Published by Chicago, 1923
Seller: Wissenschaftliches Antiquariat Köln Dr. Sebastian Peters UG, Köln, Germany
Broschiert. Condition: gut. IV, 98 S., 25 cm, Bibliotheksexemplar, Heftung leicht rostig. Sprache: Englisch.
Published by Asociación Amigos de ARCO Madrid, Spain, 2006
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
227 pp.; 31.9 x 23.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Catalogue for the 25th anniversary of ARCO, Madrid's International Contemporary Art Fair, held February 7 - 12, 2006. Sections and contents include: "I. 25 Years," texts by Juan Antonio Ramírez, Fernando Golvano, José Luis Brea, and Amparo Lozano with an interview with Lourdes Fernández by Juan Antonio Álvarez Reyes; "II. The Fair;" "II. 1 General Programme," text by Juan Antonio Álvarez Reyes; "II. 2 Curated Programmes," texts by Marcus Neustetter, Christa Sommerer, Dan Cameron, Óscar Alonso Molina, Gunalan Nadarajan, Roberta Bosco, Juan Vicente Aliaga, Ramón Tío, Montse Badía, Luis Camnitzer, Peio Aguirre, Beatriz Herráez, and Beral Madra; "II. 3 Topics," texts by Ken Lum, Fernando Castro Flórez, Simon Njami, Delfim Sardo, Shaheen Merali, Tania Pardo, Omar Lopez-Chahoud, Rubén Hernández, Miguel Cereceda, Ekaterina Degot, Sunjung Kim; "II. 4 Media," texts by Steven Bode, Alberto Martín, Ramón Esparza, Thomas Lawson, David Barro; "III. Collecting," includes an interview with Karlheinz Essl by Hermann Nitsch, interview with Francisco Serrano and Santiago Muñoz Bastide by Mariano Navarro, interview with Mario Rotllant, Pepe Font de Mora and Lola Garrido by Rosario Fontova, interview with Uli Sigg by Marc Spiegler, and an interview with Ingvild and Stephan Goetz by Birgit Sonna; "IV. International Contemporary Art Experts Forum," texts by David Armengol, Mariano Mayer, Kamen Nedev, Wendy Navarro, Javier Toscano, Clara Acuña Garcia, Irene Porras, Rodrigo García Olza, Clara Aparicio Yoldi, and Javier Fuentes Feo; "V. Spatial Project," texts by Key Portilla Kawamura, Fernando Quesada, and ammeba; "VI. Homage to Joan Hernández Pijuan," texts by Mariano Navarro, Martí Perán, and Teresa Blanch; "VII. Madrid, Art in February," texts by Laura Revuelta, Javier Hontoria, Sergio Rubira, Alicia Murría, Elena Vozmediano, and Javier Montes; "VIII. Talking Presences," interview with Alfred Pacquement by Dorothée Dupuis, interview with Hans-Ulrich Obrist by Sophia K. Acord; interview with Okwui Enwezor by Neus Miró, and interview with Roger Conover by Roger Conover and "IX.Social Programme," interview with Darío Barrio by Álvaro Temes. Good. Dust soiling of covers, bumping of corners, and rubbing of cover edges. Light bumping of edge of pages 1-49. Contents otherwise clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.
paperback. Condition: New. In shrink wrap. Looks like an interesting title!
Diss. Chicago 1923. 98 pages. Softcover. Stamped.[#108883].
Language: English
Publication Date: 2025
Seller: S N Books World, Delhi, India
LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 112. A perfect gift for your loved ones. Reprinted from 1923 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 112.
Publication Date: 2025
Seller: True World of Books, Delhi, India
LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1913 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 10 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.
Published by Royal College of Art Printmakers., 1973
Seller: Dennys, Sanders & Greene, Tunbridge Wells, KENT, United Kingdom
Association Member: PBFA
First Edition Signed
No Binding. Condition: Fine. 1st Edition. Ltd edition of 100. 25 loose card, full page, illustrations. Each signed by the 25 artists in pencil or ink etc. A little smudged but otherwise fine. All kept in a transparent plastic lidded box, which still has old cellotape marks to either edge. Acquired from Maude Lloyd, an admired leading dancer with Ballet Rambert in the 1930s. With her husband, Nigel Gosling a renowned art critic, she later wrote, influential dance books and reviews under the joint pseudonym, 'Alexander Bland'. When Rudolph Nureyev defected in 1961, Margot Fonteyn asked them to befriend him which they gladly did offering him freedom of their house. Gosling edited his autobiography. Nureyev wrote an admiring memoir of him in Observer of the Dance anthologising Goslings reviews, "He and Maude were like my family.". Signed by Author(s).