He is one of the authors of Frank Furness: The Complete Works also published by Princeton Architectural Press. DATE PUBLISHED: 2000 EDITION: 362.

HARD BACK PURPLE. Condition: GOOD+. JACKET: GOOD DJ. like new, unmarked, clean text and Dj, tight binding, minor creasing at head of spine Architectural historian George E. Thomas purchased the papers of the early twentieth century Philadelphia-based architect William L. Price at auction in 1968 intending only to give them a safe home. A visit to Traymore, on of Price's grand hotels in Atlantic City, NJ, in 1971, a year before it was demolished, led to look into Price's work more closely. His conclusion, presented in "William L. Price: Arts and Craft to Modern Design" (April 25; $60.00; 362 pp; black & white photos, drawings and color plates throughout), is that Price is indeed, as architect George Howe once put forth, of the three pioneers of American architecture, along with Louis Sullivan and Frank Lloyd Wright. "William L. Price" is the first book devoted to this forgotten hero of American architecture and design, documenting the architect's complete works, including over 350 hotels, houses, and pieces of furniture. In many ways, Price, a disciple of Frank Furness who practiced in Philadelphia from 1883 to 1916, was the Eastern counterpart to Frank Lloyd Wright. And after 1909 (when Wright was exiled to Europe) Price was the best-known modern American architect. In the early twentieth century, Price's buildings spanned the eastern half of the nation, from Atlantic City to Chicago and Newport to Florida. His firm established the architectural character of two of the nation's great resorts. Atlantic City and Miami, and his architecture served as the basis for much of the Art Deco style in America ten years before the 1926 French exhibit that gave it that name. The career of William Price offers the opportunity to revisit architecture in the progressive center of the United States in the early twentieth century. Price took the lessons of Frank Furness about making an architecture of the contemporary world that applies them to the twentieth century and its technology, making the leap from Arts and Crafts to Modern Design. Although all of Price's major buildings have been demolished, including the Art Deco Traymore Hotel and the Chicago Freight Terminal, his Arts and Crafts utopian community in Rose Valley, Pennsylvania, and his Garden City community in Arden, Deleware, survive to attest to the vigor of his ideas and the leadership he exerted. Price left a legacy of exquisite houses, railroad stations, and commercial structures that were wildly emulated and recall the best works of Frank Lloyd Wright and Greene & Greene. In addition, Price was an accomplished writer and furniture designer whose work was regularly featured in Gustav Stickley's "The Craftsman." Price's role in shaping American architecture is uncovered in this lavishly illustrated volume, bringing to light this unknown American master. George E. Thomas teaches urban studies and historic preservation at the University of Pennsylvania. He is one of the authors of Frank Furness: The Complete Works also published by Princeton Architectural Press. DATE PUBLISHED: 2000 EDITION: 362.

Condition: NEW.

HARD BACK PURPLE. Condition: GOOD. JACKET: GOOD DJ. small 2inch tear at head of spine, unmarked, clean text and Dj, tight binding Architectural historian George E. Thomas purchased the papers of the early twentieth century Philadelphia-based architect William L. Price at auction in 1968 intending only to give them a safe home. A visit to Traymore, on of Price's grand hotels in Atlantic City, NJ, in 1971, a year before it was demolished, led to look into Price's work more closely. His conclusion, presented in "William L. Price: Arts and Craft to Modern Design" (April 25; $60.00; 362 pp; black & white photos, drawings and color plates throughout), is that Price is indeed, as architect George Howe once put forth, of the three pioneers of American architecture, along with Louis Sullivan and Frank Lloyd Wright. "William L. Price" is the first book devoted to this forgotten hero of American architecture and design, documenting the architect's complete works, including over 350 hotels, houses, and pieces of furniture. In many ways, Price, a disciple of Frank Furness who practiced in Philadelphia from 1883 to 1916, was the Eastern counterpart to Frank Lloyd Wright. And after 1909 (when Wright was exiled to Europe) Price was the best-known modern American architect. In the early twentieth century, Price's buildings spanned the eastern half of the nation, from Atlantic City to Chicago and Newport to Florida. His firm established the architectural character of two of the nation's great resorts. Atlantic City and Miami, and his architecture served as the basis for much of the Art Deco style in America ten years before the 1926 French exhibit that gave it that name. The career of William Price offers the opportunity to revisit architecture in the progressive center of the United States in the early twentieth century. Price took the lessons of Frank Furness about making an architecture of the contemporary world that applies them to the twentieth century and its technology, making the leap from Arts and Crafts to Modern Design. Although all of Price's major buildings have been demolished, including the Art Deco Traymore Hotel and the Chicago Freight Terminal, his Arts and Crafts utopian community in Rose Valley, Pennsylvania, and his Garden City community in Arden, Deleware, survive to attest to the vigor of his ideas and the leadership he exerted. Price left a legacy of exquisite houses, railroad stations, and commercial structures that were wildly emulated and recall the best works of Frank Lloyd Wright and Greene & Greene. In addition, Price was an accomplished writer and furniture designer whose work was regularly featured in Gustav Stickley's "The Craftsman." Price's role in shaping American architecture is uncovered in this lavishly illustrated volume, bringing to light this unknown American master. George E. Thomas teaches urban studies and historic preservation at the University of Pennsylvania. He is one of the authors of Frank Furness: The Complete Works also published by Princeton Architectural Press. DATE PUBLISHED: 2000 EDITION: 362.

Condition: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

2 vols, laminated wrappers, 4to, 119 + 150 pp, plates (some colour) , ills. Near Very Good in slightly used slipcase.

12233 VENTURI L. 1946 PAINTING AND PAINTERS. HOW LOOK AT A PICTURE FROM GIOTTO TO CHAGALL. 250PP. ILLUSTRATED. HARD COVER NO DUST JACKET. VERY GOOD CONDITION. (BS-343).

HARD BACK PURPLE. Condition: GOOD+. JACKET: GOOD DJ. like new, unmarked, clean text and Dj, tight binding, minor creasing at head of spine, lightly rubbed cover. DATE PUBLISHED: 2000 EDITION: 362.

Hardcover. Condition: Good. no dw former owner's name inside,25 text page sin erman, 101 plaes, the black and white plates being integral and the colour attached seaparately to the card. further postage may be required for this heavy book. In German.