Kroesen J E A (12 results)

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condition: Gebraucht / Used. 452pp, paperback, geplastificeert.

paperback. Condition: New. 1st.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9789052945286.

Paperback. Condition: Brand New. illustrated edition. 354 pages. 6.00x9.25x0.50 inches. In Stock.

hardcover. Condition: New. 1st.

Condition: New. 2017. Hardcover. . . . . .

paperback. Condition: Very Good. Very Good .Ships From Multiple Locations. book.

Condition: New. 2017. Hardcover. . . . . . Books ship from the US and Ireland.

Paperback. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condition: New. Studies in the Visual Cultures of the Middle Ages; The articles collected in this volume discuss the rise and spread of the altarpiece, or retable, as the standard altar decoration across Europe during the thirteenth and fourteenth centuries. Historians of art and liturgy have addressed such issues as the relations with other types of altar furnishings, regional variants, and their architectural, liturgical and socio-political context. The papers grew out of a symposium held at the University of Groningen (The Netherlands) in June, 2006, in which fourteen scholars from eight different countries participated. The period under scrutiny, c. 1150-c. 1400, has hitherto received only limited scholarly attention. It starts when the altarpiece was well-established and ends with the great regional diversification of object types (such as the polyptych in Italy and the winged altarpiece in northern and central Europe). In surn, the altar decorations studied here are characterized by a relative uniformity stretching across media and regions, which enables comparisons to be made. The objects studied can be found in such diverse locations as Iceland, Sweden, Denmark, Germany, England, the Low Countries, central France, Catalonia, Mallorca, northern and central Italy, and Cyprus. This pan-European scope reveals connections that for many have always gone unnoticed, and contributes to a new perspective on European art that transcends modern national boundaries. The volume is illustrated with a wealth of plates and figures.…

Hardcover, 430 pagina's (illustr.).