Julien Robson (23 results)

First Edition. First edition. Softcover. Exhibition catalog for a show that ran July 22 through September 23, 2006. Curated and essay by Meg Linton. Interview of Tanner by Julien Robson. Additional essay by Michael Darling. Includes numerous color images. A near fine copy in wrappers.

Soft cover. Condition: Fine. 1st Edition. Softcover, 48pp. Essays, full-page color plates. Catalog published on occasion of an exhibition held October 23, 2010 - September 17, 2011. Fine.

Wrappers. Condition: Near Fine. 148 pages. Paperback. Texts in English. Folded map of exhibition spaces laid in. Minimal shelfwear to the edges. Still a tight, sharp, clean condition copy, with an uncreased spine and unmarked interior. A deceptively modest publication that accomplished greatness in drawing attention to the varied artistic presentations happening in Philadelphia at the time. Book.…

Paperback. Condition: Very Good. Unmarked. Beautifully illustrated. Documentation for a project of the Speedball Art Museum. Artists include Nathan Fuchs, Franz Gertsch, Ik-Joong Kang, Bill Henson, Mark Wallinger, Gerhard Richter, Chris Cunningham, Berni Searle, and Alerie Fuchs. Speakers include Mary Jane Jacob, Sue Spaid, Alan Jones, Donald Preziosi, Margaret Olin, Julien Robson, and others. 218p. Measures 7x9 inches.…

Paperback. Condition: Fine. Qto.,26 pages, Illustrated with colour plates, text in both English and German.

Paperback. Condition: Very Good. Unpaginated, approx 20 pages. Illustrated with colour plates, text in both English and German.

Condition: Very Good. paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

paperback. Condition: fine. 217 pages. Tall 8vo, stiff white wrappers. (Louisville): Speed Art Museum, (2006). First Edition. Fine. An ambitious contemporary art project. The eight works of art in Presence will each be exhibited alone, in sequence, in the capsule. Presence will also encompass eight significant lectures, each addressing the concept of presence from a different direction. Artists included in the project are: Franz Gertsch, March 30 - May 2, 2004; Ik Joong Kang, May 18 - June 20, 2004; Bill Henson, July 6 - August 8, 2004; Mark Wallinger, August 24 - September 26, 2004; Gerhard Richter, October 12 - November 14, 2004; Chris Cunningham, November 30, 2004 - January 2, 2005; Berni Searle, January 18 - February 20, 2005; and Louisville artist Valerie Sullivan Fuchs, March 1 - April 10, 2005.…

Softcover/Paperback. Condition: Gut. 38 S. : Ill. Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 200.

SOFTCOVER. Condition: Fine. 1st Edition. Large 4to. in stiff card covers, unpaginated, approx. 32pp on thick art paper, colour plates, etc . [CONDITION: An extremely well preserved almost AS NEW copy (minute speck of shelf rub to bottom cover corner tips, hint of tanning to leaves) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Soft cover. Condition: Very Good. The eight works of art in Presence will each be exhibited alone, in sequence, in the capsule. Presence will also encompass eight significant lectures, each addressing the concept of presence from a different direction. At the conclusion of the project, these eight lectures will be edited into book form, together with the pamphlets and installation photographs of the works. Artists included in the project are: Franz Gertsch, March 30 - May 2, 2004; Ik Joong Kang, May 18 - June 20, 2004; Bill Henson, July 6 - August 8, 2004; Mark Wallinger, August 24 - September 26, 2004; Gerhard Richter, October 12 - November 14, 2004; Chris Cunningham, November 30, 2004 - January 2, 2005; Berni Searle, January 18 - February 20, 2005; and Louisville artist Valerie Sullivan Fuchs, March 1 - April 10, 2005.…

Paperback. Condition: Near Fine. 1st. 41 pages, illustrations (some colour); 24 cm. Cover title: Nekyia, Nacht seh Fahrt = Night see crossing. Text in English and German. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. *** Birgit Jurgenssen (1949-2003) was an Austrian photographer and painter. Size: 8vo. Collectible.…

SOFTCOVER. Condition: Fine. 1st Edition. 4to in stiff card covers, opaque end-papers, 24pp on stiff paper, colour plates, etc. Dual text in English and German . [CONDITION: A well preserved FINE very clean and tight unmarked copy (tiny slight crease to bottom corner tip of front cover) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Erste Auflage. 27 x 21 cm. 36 unpaginierte S. OKarton. Einband stellenweise mit kleinen Fleckchen und minimalen Randbereibungen. Sonst gutes bis sehr gutes Exemplar. Katalog zur Ausstellung Graz 1992 durchgehend mit ganzseitigen Abbildungen versehen.

[10] Bl. mit farb. Abb. Text deutsch u. englisch ; Sammelmappe mit leichten Gebrauchsspuren, innen sehr guter Zustand Sprache: Deutsch Gewicht in Gramm: 500 25 cm, lose Blätter in Karton-Sammelmappe.

Hardcover. Condition: Gut. 308 Seiten Der Schuber an einer Ecke etwas angeschmutzt, das Buch hervorragend erhalten 220 Sprache: Englisch Gewicht in Gramm: 1800.

hardcover. Condition: Very Good. Signed by Al Shands on title page. Signed by editor Julien Robson with a dedication and date mon final page of essay. Fine/near fine.

Condition: gut. 2014. Great Meadows: The Making of Here (Zeitgenössische Kunst) In deutscher Sprache. pages.

hardcover. Condition: Wie neu. 308 Seiten; 9783775737753.1 Gewicht in Gramm: 3.

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Paperback. Condition: New. Since the 1960s, Sidney Goodman has helped to maintain the vitality of American figurative art. Making the figure in the modern urban landscape his ongoing subject, Goodman collages images into compositions that are both clear and disquieting. Man in the Mirror documents the first major exhibition of Goodman's works on paper.…

Engl. Ausgabe. Mit zahlreichen farbigen Abbildungen und aufklappbaren Tafeln. 214 SS. Quart. Farbig illustr. Orig.-Halbleinen im Leinenschuber. Tadellos erhalten. Interessant gestalteter Bildband über die Kunstsammlung von Al und Mary Shands USA.

Paperback. Condition: New. Of all of David Levinthal's previous series of photographs, none is more challenging and provocative than his Blackface series, created over the previous three years. Levinthal has used his toy collection to question national myths, our childhood dreams, and the stereotypes and misperceptions of race and cultural identity. In his blow-up images of miniature toys he has recreated scenes of racism, genocide, and sexual fantasies. This series explores the blackface myth embodied in "black memorabilia", household objects infused with African-American stereotypes. Perhaps the artist's most important works, these images make the blackface myth speak to us directly, without an intermediary, and demand a response from us regardless of our race, age, or gender. Levinthal's Blackface images present a paradox; one that pits the beauty of photographic representation against the racism underscored by these ignoble objects. Magnified with the 20 x 24 inch Polaroid camera, the Blackface pictures explore viewer subjectivity, and question the recent popularity of "black memorabilia" amongst the African-American intelligentsia and why the manufacture of these objects proliferated earlier in this century. The photographs are accompanied by an in-depth scholarly essay by noted writer, critic, and filmmaker Manthia Diawara, an expert on the representation of the African-American in film, photography, and popular media. This book promises to be make major contributions to contemporary African-American studies.…