Kass Emily (22 results)

softcover. Condition: Collectible; Very Good. First Edition; First Printing. Numerous full page plates, mostly in color. With essays by Klaus Kertess, Emily Kass and Angela Fritz. Published on the occasion of the exhibition at the Fort Wayne Museum of Art, February 27 - April 18, 1993, and at the Arkansas Art Center, May 20 - July 4, 1993. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. Almost Like New.…

Soft cover. Condition: Very Good. Softcover, 63 pgs. Essays, color illus. Light corner wear to spine ends.

Paperback. Condition: New.

Paperback. Condition: New.

Condition: New.

Paperback. Condition: New.

Soft cover. Condition: Very Good+. First Edition. First Edition. Exhibition Catalogue. VG+. Softcover, pictorial stiff wraps, 64 pp, 22 color and a few b&w illustrations, light edgewear with slight soiling to covers, else a clean and crisp copy.

Soft cover. Condition: Very Good. No Jacket. 49 pp. with full-colour illustrations. Catalogue of an exhibition from May 22 to August 29, 2010 at the Ackland Art Museum, the University of North Carolina at Chapel Hill. Usual ex-library markings. Light edgewear. "Museums are the sum total of successive generations of visionary leaders and generous donors. Each director leaves his or her mark on the institution and then hopes that future generations will look kindly on the record. But rarely will a former director care so deeply for an institution that they continue to support the museum and the directors who follow. Charlie Millard is such a person. Brilliant, elegant, and entirely too modest, Charlie has had a museum career that led him from graduate studies at Harvard University to the Los Angeles County Museum of Art and the Hirschhorn Museum and Sculpture Garden. It was the Ackland Art Museum's good fortune the Charlie came to direct the museum in 1986 … [After his retirement] Charlie did what he loves the best: he looked at a great deal of art, brought all of his judgement and experience to bear, and acquired important works for the museum. … hardly a month would pass without a call from Charlie to let us know that new works were being shipped to the museum. Charlie intimately knows this collection - our strengths and our gaps - but he also has his own very particular tastes and interests. Because of this rare combination, each of the works enriches and adds an important aspect to the permanent collection and reflects the singular vision of this donor." - Emily Kass.…

White Wrappers. Condition: Near Fine. 63 pp., 33 illustrations in color. Light soiling to the white covers, otherwise fine. Published on the occasion of the exhibition from the Fort Wayne Museum of Art, Fort Wayne IN February 27-April 18, 1993 and the Arkansas Art Center, Little Rock AR May 20-July 24, 1993.…

Condition: very_good. Used - Very Good: Item may have minor cosmetic defects.

Paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Softcover. Purple stapled wraps; 35 pp.; 68 bw plates. From an exhibition held at the Fort Wayne Museum of Art, May 13 - July 16, 1989. Good; Library sticker on front cover, minor wear to cover and pages.

Paperback. Condition: New.

Paperback. Condition: New.

Paperback. Condition: New.

Condition: New. Print on Demand.

Hardcover. Condition: New. Thornton Dial (b. 1928), one of the most important artists in the American South, came to prominence in the late 1980s and was celebrated internationally for his large construction pieces and mixed-media paintings. It was only later, in response to a reviewer's negative comment on his artistic ability, that he began to work on paper. And it was not until recently that these drawings have received the acclaim they deserve. This volume, edited by Bernard L. Herman, offers the first sustained critical attention to Dial's works on paper. Concentrating on Dial's early drawings, the contributors examine Dial's use of line and color and his recurrent themes of love, lust, and faith. They also discuss the artist's sense of place and history, relate his drawings to his larger works, and explore how his drawing has evolved since its emergence in the early 1990s. Together, the essays investigate questions of creativity and commentary in the work of African American artists and contextualize Dial's works on paper in the body of American art. The contributors are Cara Zimmerman, Bernard Herman, Glenn Hinson, Juan Logan, and Colin Rhodes.…

Paperback. Condition: New. T-Nolla; Noll, Anna; Kass, Emily; Blume, Sharon; et al Collection Selections.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condition: New. PRINT ON DEMAND.