Karkoschka Erhard (38 results)

Condition: Good. Small oblong folio. [ii], 4 pp. "The Hörheft stands somewhere between a score and an introductory exegesis of the work. It clears the path from the work to the listener." - Introduction Reproduction of the composer's manuscript. Introduction in German. Graphic notation. Somewhat worn and unevenly browned.…

Eigenhändiger Kurzbrief mit Unterschrift, 4 Zeilen in roter Tinte, unter Fanbrief, 1 S. 8° (auch vorhanden : E.NOTENMANUSKRIPT (1 S. gr. folio quer) mit eigh. Bezeichnung "allererste Skizzen zum Orchesterstück" Sommer 1982, Unterschrift signiert BEILAGE : Kurzbiografie Euro 75,-) (auch vorhanden : Großer Notendruck (1 S. A3-Format, Mittelfalte) mit eigenhändiger Bezeichnung, Unterschrift am Kopf signiert - aus DOCH FÜLLE ZWEI UND WERDE VIER (1982) BEILAGE : Original-Briefumschlag dazu Euro 60,-). …

4° Mit 1 montierten Porträt, zahlreichen Notenbeispielen und 15 Tafeln auf 10 gefalteten Beilagen. 119 S. Original-Kartoniert. - Gut erhaltenes Exemplar.

Hardcover. Condition: Very Good. No Dust Jacket. Rare : out-of-print. This book is in very good condition; no remainder marks. Missing dustjacket : It does have some cover shelfwear. Name inscription to fly leaf. Inside pages are clean. ; 0 pages. 89 B/w Illustrations (musical Examples) (illustrator). …

ca. 29 x 21 cm, Broschiert. Condition: Gut. Musiknoten, Musikalien, Violine, Violincello, Geige Noten, Liederbücher, Gesangbücher 15 S. Notenheft / Musikalien / Musiknoten für Violine; Bosse Edition Regensburg BE 339; gut erhalten An staatliche Organisationen und Einrichtungen, auch an Bibliotheken, versenden wir im Inland gern auf Rechnung. Sprache: Deutsch Gewicht in Gramm: 105. …

Hardcover. Condition: Good. This book has heavy rubbing and some staining to the front and back cover, moderate wear along the edges, including peeling in some places, and wear and bumping at the corners, with some toning to the text block and the front and back endpapers, and an inscription from the former owner on the pre-title page. otherwise book is presentable, with clean pages and tight binding.…

DIN A4. Condition: New. Partitur 10 S. Format: DIN A4. Besetzung: 3 Blfl (1 Blfl, Tonband) .

DIN A4. Condition: New. Partitur 120 S. Format: DIN A4. Besetzung: Blfl Quartett, Perc .

Softcover. Condition: Good. 3rd Edition. Paperback, numerous illustrations in b/w, 3 loose tables in pocket in rear, 8vo.; Covers partially discoloured and slightly worn along edges and corners.

Softcover. Condition: Sehr gut. 19 (1) S.mit Abbildungen; illustr.Original-Klappenbroschur (Abb.e.Serigraphie von Thomas Lenk aus der Mappe Warschau v.1971); 4°. Sehr gutes Exemplar. Beiliegend :Thomas Lenk / Erhard Karkoschka Hommage an das Notenpapier 1979/86 (3 Bl. ausfaltbar).

Half cloth binding, 31 cm, 185 pp. Ills.: black and white illustrations. Including the 3 attachments. Cond.: goed / good.

DIN A4. Condition: New. Partitur 16 S. Format: DIN A4. Besetzung: Blfl f1 (im Wechsel mit c2, c1, f), Tonband .

DIN A5. Condition: New. Partitur 20 S. Format: DIN A5 .

4° (DIN A 4), 133 Seiten, 1976,48 (davon 2 farbige) Taf.OKt. in weiß-blauer O.-Kt.-Mappe (foliert; angeschmutzt, Text innen druckfrisch) Im Text sauberes elimin. Bibl.-Exemplar. 1 Blatt "Inhalt mit Stichwortverzeichnis", zahlr. Graphiken und Notenbeispiele, 1000 Gramm. - Erstausgabe. - Textbeiträge von J. Beurle (Ligeti), W. Hamm (Globokar), H. Kolter (Karkoschka), P. Nitsche (Kelemen), F. C. Reininghaus, W. Scheuer (Krenek), S. Silver (Webern), U. Süsse (Roque) u. a.…

18 S. (einseitig bedruckt). Umschlag. Sauberes unbenütztes Exemplar.

23,5 x 31 cm. Condition: New. Partitur 10 S. Format: 23,5 x 31 cm. Besetzung: Org .

DIN A4. Condition: New. Partitur 40 S. Format: DIN A4. Besetzung: Sax SATBar 4 Spielpartituren auf losen Blättern in Mappe.

Condition: New. für 3 Flötisten oder 1 Flötisten und Stereo-Tonträger .

DIN A4. Condition: New. Partitur 36 S. Format: DIN A4 .

DIN A4 quer. Condition: New. Partitur 24 S. Format: DIN A4 quer. Besetzung: Org .

4° (31 x 23,5 cm), XII, (1), 185 Seiten, 1966,Weißer illustr. OHLn. mit schwarzem Leinen-Rücken . 3 mehrfach gefaltete Tafeln, zahlr. Graphiken, Tabellen und Abb., 1050 Gramm. - Erstausgabe dieser wohl gründlichsten Darstellung zum Thema aus der Feder des namhaften Komponisten und Stuttgarter Kompositionslehrers [1923-2009]. - Sauberes Exemplar.…

23,5 x 31 cm. Condition: New. Partitur 18 S. Format: 23,5 x 31 cm. Besetzung: Org .

gr-8°. XII, 185 S. mit 2 Tabellen.

DIN A4. Condition: New. Partitur 32 S. Format: DIN A4. Besetzung: 2 Fl, Ob, Clt, Cor, Fg .

DIN A 4, 56 Seiten, 1981,Cremefarbener, farbig illustr. OKt Wie meist ohne die Musikcassette. , zahlr. Tabellen und Notenbeispiele, 200 Gramm. - Erstausgabe; sehr selten. - Ziel und Lehrmethoden zur neuen Musik werden entwickelt und an zwei Lehrgängen ausgeführt. - Druckfrisch.

4° (30 x 21 cm), 119 Seiten, 1967,Weißer OKt . zahlr. gefaltete Notentafeln in Deckeltasche1 montiertes Portr., , 600 Gramm. - Sehr seltene Festschrift zum 70. Geburtstag des in München geborenen, lange Zeit in Stuttgart lehrenden Komponisten und Orff-Schülers [1897-1985]. - Beiträge von H. Deppert, J. F. Doppelbauer, M. Gümbel, E. Karkoschka, G. Küntzel, W. Wöhler, R. Zillhardt. …

Hardcover. dj. First English Edition. Quarto, xii, 183 pages. In Very Good condition, with a Poor dust jacket. Volume in full black cloth binding with white titling to spine. Jacket is white with black decoration and lettering, wrapped in a new protective mylar sleeve. Jacket is missing sections, with large open tears and creasing along the top and bottom edges. Faint smudging along edges and on jacket back cover. Boards are bowing slightly, with mild shelf wear and light bumping to fore corners. Text block is lightly age toned and faintly foxed along edges. Interior clean. Shelved in Room A Oversized. 1410883. Special Collections - Upstairs. …

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. First Edition. First printing. 4to. 183 pp. Black cloth. Very Good in Good dust jacket. Small spot of wear to cloth at lower corners. Jacket chipped and torn with some toning to extremities. Small spot of acidification to front free endpaper where price sticker was removed. Translated from the German by Ruth Koenig.…

First edition. Association copy, inscribed by Ligeti to Carl Dahlhaus, signed and dated in Berlin, 1973. Printed in 200 numbered copies, this copy has Dahlhaus' name written in Ligeti's hand instead of number. Text in German and English. Text with illustrations and reproduction of Ligeti's original notes and special scores for "Artikulation" on pp. 535. Wehinger's aural score is printed on different paper in colour on pp. 3755. A vinyl (by WERGO, WER 331; in 7", 33 ? RPM format) of "Artikulation" with instruction guide to use the aural score, housed in a folder at the inner part rear paste down. In publisher's black cloth, with orange title vignette on front panel. Oblong. Layout, book design and binding by Günther Stiller. 55, (1) p. First edition of the special aural score for Ligeti's "Artikulation" designed by Rainer Wehinger. Inscribed by Ligeti to Carl Dahlhaus (18281989) the German musicologist. Ligeti and Dahlhaus had a famous discussion on musical form, held at the Darmsädter Internationale Ferienkurse für Neue Musik in 1965. Ligeti composed "Artikulation" in 1958, this is one of only two electric pieces he composed before returning back to the instrumental medium. Ligeti provides this explanation for his music: "The piece is called Artikulation because in this sense an artificial language is articulated: question and answer, high and low voices, polyglot speaking and interruptions, impulsive outbreaks and humour, charring and whispering". Although the piece had an original score by Ligeti, twelve years after it was composed, Rainer Wehinger created this "Hörpartitur" or aural score, a more "user friendly" version. It focuses on the main sonic characteristics: uses a timeline measured in seconds; shapes and colours instead of notes on a staff; different colours represent variations in timbre and pitch, the dots are standing for impulses and combs for noise. György Ligeti (19232006) was a Hungarian (Transylvanian) born composer. Studied at the Music Academy of Cluj and Budapest. After his graduation he started to collect folk music in Romania and taught composing and counterpointing at the Liszt Academy of Music in Budapest. He left Hungary after the revolution in 1956, and started to work at the radio station in Cologne where he made acquaintance with Karlheinz Stockhausen who had a major influence on his art. In 1959 settled down in Vienna and became citizen in 1967. Taught at the Universities of Darmstadt, Stockholm, Stanford and Hamburg. Under the influence of Stockhausen started to compose music for electronic instruments, and these works, "Artikulation" and "Atmosphères", gave him reputation in the Western European music scene. Soon he gave up composing electronic music but his experiences with such instruments made and effect on his later compositions. . Front pastedown, half title and title creased. Overall both the book and the vinyl are in fine condition. In publisher's black cloth, with orange title vignette on front panel. Oblong. Layout, book design and binding by Günther Stiller First edition. Association copy, inscribed by Ligeti to Carl Dahlhaus, signed and dated in Berlin, 1973. Printed in 200 numbered copies, this copy has Dahlhaus' name written in Ligeti's hand instead of number. Text in German and English. Text with illustrations and reproduction of Ligeti's original notes and special scores for "Artikulation" on pp. 535. Wehinger's aural score is printed on different paper in colour on pp. 3755. A vinyl (by WERGO, WER 331; in 7", 33 ? RPM format) of "Artikulation" with instruction guide to use the aural score, housed in a folder at the inner part rear paste down.…

First edition. Printed in 200 numbered copies, this is unnumbered. Text in German and English. Text with illustrations and reproduction of Ligeti's original notes and special scores for "Artikulation" on pp. 535. Wehinger's aural score is printed on different paper in colour on pp. 3755. A vinyl (by WERGO, WER 331; in 7", 33 ? RPM format) of "Artikulation" with instruction guide to use the aural score, housed in a folder at the inner part rear paste down. In publisher's black cloth, with orange title vignette on front panel. Oblong. Layout, book design and binding by Günther Stiller. 55, (1) p. First edition of the special aural score for Ligeti's "Artikulation" designed by Rainer Wehinger. Ligeti composed "Artikulation" in 1958, this is one of only two electric pieces he composed before returning back to the instrumental medium. Ligeti provides this explanation for his music: "The piece is called Artikulation because in this sense an artificial language is articulated: question and answer, high and low voices, polyglot speaking and interruptions, impulsive outbreaks and humour, charring and whispering". Although the piece had an original score by Ligeti, twelve years after it was composed, Rainer Wehinger created this "Hörpartitur" or aural score, a more "user friendly" version. It focuses on the main sonic characteristics: uses a timeline measured in seconds; shapes and colours instead of notes on a staff; different colours represent variations in timbre and pitch, the dots are standing for impulses and combs for noise. György Ligeti (19232006) was a Hungarian (Transylvanian) born composer. Studied at the Music Academy of Cluj and Budapest. After his graduation he started to collect folk music in Romania and taught composing and counterpointing at the Liszt Academy of Music in Budapest. He left Hungary after the revolution in 1956, and started to work at the radio station in Cologne where he made acquaintance with Karlheinz Stockhausen who had a major influence on his art. In 1959 settled down in Vienna and became citizen in 1967. Taught at the Universities of Darmstadt, Stockholm, Stanford and Hamburg. Under the influence of Stockhausen started to compose music for electronic instruments, and these works, "Artikulation" and "Atmosphères", gave him reputation in the Western European music scene. Soon he gave up composing electronic music but his experiences with such instruments made and effect on his later compositions. . Front panel slightly sunned at edges. Overall a fine copy. In publisher's black cloth, with orange title vignette on front panel. Oblong. Layout, book design and binding by Günther Stiller First edition. Printed in 200 numbered copies, this is unnumbered. Text in German and English. Text with illustrations and reproduction of Ligeti's original notes and special scores for "Artikulation" on pp. 535. Wehinger's aural score is printed on different paper in colour on pp. 3755. A vinyl (by WERGO, WER 331; in 7", 33 ? RPM format) of "Artikulation" with instruction guide to use the aural score, housed in a folder at the inner part rear paste down.…